User manual ROLAND V-1600HD

[. . . ] Owner's Manual Before using this unit, carefully read the sections entitled: "IMPORTANT SAFETY INSTRUCTIONS" (p. 2), "USING THE UNIT SAFELY" (p. These sections provide important information concerning the proper operation of the unit. Additionally, in order to feel assured that you have gained a good grasp of every feature provided by your new unit, owner's manual should be read in its entirety. The manual should be saved and kept on hand as a convenient reference. Copyright © 2010 ROLAND CORPORATION All rights reserved. [. . . ] Refer to "Menu Operations and Menu List" (p. 47). When PinP or Key is activated, MIX is automatically selected even if you have selected WIPE in the WIPE PATTERN section. 4. Select the channel you want to output next (standby). Use the [PST/EFFECT] buttons to choose the channel you want to display next. Pressing the button makes it light up green. * When the display mode for the monitor is set at [PVW], the video on the selected channel is displayed on the V-1600HD's monitor. fig. select-PST. eps 5. Switch the output video. Preview the standby video, and press the [TAKE] button when you want to make the transition. The picture changes and the PGM button lights up red. * When the display mode for the monitor is [PVW], the monitor display does not change. Selecting another channel to display next on standby makes the monitor display the newly selected standby channel. fig. TAKE-button. eps 29 Switching the Video in the DSK Mode (PGM/PST) Switching the Picture Using the Video Fader Using the [TAKE] button makes the transitions occur linearly. To stop partway through and show a mix of two channels, perform the mix transition manually using the video fader. 1. Move the video fader all the way. Before you carry out the transition operation, move the video fader all the way toward either the front or the back. 2. Select the transition effect. Use the buttons in the WIPE PATTERN section to choose a transition effect. When you have selected [CUT] in the WIPE PATTERN section, the transition takes place instantly at the video fader's center position. If you want to show a double exposure, choose a transition other than [CUT]. 3. Select the channel you want to output next (standby). Use the [PST/EFFECT] buttons to choose the channel you want to display next. 4. Switch the output video. Move the video fader in the opposite direction of step 1. You can show a double exposure by stopping partway. fig. move-fader. eps 30 Compositing the Pictures On the V-1600HD, you can perform the three types of compositing described below. · Picture-in-Picture (PinP) This displays an inset screen superimposed on a background picture. Use the joystick and dial to adjust the position and size of the inset screen. · Luminance Key/Chroma Key (KEY) Keying allows you overlay one video source onto another by removing (making transparent) a specific color. Use the dials to adjust the amount of keying (LEVEL) and the degree of blur for the edges (GAIN). * By default, the unit is set to apply black luminance-key extraction. You can use the menus to select a different color. Refer to "Menu Operations and Menu List" (p. · Downstream Keyer (DSK) A Downstream Keyer will key a video source over the final mix. Since the DSK is "downstream" of the main mix, the DSK can be an additional compositing effect on top of a PiinP or Key that you have already applied to the main mix. [. . . ] 13 T TAKE . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 14, 29 TAKE Button . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 14 TALLY . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 15, 24 TRANSITION Dial . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . [. . . ]