User manual SHERWOOD RD-7106

[. . . ] OPERATINGINSTRUCTIONS TDAS TOTALLY DISCRETE AMPLIFIER STAGE MASTER VOLUME ST TUNED TAPE M PRESET MEM MAIN POWER REMOTE SENSOR dB kHz MHz DTS DIGITAL Pro Logic LOCK ms SLEEP ON/ OFF STANDBY INPUT SELECTOR AUDIO VIDEO TAPE MON. 6CH DIRECT AUTO SURROUND MODE DSP MODE STEREO DIGITAL INPUTS CHECK ON/STANDBY PHONES SPEAKER CHANNEL SELECTOR ADJUST TONE MODE SPEAKER MODE DYNAMIC RANGE VIDEO 4 CINEMA EQ MEMO/ENTER TUNING/PRESET T/P MODE FM MODE BAND ON/OFF S-VIDEO VIDEO L - AUDIO - R RD-7106 AUDIO/VIDEO RECEIVER Introduction UNPACKING AND INSTALLATION ENGLISH Your new high fidelity receiver is designed to deliver maximum enjoyment and years of trouble free service. Please take a few moments to read this manual thoroughly. It will explain the features and operation of your unit and help ensure a trouble free installation. [. . . ] Therefore, this mode allows you to experience a realistic multichannel experience from any program source other than DTS, etc. through just a single pair of front speakers. · Manufactured under licence from Dolby Laboratories. "Dolby", "Pro Logic", and the double-D symbol are trademarks of Dolby Laboratories. CIRCLE SURROUND: This mode provides listeners with 5. 1 discrete channels of surround sound from stereo recorded music, or surround encoded program material. · Circle Surround and the symbol are trademarks of SRS Labs, Inc. in the United States and selected foreign countries. Circle Surround technology is incorporated under license from SRS Labs, Inc. · When the 6 CH DIRECT INPUTS are connected to a 6 CH surround decoder such as Dolby Digital or DTS, etc. , you can enjoy the corresponding surround sound, too. (For details, see the operator's manual of the component to be connected. ) THEATER : This mode provides the effect of being in a movie theater when watching a movie source that has a stereo sound track. HALL : This mode provides the ambience of a concert hall for classical music sources such as orchestral, chamber music or an instrumental solo. STADIUM: This mode provides an expansive sound field. For music sources like a rock concert, you will feel as if you were actually at the live concert. For sports programs such as a baseball game, you can obtain the true stadium effect. 14 When the center speaker or the rear speakers is(are) closer to the listener than the front speakers, the sound from the center speaker or the rear speakers can arrive at the listener's ears earlier than the sound from the front speakers. In this case, the imaging is not as sharp and stable as it could be. For audible improvement, the sound from center speaker can be delayed with the center delay time setting to synchronize the sound from the front and the center speakers and the sound from the rear speakers can be also delayed with the rear delay time setting so that the sound from the front and the rear speakers will be heard at the same time. The optimum delay time will be different according to the room size and the acoustic properties. It is adjustable in Dolby Digital, Dolby Pro Logic or Dolby Virtual modes. (For details, refer to "In Dolby Digital, Dolby Pro Logic or Dolby Virtual mode, adjusting delay times of the speakers" on page 18. ) Speaker placement To obtain the best surround sound effect in your home, place the speakers as follows; Front speakers: Place each front speaker about 1 m (40 ) from the TV set. Center speaker: Place the center speaker either above or below the TV set to assure good visualization of center channel program. Rear speakers: Place the rear speakers approximately 1 m above the ear level of a seated listener on the direct left and right of them or slightly behind. Subwoofer: Reproduces powerful deep bass sounds. Place a powered subwoofer anywhere in the front as desired. [. . . ] 0. 5 Vp-p Optical, 660 nm . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . -15~-21 dBm VIDEO SECTION Video format. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . NTSC Input sensitivity(=Output level), 75 Video(Composite (normal)) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1 Vp-p S-Video(luminance signal) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . [. . . ]