User manual RANE MP 22Z

[. . . ] OPERATORS MANUAL MP 22z CLUB MIXER MAIN MIC A TREBLE 2 4 EQ ENGAGE CUT BOOST 2 4 INPUT SELECT LINE 3 PH/LN1 LINE 4 LINE 5 INPUT SELECT LINE 4 PH/LN2 LINE 5 LINE 6 B TREBLE 2 4 EQ ENGAGE CUT BOOST 2 4 2 AUX 4 6 8 0 10 LEVEL 2 4 OUTPUT LEVELS 6 8 10 0 ZONE 1 2 10 0 ZONE 2 4 6 8 PEAK dBu +8 +5 +3 HI-MID 2 2 4 CUT 2 BOOST 4 CUT BOOST 2 2 4 CUE A CUE B HI-MID 2 2 4 CUT BOOST 10 MASTER LEVEL 10 +1 0 TREBLE 4 10 10 10 10 4 -1 -3 MIC EQ 2 4 4 CUT BOOST 8 0dB 8 0dB 8 8 -5 -7 MID EQ A 2 2 4 4 CUT BOOST 2 2 4 CUT BOOST 0 0 0 0 4 CUT 2 2 4 4 6 6 6 MID 6 EQ B 4 2 2 4 6 0dB -10 -15 BASS 4 4 CUT 2 2 4 BOOST 2 2 4 BOOST 0 4 LEFT 2 -20 RIGHT REMOTE MIC 2 4 6 8 BASS 2 4 BASS 0 CUE PGM MP 22z MIXER MIN ENGAGE OL MAX MAIN MIC 2 ACTIVE CROSSFADER TM 4 6 8 0 2 4 6 8 10 B 6 HEADPHONE CONTROL 2 2 6 CUE PGM PAN 2 0 10 LEVEL 4 6 8 STEREO CUE/PGM CROSSFADER CONTOUR F 60 PWR MIN ENGAGE MAX A MONO 10 8 6 4 2 0 CUE LEFT PGM RIGHT QUICK START If you won't read the manual (we know how it is) here are a few basic "plug it in and get signal thru it" facts. The MP 22z has all unbalanced RCA connectors, except for the XLR & ¼" Mic Inputs, ¼" Mic Loop, and the balanced ¼" TRS Master Outputs. Be sure your amplifier is off while making connections. On the front panel, set all controls to the middle of their travel. [. . . ] Poway, CA 92064 Phone 858-486-8388 Fax 858-486-8398 (www. caig. com) REPLACING THE ACTIVE CROSSFADER The Crossfader may be removed without any disassembly of the MP 22z itself, and may be performed while the unit is operating with no interruption of the audio signal. F 60 and F 45 Fader Kits are available from your local retailer or the factory. The kit includes full assembly including knobs, ribbon, and face plate. Remove the two (2) outer screws attaching the crossfader assembly to the front panel. Pull the Crossfader Assembly forward and unplug the ribbon from the connector on the bottom board. Proceed with Cleaning Instructions, or install the replacement assembly by reversing the above instructions. Hold the fader assembly away from the mixer. Spray cleaner/lubricant into both ends of the fader. Move the fader over its full travel back and forth a few times. Shake excess fluid from the fader assembly. Manual-3 REAR PANEL DESCRIPTION TRIM 1 TRIM 2 TRIM 3 TRIM 4 TRIM 5 TRIM 6 UNBALANCED 1/4" TIP (SIG) SLEEVE (GND) PHONO GROUND ACTIVE CROSSFADER TECHNOLOGY PATENT PENDING INPUTS L L MASTER LOOP L SEND (OUT) R AUX LINE IN L MP 22z OUTPUTS MIC/AUX TO TAPE OUT MIC/AUX TO ZONE 1 L ACN001. 187. 837 MADE IN U. S. A. REMOTE MIC/LINE MIC LOOP SEND RETURN L BALANCED 1/4" TIP (+) RING (­) SLEEVE (GND) MASTER RANE CORP. POWER R INPUT (OUT) (IN) LINE PHONO (RIAA) PH/LN 1 PH/LN 2 LINE PHONO (RIAA) LINE 3 R LINE 4 R L LINE 5 LINE 6 RETURN (IN) R R TAPE R YES NO YES NO ZONE 1 ZONE 2 L R 750mA CLASS 2 EQUIPMENT 1 REMOTE MIC/LINE INPUT: This ¼" tip-sleeve Input is for wireless mics or other high-impedence sources. 2 MICROPHONE LOOP jacks: These ¼" tip-sleeve connectors are for inserting external signal processing in the microphone circuit only. These jacks do not effect the other Inputs. 3 PHONO GROUND screw: This can facilitate your hum chasing, buzz eliminating experiments, providing a place to connect those extra wires coming out of the turntables. 4 PHONO/LINE 1 & 2 INPUTS: These stereo Inputs are switchable from a PHONO (RIAA) stage for magnetic cartridges to a LINE level Input suitable for any line level device such as a CD player. Each Input may be adjusted with its TRIM control for level matching purposes if desired. 5 LINE 3, 4, 5 & 6 INPUTS: These stereo pairs of RCAs connect LINE level Inputs only. Each Input may be adjusted with its TRIM control for level matching purposes if desired. 6 MASTER LOOP SEND & RETURN: These stereo pairs of RCA connectors allow inserting external signal processing in the Master, Zone and Headphone circuits. This feature does not affect the operation of the MIC or AUX INPUTS. These are switching jacks--always finish the loop when connecting send or return. Only connect to a device that is capable of returning signal back to the MP 22z. [. . . ] There are two choices of listening to the CUE. With the STEREO/MONO switch down, you get Mono Cue in the Left ear and Mono Program in the Right, and PAN controls the amount of each. With this switch up, you get Stereo Program in both ears or Stereo Cue in both ears, depending on the rotation of the PAN control. The overall volume is then controlled by the HEADPHONE LEVEL control. [. . . ]