User manual ROLAND KR-115M V1.00 MIDI IMPLEMENTATION

[. . . ] Digital Piano Model:KR117M, 115M, 115 MIDI Implementation Modulation (Controller number 1) Status BnH 2nd bytes 01H 3rd byte vvH : 0H-FH (ch. 1-ch. 16) : 00H-7FH (0-127) Date:Oct. 1, 2005 Version:1. 00 * Messages for which [model name] is indicated are applicable only to that specific model. 1. Receive data Channel Voice Messages Note off Status 8nH 9nH 2nd byte kkH kkH 3rd byte vvH 00H : 0H-FH (ch. 1-ch. 16) : 00H-7FH (0-127) : 00H-7FH (0-127) n = MIDI channel number vv = Modulation depth * * Not received when Rx. MODULATION = OFF. (Initial value is ON) The resulting effect is determined by System Exclusive messages. [. . . ] No 1 2 Parameter Split Freq Low Pre Delay Value 0 - 16 0 - 125 Default 200-8000 Hz 0. 0-100. 0 ms Description Frequency at which the low and high ranges will be divided Delay time from when the original sound is heard to when the lowrange flanger sound is heard When this is set to "note, " the effect is synchronized with the tempo. Rate at which the low-range flanger sound is modulated (Hz) Rate at which the low-range flanger sound is modulated (note) Modulation depth for the low-range flanger sound Spaciousness of the low-range flanger sound Proportion of the low-range flanger sound that is to be returned to the input (negative values invert the phase) Delay time from when the original sound is heard to when the highrange flanger sound is heard When this is set to "note, " the effect is synchronized with the tempo. Rate at which the high-range flanger sound is modulated (Hz) Rate at which the high-range flanger sound is modulated (note) Modulation depth for the high-range flanger sound Spaciousness of the high-range flanger sound Proportion of the high-range flanger sound that is to be returned to the input (negative values invert the phase) Volume balance of the original sound (D) and flanger sound (W) Output volume 3 4 5 6 7 8 Low Rate sync Low Rate # Low Rate Low Depth Low Phase Low Feedback 0-1 1 - 127 0 - 21 0 - 127 0 - 90 0 - 98 Hz, note 0. 05-10. 00 Hz note (*1) 0-127 0-180 deg -98- +98 % 2 3 Cutoff Freq Pre Delay 0 - 16 0 - 125 200-8000 Hz 0. 0-100. 0 ms 4 5 6 7 8 9 Rate sync Rate # Rate Depth # Phase Feedback 0-1 1 - 127 0 - 21 0 - 127 0 - 90 0 - 98 Hz, note 0. 05-10. 00 Hz note (*1) 0-127 0-180 deg -98- +98 % 9 High Pre Delay 0 - 125 0. 0-100. 0 ms 10 11 12 13 Low Gain High Gain Balance Level 0 - 30 0 - 30 0 - 100 0 - 127 -15- +15 dB -15- +15 dB D100:0WD0:100W 0-127 10 11 12 13 14 15 High Rate sync High Rate # High Rate High Depth High Phase High Feedback 0-1 1 - 127 0 - 21 0 - 127 0 - 90 0 - 98 Hz, note 0. 05-10. 00 Hz note (*1) 0-127 0-180 deg -98- +98 % 0127: 3D FLANGER This applies a 3D effect to the flanger sound. The flanger sound will be positioned 90 degrees left and 90 degrees right. No 1 Parameter Filter Type Value 0-2 Default OFF, LPF, HPF Description Type of filter OFF: No filter is used LPF: Cuts the frequency range above the Cutoff Freq HPF: Cuts the frequency range below the Cutoff Freq Basic frequency of the filter Adjusts the delay time from when the direct sound begins until the flanger sound is heard. When this is set to "note, " the effect is synchronized with the tempo. Frequency of modulation (Hz) Frequency of modulation (note) Depth of modulation Spatial spread of the sound Adjusts the proportion of the flanger sound that is fed back into the effect. Negative (-) settings will invert the phase. Adjusts the method that will be used to hear the sound that is output to the OUTPUT jacks. The optimal 3D effect will be achieved if you select SPEAKER when using speakers, or PHONES when using headphones. Gain of the low range Gain of the high range Volume balance between the direct sound (D) and the flanger sound (W) Output Level 16 17 Balance Level 0 - 100 0 - 127 D100:0WD0:100W 0-127 2 3 Cutoff Freq Pre Delay 0 - 16 0 - 125 200-8000 Hz 0. 0-100. 0 ms 0121: AUTO WAH Cyclically controls a filter to create cyclic change in timbre. No 1 Parameter Filter Type Value 0-1 Default LPF, BPF Description Type of filter LPF: The wah effect will be applied over a wide frequency range. BPF: The wah effect will be applied over a narrow frequency range. Adjusts the center frequency at which the effect is applied. Adjusts the amount of the wah effect that will occur in the range of the center frequency. Set a higher value for Q to narrow the range to be affected. Adjusts the sensitivity with which the filter is controlled. Sets the direction in which the frequency will change when the autowah filter is modulated. UP: The filter will change toward a higher frequency. DOWN: The filter will change toward a lower frequency. When this is set to "note, " the effect is synchronized with the tempo. Frequency of modulation (Hz) Frequency of modulation (note) Depth of modulation Adjusts the degree of phase shift of the left and right sounds when the wah effect is applied. [. . . ] Negative (-) settings will invert the phase. Adjusts the frequency above which sound fed back to the effect will be cut. If you do not want to cut the high frequencies, set this parameter to BYPASS. Adjusts the volume balance between the sound that is sent through the delay (W) and the sound that is not sent through the delay (D). [. . . ]