User manual ROLAND SYSTEM-100-103

[. . . ] With the initial settings, this is Pitch Modulation Depth. Portamento Time (Controller number 5) Status BnH 2nd bytes 05H 3rd byte vvH 0H-FH (ch. 1-ch. 16) 00H-7FH (0-127), Initial value = 00H (0) n = MIDI channel number: kk = note number: vv = note off velocity: * For Drum Parts, these messages are received when Rx. NOTE OFF = ON for each Instrument. n = MIDI channel number: vv = Portamento Time: * Note on Status 9nH 2nd bytes kkH 3rd byte vvH 0H-FH (ch. 1-ch. 16) 00H-7FH (0-127) 01H-7FH (1-127) This adjusts the rate of pitch change when Portamento is ON or when using the Portamento Control. A value of 0 results in the fastest change. Data Entry (Controller number 6, 38) Status BnH BnH 2nd bytes 06H 26H 3rd byte mmH llH n = MIDI channel number: kk = note number: vv = note on velocity: * * Not received when Rx. NOTE MESSAGE = OFF. (Initial value is ON) For Drum Parts, not received when Rx. NOTE ON = OFF for each Instrument. n = MIDI channel number: 0H-FH (ch. 1-ch. 16) mm, ll = the value of the parameter specified by RPN/NRPN mm = MSB, ll = LSB Polyphonic Key Pressure Status AnH 2nd bytes kkH 3rd byte vvH 0H-FH (ch. 1-ch. 16) 00H-7FH (0-127) 00H-7FH (0-127) Volume (Controller number 7) Status BnH 2nd bytes 07H 3rd byte vvH 0H-FH (ch. 1-ch. 16) 00H-7FH (0-127), Initial Value = 64H (100) n = MIDI channel number: kk = note number: vv = key pressure: * * n = MIDI channel number: vv = Volume: * * Not received when Rx. POLY PRESSURE (PAf) = OFF. (Initial value is ON) The resulting effect is determined by System Exclusive messages. [. . . ] Frequency of modulation (Hz) Frequency of modulation (note) Depth of modulation Selects whether the left and right phase of the modulation will be the same or the opposite. INVERSE: The left and right phase will be opposite. When using a mono source, this spreads the sound. SYNCHRO: The left and right phase will be the same. Select this when inputting a stereo source. Amount of feedback Adjusts the proportion of the phaser sound that is fed back into the effect. Negative (-) settings will invert the phase. Level of the phase-shifted sound Gain of the low range Gain of the high range Output Level 2 Pre Amp Type # 0 - 13 Type of guitar amp 4 5 6 7 Polarity 0-1 INVERSE, SYNCHRO 3 4 5 6 7 8 Pre Amp Volume Pre Amp Master Pre Amp Gain Pre Amp Bass Pre Amp Middle Pre Amp Treble Pre Amp Presence 0 - 127 0 - 127 0-2 0 - 127 0 - 127 0 - 127 Volume and amount of distortion of the amp Volume of the entire pre-amp Amount of pre-amp distortion Tone of the bass/mid/treble frequency range Middle cannot be set if "Match Drive" is selected as the Pre Amp Type. Tone for the ultra-high frequency range Turning this "On" produces a sharper and brighter sound. This parameter applies to the "JC120, " "Clean Twin, " and "BG Lead" Pre Amp Types. Determines whether the signal passes through the speaker (ON), or not (OFF). Negative (-) settings will invert the phase. Adjusts the method that will be used to hear the sound that is output to the OUTPUT jacks. The optimal 3D effect will be achieved if you select SPEAKER when using speakers, or PHONES when using headphones. Gain of the low range Gain of the high range Volume balance between the direct sound (D) and the flanger sound (W) Output Level 13 14 15 High Feedback 0 - 98 -98- +98 % D100:0WD0:100W 0-127 1 Filter Type 0-2 OFF, LPF, HPF 16 17 Balance Level 0 - 100 0 - 127 2 3 4 5 6 7 8 9 Cutoff Freq Pre Delay Rate sync Rate # Rate Depth # Phase Feedback 0 - 16 0 - 125 0-1 1 - 127 0 - 21 0 - 127 0 - 90 0 - 98 200-8000 Hz 0. 0-100. 0 ms Hz, note 0. 05-10. 00 Hz note (*1) 0-127 0-180 deg -98- +98 % 0121: AUTO WAH Cyclically controls a filter to create cyclic change in timbre. No Parameter Value Default Description Type of filter LPF: The wah effect will be applied over a wide frequency range. BPF: The wah effect will be applied over a narrow frequency range. Adjusts the center frequency at which the effect is applied. Adjusts the amount of the wah effect that will occur in the range of the center frequency. Set a higher value for Q to narrow the range to be affected. Adjusts the sensitivity with which the filter is controlled. Sets the direction in which the frequency will change when the autowah filter is modulated. [. . . ] Volume balance between the direct sound (D) and the flanger sound (W) When this is set to "note, " the effect is synchronized with the tempo. Adjusts the delay time from the direct sound until the delay sound is heard. (Hz) Adjusts the delay time from the direct sound until the delay sound is heard. (note) Adjusts the proportion of the delay sound that is fed back into the effect. [. . . ]