User manual ROLAND LVC-1

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Manual abstract: user guide ROLAND LVC-1

Detailed instructions for use are in the User's Guide.

[. . . ] 15 Pattern list (for International) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 17 RPS Pattern list. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 19 RPS Set list . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 21 Pattern Set list (for US) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . [. . . ] The sound quality grows poorer as this value is increased. Selects the type of filter applied to the sound after it passes through the Lo-Fi effect. OFF: no filter is used LPF: cuts the frequency range above the Cutoff HPF: cuts the frequency range below the Cutoff Cutoff frequency of the Post Filter Switch between white noise and pink noise. OFF, LPF, HPF Post Filter Type OFF, LPF, HPF Post Filter Cutoff Balance #1 Level #2 200­ 8000 Hz D100:0W­ D0:100W 0­127 Description Selects the type of filter applied to the sound before it passes through the Lo-Fi effect. The sound quality grows poorer as this value is increased. Selects the type of filter applied to the sound after it passes through the Lo-Fi effect. OFF: no filter is used LPF: cuts the frequency range above the Cutoff HPF: cuts the frequency range below the Cutoff Cutoff frequency of the Post Filter Volume balance between the direct sound (D) and the effect sound (W) Output level Post Filter Cutoff W/P Noise Type 200­8000 Hz WHITE, PINK 37 Effects editing parameters 32: LOFI RADIO (Lo-Fi Radio) In addition to a Lo-Fi effect, this effect also generates radio noise. fig. MFX32 34: PHONOGRAPH Simulates a sound recorded on an analog record and played back on a record player. This effect also simulates the various types of noise that are typical of a record, and even the rotational irregularities of an old turntable. fig. MFX34 L in Lo-Fi Radio Lo-Fi R in Parameter LoFi Type Value 1­9 L out Balance D L in Phonograph R out Balance W Balance W L out Phonograph R in Balance D R out Post Flter Type OFF, LPF, HPF Post Filter Cutoff Radio Detune #1 Radio Noise Level Balance #2 Level 200­8000 Hz 0­127 Description Degrades the sound quality. The sound quality grows poorer as this value is increased. Selects the type of filter applied to the sound after it passes through the Lo-Fi effect. OFF: no filter is used LPF: cuts the frequency range above the Cutoff HPF: cuts the frequency range below the Cutoff Cutoff frequency of the Post Filter Simulates the tuning noise of a radio. As this value is raised, the tuning drifts further. Phase of the delay sound Adjusts the amount of the delay sound that's fed back into the effect. Adjusts the frequency above which sound fed back to the effect is filtered out. If you don't want to filter out any high frequencies, set this parameter to BYPASS. Gain of the low frequency range Gain of the high frequency range Volume balance between the direct sound (D) and the delay sound (W) Output level Parameter Feedback Mode Delay Left Delay Right Feedback Value NORMAL, CROSS 0­2000 ms, note -98­ +98 % HF Damp 200­8000 Hz, BYPASS HF Damp 200­8000 Hz, BYPASS Low Gain High Gain Balance #2 Level -15­ +15 dB -15­ +15 dB D100:0W­ D0:100W 0­127 Rate Depth Phase Low Gain High Gain Balance # Level 0. 05­10. 00 Hz 0­127 0-180 deg -15­ +15 dB -15­ +15 dB D100:0W­ D0:100W 0­127 Description Selects the way in which delay sound is fed back into the effect (See the figures above. ) Adjusts the time until the delay sound is heard. Adjusts the amount of the delay sound that's fed back into the effect. Adjusts the frequency above which sound fed back to the effect is filtered out. If you don't want to filter out any high frequencies, set this parameter to BYPASS. Frequency of modulation Depth of modulation Spatial spread of the sound Gain of the low frequency range Gain of the high frequency range Volume balance between the direct sound (D) and the delay sound (W) Output level 40 Effects editing parameters 41: TRIPLE TAP DELAY Produces three delay sounds; center, left and right. fig. MFX41 43: MULTI TAP DELAY This effect provides four delays. Each of the Delay Time parameters can be set to a note length based on the selected tempo. You can also set the panning and level of each delay sound. fig. MFX43 Balance D L in Left Tap Triple Tap Delay Feedback Center Tap 2-Band EQ Balance W L out Balance D L in Feed back Balance W Delay 1 Delay 3 2-Band EQ L out Balance W Right Tap Balance D Multi Tap Delay R out Delay 4 Delay 2 Balance W R in 2-Band EQ Parameter Delay Left/ Right/Center Feedback #1 HF Damp Value 0­4000 ms, note -98­ +98 % 200­8000 Hz, BYPASS Left/Right/ Center Level Low Gain High Gain Balance #2 Level 0­127 -15­ +15 dB -15­ +15 dB D100:0W­ D0:100W 0­127 Description Adjusts the time until the delay sound is heard. Adjusts the amount of the delay sound that's fed back into the effect. [. . . ] For more information please check www. justinberkovi. com Kilian Schweer Kilian Schweer is a musician from Germany working in the experimental electronic music field. He's been programming patterns and sounds for the Roland MC-505 and Roland MC-909. Kilian also worked for several TV productions and multimedia projects and is heavily engaged in live performances. Currently he is studying communication design, exploring new ways of combining sound synthesis with computer generated and animated pictures. Manuel Schleis Born in 1979, he early began to take piano lessons when he was 6 years old. [. . . ]

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