User manual ROLAND V-SYNTH XT

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Manual abstract: user guide ROLAND V-SYNTH XT

Detailed instructions for use are in the User's Guide.

[. . . ] Owner's Manual The V-Synth XT comes with the VC-1 and VC-2 titles from Roland's "V-Card" software series preinstalled. Without having to cycle power to the unit, you can simply press a single switch to transform the V-Synth XT into a completely different product. VC-1 "D-50" transforms the V-Synth XT into a sound module that's equivalent to the Roland D-50 (a classic digital synthesizer that was released in 1987). Not just the preset patches, but every bit of functionality has been faithfully reproduced, giving you that distinctive D-50 sound with the stability of modern hardware. * All product names mentioned in this document are trademarks or registered trademarks of their respective owners. 03897845 08-09-3N * 0 3 8 9 7 8 4 5 0 3 * Copyright © 2005 ROLAND CORPORATION All rights reserved. [. . . ] For LFO-2 and LFO-3, KEY cannot be selected. Value: OFF, ON, KEY Display OFF ON KEY Description LFO does not sync to the keyboard. When a key is played after all keys have been released, the LFO begins its wave generating process from the beginning. LFO begins its wave generation from the beginning each time a new key is played. EQ/CHORUS (Equalizer/Chorus) EQ Edit (Equalizer) fig. 09-16(LCD_EqEdit) In the equalizer section, the frequency characteristic of the sound can be modified. The Equalizer consists of the following parameters. fig. 09-17e(EQ_Lg) LowFreq (Low Frequency) Sets the frequency where the gain is altered in the low to middle range. Value: 63, 75, 88, 105, 125, 150, 175, 210, 250, 300, 350, \r420, 500, 600, 700, 840 Hz Level 0 LowFreq LowGain Frequency LowGain (Low Gain) Sets the gain of the lower frequencies. "+" settings raise the gain, and "-" settings lower it. Value: -12­+12 dB 54 Tone Parameters fig. 09-18e(EQ_Hf/HQ) HiFreq (High Frequency) Sets the frequency where the gain is altered in the middle to high range. Value: 250, 300, 350, 420, 500, 600, 700, 840 Hz, 1. 0, 1. 2, \r1. 4, 1. 7, 2. 0, 2. 4, 2. 8, 3. 4, 4. 0, 4. 8, 5. 7, 6. 7, 8. 0, 9. 5 kHz Level 0 HQ is Height. HQ is low. HiQ (High Q) Sets the width of the frequency band where the gain is boosted or cut. With a higher value, the frequency band is narrower, and vice versa. Value: 0. 3, 0. 5, 0. 7, 1. 5, 2. 0, 3. 0, 4. 2, 6. 0 fig. 09-19e(EQ_Hg) HiFreq Frequency HiGain (High Gain) Sets the gain of the Hf frequency. "+" settings raise the gain and "" settings lower it. Value: -12­+12 dB Level 0 HiFreq HiGain Frequency fig. 09-20(LCD_ChorusEdit) Chorus Edit Type (Chorus Type) Selects one of the 8 basic chorus effects. Value: 1­8 Display 1 2 3 4 5 6 7 8 Type Chorus 1 Chorus 2 Flanger 1 Flanger 2 Feedback Chorus Tremolo Chorus Tremolo Dimension Rate (Chorus Rate) Sets the rate of the chorus effect. Value: 0­100 Depth (Chorus Depth) Sets the depth of the chorus effect. Value: 0­100 55 Tone Parameters Balance (Chorus Balance) This sets the volume balance of the chorus of the chorus sound and normal sound. Value: 0­100 Value 100 50 0 Balance Only the chorus sound is heard. Chorus sound = Normal sound Only the normal sound is heard. Partial Parameters Restriction of the available parameters caused by Structure Depending on what Structure (p. 50) is used, the available parameters may be different. Some parameters included in a Partial that uses a PCM sound generator are invalid. The mark is shown when the parameters apply even for PCM sounds. [. . . ] 37 Time . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 21, 24 Time 1 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 52, 64, 67 Time 2 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 52, 64, 67 Time 3 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . [. . . ]

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