User manual ROLAND ASC-10

[. . . ] The manual should be saved and kept on hand as a convenient reference. Let's start off by playing some sounds! 2 3 1 1. Press the [ ] button to start the pattern. 2. Move your finger in a circle on the D-FIELD. Copyright © 2001 ROLAND CORPORATION All rights reserved. No part of this publication may be reproduced in any form without the written permission of ROLAND CORPORATION. For the U. K. [. . . ] (dotted quarter note), 2 (half note) 20. Short Delay (Add Echoes to the Sound) This is a short delay which allows you to set the left and right delay times independently. You can also move the panning of the delay sound in synchronization with the BPM. Screen Parameter TIME L (Left Delay Time) TIME R (Right Delay Time) HF DAMP Explanation Specifies the time from the original sound until the left delay sound is heard. Specifies the time from the original sound until the right delay sound is heard. Determines the frequency at which the high frequency portions of the delay sound will be cut. As this parameter is set to a lower frequency, more of the high range will be cut, making the delay sound more muted in tone. If you do not wish to cut the high frequency range, select "BYPASS. " Adjusts the number of delay repeats. Adjusts the boost or cut of the low frequency range. Adjusts the boost or cut of the high frequency range. Adjusts the volume balance between the original sound and the delay sound. With a setting of "0, " no delay sound will be output. It can be used to play unison lines at an interval of an octave or fifth, or to layer a slightly pitch-shifted with the original sound to create a chorus effect. Screen Parameter COARSE (Coarse Pitch) FINE (Fine Pitch) OUTPUT PAN PRE DELAY (Pre Delay Time) MODE (Pitch Shifter Mode) FEEDBACK (Feedback Level) LOW GAIN HIGH GAIN BALANCE (Effect Balance) OUTPUT LEVEL Explanation Specifies the amount of pitch shift relative to the original sound, in semitone steps. Adjusts the amount of pitch shift in 2-cent steps. Determines the stereo location of the pitch-shifted sound. Specifies the time from the original sound until the pitch-shifted sound is heard. Specifies how the pitch will be shifted. As this setting is increased, the response will be slower, but the sound will be more stable. Specifies the proportion of the pitch-shifted sound that will be fed back into the input. Adjusts the boost or cut of the low frequency range. Adjusts the boost or cut of the high frequency range. Specifies the volume balance between the original sound and the pitch-shifted sound. When the setting is "0, " the pitch-shifted sound will not be output. Specifies the output volume of the Feedback Pitch Shifter effect. [. . . ] Eden, Auckland 3, NEW ZEALAND TEL: (09) 3098 715 BELGIUM/HOLLAND/ LUXEMBOURG Roland Benelux N. V. Houtstraat 3, B-2260, Oevel (Westerlo) BELGIUM TEL: (014) 575811 SYRIA Technical Light & Sound Center Khaled Ibn Al Walid St. Box 13520 Damascus - SYRIA TEL: (011) 2235 384 HONG KONG Tom Lee Music Co. , Ltd. Service Division 22-32 Pun Shan Street, Tsuen Wan, New Territories, HONG KONG TEL: 2415 0911 CENTRAL/LATIN AMERICA ARGENTINA Instrumentos Musicales S. A. Florida 656 2nd Floor Office Number 206A Buenos Aires ARGENTINA, CP1005 TEL: (54-11) 4- 393-6057 SWEDEN Roland Scandinavia A/S SWEDISH SALES OFFICE Danvik Center 28, 2 tr. [. . . ]