User manual ROLAND TW-1

[. . . ] The popup name will depend on the type of name you are assigning. Popup name EDIT SAMPLE NAME EDIT PARTIAL NAME EDIT PATCH NAME EDIT PAD BANK NAME EDIT AUDIO PHRASE NAME EDIT SONG NAME EDIT MIDI CLIP NAME EDIT TRACK NAME EDIT LOCATOR NAME EDIT MFX NAME EDIT DELAY/ CHORUS NAME EDIT REVERB NAME EDIT MTK NAME EDIT VOLUME LABEL EDIT PATTEN NAME EDIT FOLDER NAME EDIT FILE NAME EDIT PROJECT NAME MIXDOWN FILE NAME Explanation Changes the sample name Changes the partial name Changes the audio phrase name Changes the pad bank name Changes the patch name Changes the song name Changes the MIDI clip name Changes the track name Changes the locator name Changes the MFX library name Changes Delay/Chorus library name Changes Reverb library name Changes the MTK library name Changes the volume label Changes the pattern name * Changes the folder name * Changes the file name * Changes the project name * Changes the Mixdown file name Name You can edit the name. PROJECT For details on inputting characters, refer to "Inputting text" (Owner's Manual; p. 33). F-buttons · [F1](History) Displays the HISTORY popup. You can recall (and re-input) up to the ten most recent names you input in the EDIT NAME popup since turning on the power. Selects the name at the cursor in the history list then press [F5](Select). SYSTEM DISK/USB · [F2](Insert Space) MASTERING Inserts a space at the cursor location. · [F3](Delete) Deletes the character at the cursor location. [. . . ] in a zig-zag fashion. Start Point Loop Point End Point Loop Point The point at which the repeated portion (the second and subsequent times) will begin playing. Set this if you want to the sample to loop from a point other than the Start Point. S-128 TW-1 Screen Guide INSTRUMENTS F-buttons and menu · [F1](Sample List) Displays the SAMPLE LIST popup (p. 130). Value Rev One Shot Explanation The sample will play once in the reverse direction from the end point to the start point. Start Point Loop Point End Point · [F2](Sample Prm) Displays the SAMPLE PARAMETER popup (p. 131). · [F3](Length Lock) Reverse The sample will play from the end point to the start point, and then play repeatedly in the reverse direction from the loop start point to the start point. Start Point Loop Point End Point Specifies whether the length between the playback points of the sample will be fixed. If the indication "LENG LOCK" is shown at the left of the Start Point, Loop Point, and End Point parameters, the length of the corresponding region will be locked. In this case, changing one value will affect the other value while maintaining the length of the region. INSTRUMENTS AUDIO PHRASES Loop Tune Adjusts the pitch of the loop region in steps of one cent. Range: -50­0­+50 · [F4](Preview) When you hold this button, auditions a currently edited sample. · [F5](Command) PROJECT · One cent = 1/100th of a semitone Displays the SELECT SAMPLE EDIT COMMAND popup (p. 132). · [MENU] Displays the MENU popup. SYSTEM Menu items DISK/USB 1 Save Sample As WAV Displays the SAVE SAMPLE AS WAV popup (p. 140), where you can save the sample to disk in WAV format. MASTERING 2 Save Sample As AIFF Displays the SAVE SAMPLE AS AIFF popup (p. 140), where you can save the sample to disk in AIFF format. SAMPLING IMPORT EFFECTS MIXER TW-1 Screen Guide S-129 INSTRUMENTS SAMPLE LIST popup In this popup you can choose from the samples that have been saved in the TW-1. To access this screen · [INSTRUMENTS] [F5](Patch Edit) [F5](Partial Edit) [F1](Sample Edit) [F1](Sample List) · [INSTRUMENTS] [F5](Patch Edit) · [AUDIO PHRASE] [F5](Edit) [F1](Sample List) etc. [F5](Partial Edit) [F2](SMT) [F1](Sample List) Explanation of each area Wave window Displays the waveform of the sample selected by the cursor in the Sample List. F-buttons · [F3](Category) Displays the SELECT CATEGORY popup (p. To access this screen · Accesses the SELECT SAMPLE EDIT COMMAND popup (p. 132) select "Emphasis" [F5](Select) INSTRUMENTS AUDIO PHRASES Explanation of each area Type Specifies the conversion mode. Value PreEmphasis De-Emphasis Explanation Boosts the high-frequency region. Attenuates the high-frequency region. F-button · [F5](Execute) Executes the Emphasis command. PROJECT · The amount of time required to execute the emphasis. SYSTEM Replace Specifies whether the data after conversion will overwrite the existing sample or be saved as a different sample. DISK/USB Value Off On () Explanation The waveform data after conversion will be added as a different sample. The converted data will overwrite the existing sample. MASTERING SAMPLING IMPORT EFFECTS MIXER TW-1 Screen Guide S-133 INSTRUMENTS NORMALIZE popup This maximizes the volume of the sample as far as possible. To access this screen · Accesses the SELECT SAMPLE EDIT COMMAND popup (p. 132) select "Normalize" [F5](Select) Explanation of each area Replace Specifies whether the data after conversion will overwrite the existing sample or be saved as a different sample. Value Off On () Explanation The waveform data after conversion will be added as a different sample. The converted data will overwrite the existing sample. F-button · [F5](Execute) Executes the Normalize command. S-134 TW-1 Screen Guide INSTRUMENTS TIME STRETCH popup This command lets you modify the length or tempo of the sample. To access this screen · Accesses the SELECT SAMPLE EDIT COMMAND popup (p. 132) select "Time Stretch" [F5](Select) INSTRUMENTS AUDIO PHRASES Explanation of each area Rate Specifies the proportion (%) by which Time Stretch will modify the playback time. Range: 75. 0­100. 0­125. 0 Replace Specifies whether the data after conversion will overwrite the existing sample or be saved as a different sample. Value Off On () Explanation The waveform data after conversion will be added as a different sample. [. . . ] 77 TRACK PARAMETER popup (for a MIDI track) . . . . . . . . . . . . . . . . . . . . . . . . . . . 11 TRACK PARAMETER popup (for a Pattern track) . . . . . . . . . . . . . . . . . . . . . . . 15 TRACK PARAMETER popup (for an Audio track) . . . . . . . . . . . . . . . . . . . . . . . 14 TRACK REMAP popup . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . [. . . ]