User manual ROLAND E-35 MIDI IMPLEMENTATION

[. . . ] A value of 0 results in the fastest change. Data Entry (Controller number 6, 38) Status BnH BnH 2nd bytes 06H 26H 3rd byte mmH llH n = MIDI channel number: kk = note number: vv = note on velocity: * * Not received when Rx. NOTE MESSAGE = OFF. (Initial value is ON) For Drum Parts, not received when Rx. NOTE ON = OFF for each Instrument. n = MIDI channel number: 0H-FH (ch. 1-ch. 16) mm, ll = the value of the parameter specified by RPN/NRPN mm = MSB, ll = LSB Polyphonic Key Pressure Status AnH 2nd bytes kkH 3rd byte vvH 0H-FH (ch. 1-ch. 16) 00H-7FH (0-127) 00H-7FH (0-127) Volume (Controller number 7) Status BnH 2nd bytes 07H 3rd byte vvH 0H-FH (ch. 1-ch. 16) 00H-7FH (0-127), Initial Value = 64H (100) n = MIDI channel number: kk = note number: vv = key pressure: * * n = MIDI channel number: vv = Volume: * * Not received when Rx. POLY PRESSURE (PAf) = OFF. (Initial value is ON) The resulting effect is determined by System Exclusive messages. With the initial settings, there will be no effect. Volume messages are used to adjust the volume balance of each Part. [. . . ] Negative (-) settings will invert the phase. Level of the phase-shifted sound Gain of the low range Gain of the high range Output Level 3 4 5 6 7 8 9 Pre Amp Volume Pre Amp Master Pre Amp Gain Pre Amp Bass Pre Amp Middle Pre Amp Treble Pre Amp Presence Pre Amp Bright 0 - 127 0 - 127 0-2 0 - 127 0 - 127 0 - 127 0 - 127 Resonance Cross Feedback 0 - 127 0 - 98 0-127 -98- +98 % 0-127 (MATCH Drive: -127 - 0) Off, On 10 11 12 13 Mix Low Gain High Gain Level 0 - 127 0 - 30 0 - 30 0 - 127 0-127 -15- +15 dB -15- +15 dB 0-127 10 0-1 11 Speaker Sw 0-1 Off, On 0129: Multi Stage Phaser Extremely high settings of the phase difference produce a deep phaser effect. No 1 Parameter Mode Value 0-5 4-Stage, 8-Stage, 12-Stage, 16-Stage, 20-Stage, 24-Stage 0-127 Hz, note 0. 05-10. 00 Hz note 0-127 0-127 0-127 L64-63R -15- +15 dB -15- +15 dB 0-127 Description Number of phaser stages 12 13 Speaker Type #2 Mic Setting 0 - 15 0-2 (See the table. ) 1, 2, 3 14 15 16 17 Mic Level Direct Level Pan Level 0 - 127 0 - 127 0 - 127 0 - 127 0-127 0-127 L64-63R 0-127 Manual #2 Rate Mode Rate #1 Rate Depth Resonance Mix Pan Low Gain High Gain Level 0 - 127 0-1 1 - 127 0 - 21 0 - 127 0 - 127 0 - 127 0 - 127 0 - 30 0 - 30 0 - 127 Adjusts the basic frequency from which the sound will be modulated. When this is set to "note, " the effect is synchronized with the tempo. Frequency of modulation (Hz) Frequency of modulation (note) Depth of modulation Amount of feedback Level of the phase-shifted sound Stereo location of the output sound Gain of the low range Gain of the high range Output Level Specifications of each Speaker Type The speaker column indicates the diameter of each speaker unit (in inches) and the number of units. Type Small 1 Small 2 Middle JC-120 Built-In 1 Built-In 2 Built-In 3 Built-In 4 Built-In 5 BG Stack 1 BG Stack 2 MS Stack 1 MS Stack 2 Metal Stack 2-Stack 3-Stack Cabinet Small open-back enclosure Small open-back enclosure Open back enclosure Open back enclosure Open back enclosure Open back enclosure Open back enclosure Open back enclosure Open back enclosure Sealed enclosure Large sealed enclosure Large sealed enclosure Large sealed enclosure Large double stack Large double stack Large triple stack Speaker 10 10 12 x 1 12 x 2 12 x 2 12 x 2 12 x 2 12 x 2 12 x 2 12 x 2 12 x 2 12 x 4 12 x 4 12 x 4 12 x 4 12 x 4 Microphone Dynamic Dynamic Dynamic Dynamic Dynamic Condenser Condenser Condenser Condenser Condenser Condenser Condenser Condenser Condenser Condenser Condenser 9 10 11 12 19 MIDI Implementation 012a: Infinite Phaser A phaser that continues raising/lowering