User manual RANE MLM 42S

[. . . ] Instead, turn down the LEVEL of one or more of the Input channels. The Output Overload indicator should remain off. The OUTPUT MIC/LINE switch changes the balanced XLR and TRS Outputs to either LINE-level or MIC-level. Be aware of what sort of signal your mixer or amplifier wants to see before you scare yourself. WEAR PARTS: This product contains no wear parts. FRONT PANEL DESCRIPTION 3 4 2 0 10 6 8 +6 +6 4 4 6 8 0 10 EFFECTS OUTPUT 4 2 6 8 0 10 0 0 MLM 42S MIC/LINE MIXER 2 OFF LOW MID OFF HIGH OL DRY WET OL HIGH OL LEVEL LEVEL LEVEL POWER 123 456 7 1 LOW / MID / HIGH tone controls on each input channel are Accelerated-SlopeTM, delivering more control, constant phase response, and less interaction between bands than normal tone controls. [. . . ] An Output Overload condition is corrected by turning down one or more of the Input LEVELs. Your goal is to keep this indicator off. 6 OUTPUT LEVEL control determines the level going to all Outputs. When the yellow LED is lit, the MLM 42S is ready to go. Manual- REAR PANEL DESCRIPTION MLM 42S 100-240 V COMMERCIAL AUDIO EQUIPMENT 24TJ 50/60 Hz 7 WATTS R OUTPUT THIS DEVICE COMPLIES WITH PART 15 OF THE FCC RULES FOR A CLASS 'B' COMPUTING DEVICE. EFFECTS A 4 RETURN SEND GAIN 3 B UNBAL. UNBALANCED ACN 001 345 482 MADE IN U. S. A. RANE CORP. BALANCED LINE MIC BALANCED OR LINE MIC ON PHANTOM POWER BALANCED O LINE 8 5 67 4 123 1 INPUTS 1 through 4 feature MIC-level XLR and LINE-level ¼" TRS connectors. Use only one of these Inputs for each channel. A mono ¼" TS plug may be inserted into the LINE input if necessary, but better results come from a balanced TRS plug. See the RaneNote, "Sound System Interconnection" included with this manual. 2 PHANTOM POWER switch provides 15 volts to condenser microphones plugged in the MIC Input. 3 GAIN trim control sets the inital gain of the Input so the front panel LEVEL control has the most latitude without distortion. When the XLR MIC Input is used, the range of the GAIN is 12 to 50 dB and Phantom Power may be selected. When the TRS LINE Input is used, the range of the GAIN is 0 to 12 dB and Phantom Power is disabled. 4 EFFECTS SEND & RETURN loop connects external effects processors or expands to other mixers. 5 ¼" TRS and XLR Balanced OUTPUT jacks are provided for convenience. Both connectors may be used simulaneously. 6 OUTPUT LINE / MIC switch changes both balanced XLR and ¼" TRS Outputs to either LINE-level or MIC-level. Many DJ mixers have microphone engage and talk-over functions associated with the microphone inputs. By connecting the MLM 42S directly to one of these microphone inputs, you are able to take advantage of these features. 7 A & B Unbalanced RCA Outputs provide connection to line-level inputs. [. . . ] The DRY/WET pan control allows the user to control how much processed verses unprocessed signal appears in the final output mix. An alternative use for the EFFECTS loop is for Expand Output and Expand Input. For example, if you wish to use two mixers, the SEND Output of the first mixer can drive the RETURN Input of the second mixer. The relative mix level of mixer one versus mixer two is determined by the DRY/WET pan control of the second mixer. [. . . ]