User manual SHERWOOD NEWCASTLE R-956

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Manual abstract: user guide SHERWOOD NEWCASTLE R-956

Detailed instructions for use are in the User's Guide.

[. . . ] OPERATINGINSTRUCTIONS AUDIO/VIDEO RECEIVER R-956 MASTER VOLUME MULTI CONTROL TDAS TOTALLY DISCRETE AMPLIFIER STAGE BAND AUTO/MANUAL MULT I ROOM REMOTE SENSOR CHECK CINEMA EQ TUNING/PRESET FM MODE MODE ROOM2 FEED DYNAMIC RANGE MAIN POWER AUDIO STANDBY INPUT SELECTOR VIDEO TAPE MON. 6. 1CH DIRECT AUTO SURROUND MODE DSP MODE STEREO DIGITAL/ANALOG ON/STANDBY ON / OFF PHONES SPEAKER CHANNEL SELECTOR TONE MODE SPEAKER MODE VIDEO LABEL MEMO/ENTER VIDEO 5 ON/OFF S-VIDEO VIDEO L - AUDIO - R R-956 AUDIO/VIDEO RECEIVER Introduction UNPACKING ENGLISH AND FOR U. S. A. Note to CATV System Installer: This reminder is provided to call the CATV system installer's attention to Article 820-40 of the NEC that provides guidelines for proper grounding and, in particular, specifies that the cable ground shall be connected to the grounding system of the building, as close to the point of cable entry as practical. FCC INFORMATION This equipment has been tested and found to comply with the limits for a Class B digital device, pursuant to Part 15 of the FCC Rules. [. . . ] (For details, refer to "Downmixing into 2 front channels" on page 22. ) 16 SURROUND SOUND This unit incorporates a sophisticated Digital Signal Processor that allows you to create optimum sound quality and sound atmosphere in your personal Home Theater. Surround modes This unit has 9 different surround modes to allow you to enjoy surround sound with various program sources: DTS, DOLBY DIGITAL, DOLBY PRO LOGIC, THEATER, HALL, STADIUM, CHURCH, 6. 1 CH SURROUND, TruSurround. DTS (Digital Theater System) : Allows you to enjoy 5. 1(or 6) discrete channels of high quality digital audio from DTS program sources bearing the " " trademark such as laser discs, DVD and compact discs, etc. DTS Digital Surround delivers up to 6 channels of transparent audio(which are identical to the original masters) and results in exceptional clarity throughout a true 360° sound field. Manufactured under license from Digital Theater Systems, Inc. 5, 451, 942 and other world-wide patents issues and pending. "DTS" and "DTS Digital Surround" are trademarks of Digital Theater Systems, Inc. © 1996 Digital Theater Systems, Inc. Note : The DTS program sources should be played back in the DTS mode. If not, no sound or sound like continuous noise will be heard. DOLBY DIGITAL : Allows you to enjoy up to 5. 1 channels of digital surround sound from Dolby Digital program sources bearing the " " trademark such as laser discs, DVD's etc. Dolby Digital provides better sound quality, improved dynamic range and great sense of direction, compared with the conventional Dolby surround. Now, you are able to enjoy real Home Theater sound in your home. DOLBY PRO LOGIC : This unit incorporates the Dolby Pro Logic Surround Decoder which has the same functions for playback as movie theaters and gives a theater-like experience in your home, naturally reproducing the audio sound field. Use with Dolby Pro Logic program sources bearing the " " trademark such as video cassette tapes or laser discs. Manufactured under licence from Dolby Laboratories. "Dolby", "Pro Logic", and the double-D symbol are trademarks of Dolby Laboratories. THEATER : This mode provides the effect of being in a movie theater when watching a movie source that has a stereo sound track. HALL : This mode provides the ambience of a concert hall for classical music sources such as orchestral, chamber music or an instrumental solo. STADIUM: This mode provides an expansive sound field. For sources like a rock concert or athletic event you can enjoy a true stadium effect. CHURCH: This mode provides the ambience of a church for baroque, string orchestral and choral group music. 6. 1 CH SURROUND : This mode extracts the rear center signal from the rear left and right signals and reproduce it as well as the original multichannel signals during playback of 5. 1 CH program sources such as DTS, Dolby Digital, etc. [. . . ] 1 Vp-p (chrominance signal) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 0. 286 Vp-p Component video(R-Y signal). . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 0. 5 Vp-p (B-Y signal) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 0. 5 Vp-p (Y signal) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 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