User manual REVEL F32 REV 0

[. . . ] Revel Performa F32 Loudspeaker Owner's Manual ® TM 3 Oak Park, Bedford, MA, 01730-1413 USA | Telephone: 781-280-0300 | Fax: 781-280-0490 | www. revelspeakers. com Customer Support: Telephone: 781-280-0300 | Sales Fax: 781-280-0495 | Service Fax: 781-280-0499 Please contact Customer Support for information about product shipments. Part No. 350351-001 | Rev 0 | 12/03 "Revel, " "Performa, " and the Revel logo are registered trademarks of Harman International Industries. patent numbers and other worldwide patents issued and pending. This document should not be construed as a commitment on the part of Harman Specialty Group. The information it contains is subject to change without notice. [. . . ] Move the F32s closer to the corners or walls of the listening room to increase bass response. · · 11 Acoustic Treatment Materials The F32 features high-order filters at 220Hz and 2. 8kHz that optimize loudspeaker on and off-axis response, minimizing degradations that occur in overly "live" rooms. Placing acoustic treatment materials at primary reflection points will reduce these distortions even further. Ideally, acoustic absorbers should be placed at the first reflection points on the front and side walls and either acoustic absorbers or diffusers should be placed at the first reflection point on the rear wall. Because the listener's eyes and ears are on the same plane, the "mirror method" is an accurate determinant of critical reflection points. This method can be used to determine reflection points for side walls, rear walls, front walls, and even the ceiling. Applying acoustic treatment materials to the side walls is most important, followed by the front wall, rear wall, and ceiling. To determine reflection points using the mirror method: 1. Once the F32s have been placed, sit in the primary listening position. Ask another person to slide a mirror along the listening room walls. Note the locations at which the person sitting in the primary listening position can see either F32. Be sure to look for both F32s in the reflection on each room boundary. These are primary reflection points that will most benefit from acoustic treatment materials. If acoustic treatment materials are not available, hanging a rug over the reflection points will help to reduce degradation in overly "live" rooms. Carpeting the floor between the loudspeakers and the primary listening position and placing irregular surfaces such as bookcases at first reflection points will also help minimize strong reflections. ADJUSTABLE SPIKE FOOTING When shipped, adjustable spike footing is attached to the bottom of the cabinet for optimal stability, accommodating installations on tile, hardwood, and carpeted floors. The F32 is shipped with spike footing attached as shown on the left side of Figure 7 at the top of the next page, with the round end protruding from the cabinet. The protective cap is placed over the round end to protect tile and hardwood floors. Note When moving the F32, do not drag it across the floor. If the F32 is placed on a carpeted floor, the spike footing should be adjusted as shown on the right side of Figure 7 (next page), with the spike end protruding from the cabinet. If needed, follow the instructions that begin below to adjust the spike footing. Place the F32 on its side on a soft towel or carpeted floor. Remove the protective cap from the round end of the spike. Rotate the locking ring counterclockwise to detach it from the spike. Rotate the spike counterclockwise to remove it from the cabinet. Rotate the spike clockwise into the cabinet, round end first, as shown on the right side of Figure 7 (next page). 12 Figure 7: Adjustable Spike Footing F32 Spike End Round End Protective Cap When shipped, the spikes are attached as shown here for loudspeaker placement on tile or hardwood floors. The spikes should be attached as shown here for loudspeaker placement on carpeted floors. Spike End Locking Ring Round End (Protective Cap Attached) Round End (Protective Cap Removed) Locking Ring Spike End 6. [. . . ] Woofer, midrange, and tweeter filter boards are independent of one another. Each includes provisions for single-wired, bi-wired, and biamplified connections as well as flexible controls for user adjustments. Indicates sound quality in context with other specifications. An advanced measurement, this specification closely correlates to sound quality in a single curve ­ a long-standing goal of loudspeaker engineers. [. . . ]