the frequency at which the sound is modulated. No 1 2 Parameter Mode Speed #1 Value 0-3 0 - 127 1, 2, 3, 4 -100- +100 Description Higher values will produce a deeper phaser effect. Speed at which to raise or lower the frequency at which the sound is modulated (+: upward / -: downward) Amount of feedback Volume of the phase-shifted sound Panning of the output sound Amount of boost/cut for the lowfrequency range Amount of boost/cut for the highfrequency range Output volume 11 12 13 14 Low Gain High Gain Balance Level 0 - 30 0 - 30 0 - 100 0 - 127 -15- +15 dB -15- +15 dB D100:0WD0:100W 0-127 10 Output Mode 0-1 Speaker, Phones No 9 Parameter Feedback Value 0 - 98 -98- +98 % Description Adjusts the proportion of the flanger sound that is fed back into the effect. Negative (-) settings will invert the phase. Adjusts the method that will be used to hear the sound that is output to the OUTPUT jacks. The optimal 3D effect will be achieved if you select Speaker when using speakers, or Phones when using headphones. Down: The filter will change toward a lower frequency. When this is set to "note, " the effect is synchronized with the tempo. Frequency of modulation (Hz) Frequency of modulation (note) Depth of modulation Adjusts the degree of phase shift of the left and right sounds when the wah effect is applied. Gain of the low range Gain of the high range Output Level 3 4 5 Rate #1 Rate Depth #2 Low Gain High Gain Level 1 - 127 0 - 21 0 - 127 0 - 30 0 - 30 0 - 127 0. 05-10. 00 Hz note 0-127 -15- +15 dB -15- +15 dB 0-127 012b: Ring Modulator This is an effect that applies amplitude modulation (AM) to the input signal, producing belllike sounds. You can also change the modulation frequency in response to changes in the volume of the sound sent into the effect. No 1 2 3 Parameter Frequency #1 Sens Polarity Value 0 - 127 0 - 127 0-1 0-127 0-127 Up, Down Description Adjusts the frequency at which modulation is applied. Adjusts the amount of frequency modulation applied. Determines whether the frequency modulation moves towards higher frequencies (Up) or lower frequencies (Down). Gain of the low frequency range Gain of the high frequency range Volume balance between the direct sound (D) and the effect sound (W) Output level 2 3 Manual #2 Peak 0 - 127 0 - 127 0-127 0-127 4 5 6 7 Low Gain High Gain Balance #2 Level 0 - 30 0 - 30 0 - 100 0 - 127 -15- +15 dB -15- +15 dB D100:0WD0:100W 0-127 4 5 Sens Polarity 0 - 127 0-1 0-127 Up, Down 0125: Tremolo Cyclically modulates the volume to add tremolo effect to the sound. No 1 Parameter Mod Wave Value 0-4 Tri, Sqr, Sin, Saw1, Saw2 Description Modulation Wave Tri: Triangle wave Sqr: Square wave Sin: Sine wave Saw1/2: Sawtooth wave When this is set to "note, " the effect is synchronized with the tempo. Frequency of the change (Hz) Frequency of the change (note) Depth to which the effect is applied Gain of the low range Gain of the high range Output Level 6 7 8 9 10 Rate Mode Rate #1 Rate Depth Phase 0-1 1 - 127 0 - 21 0 - 127 0 - 90 Hz, note 0. 05-10. 00 Hz note 0-127 0-180 deg 2 Rate Mode 0-1 Hz, note 11 12 13 Low Gain High Gain Level 0 - 30 0 - 30 0 - 127 -15- +15 dB -15- +15 dB 0-127 0103: Humanizer Adds a vowel character to the sound, making it similar to a human voice. [. . . ] When this is set to "note, " the effect is synchronized with the tempo. Frequency of modulation (Hz) Frequency of modulation (note) Depth of modulation Volume balance between the direct sound (D) and the chorus sound (W) When this is set to "note, " the effect is synchronized with the tempo. Adjusts the delay time from the direct sound until the delay sound is heard. (Hz) Adjusts the delay time from the direct sound until the delay sound is heard. [. . . ]