User manual SONY MDS-JA333ES

[. . . ] To prevent fire or shock hazard, do not expose the unit to rain or moisture. Front panel description 4 Remote control description 6 Display window description 8 Rear panel description 9 Before you start editing 30 Erasing tracks (ERASE) 31 Dividing tracks (DIVIDE) 33 Combining tracks (COMBINE) 34 Moving tracks (MOVE) 34 Naming a track or MD (NAME) 35 Undoing the last edit (UNDO) 37 Changing the recorded level after recording (S. Changing the pitch (Pitch Control Function) 39 Fading in and fading out 40 Falling asleep to music (Sleep Timer) 41 Using a timer 42 Switching the bit length 43 Playing with different tones (Digital Filter) 43 Using the CONTROL A1 control system 44 Recording to an MD 14 Notes on recording 16 Recording for long times 16 Adjusting the recording level 17 Recording tips 18 Marking track numbers while recording (Track Marking) 19 Starting recording with six seconds of prestored audio data (Time Machine Recording) 20 Synchro-recording with the audio component of your choice (Music Synchro-recording) 21 Synchro-recording with a Sony CD player (CD Synchrorecording) 21 Playing an MD 23 Playing a specific track 24 Locating a particular point in a track 25 Playing tracks repeatedly (Repeat Play) 26 Playing tracks in random order (Shuffle Play) 27 Creating your own program (Program Play) 27 Tips for recording from MDs to tape 29 Further details are provided on the pages indicated in the parentheses. When you turn on the deck, the STANDBY indicator turns off. [. . . ] You can divide a recorded track at any point by adding a track mark at that point. This is especially useful when you want to divide recorded material that contains multiple tracks but only one track number, or when you want to be able to locate a certain point in the track. Z You can divide tracks while recording For details, see "Marking track numbers while recording" on page 19. While the deck is playing, press AMS at the point you want to divide the track. When you divide a track, the total number of tracks increases by one and all tracks following the divided track are automatically renumbered. "- Divide -" and "-Rehearsal-" alternate in the display and the deck starts to play from the selected point repeatedly. Dividing a track after selecting the track If necessary, do step 4 of "Dividing a track after selecting the track" on page 33 to finely adjust the dividing point. While the deck is stopped, playing, or paused, press MENU/NO. /> repeatedly) until the number of the track you want to divide appears, then press AMS or YES. " appears for a few seconds and the track is divided. The deck starts to play the newly created track. "-Rehearsal-" appears and the deck repeatedly plays several seconds of the track from the point AMS or YES was pressed. Z You can divide tracks while recording For details, see "Marking track numbers while recording" on page 19. While monitoring the sound, turn AMS (or press . You can shift the starting point by 1-frame* intervals (1 frame = 1/86 second). The time indication (minute, second, and "f " (frame)) of the current point is displayed and the deck plays several seconds of the track to that point repeatedly. * When recording in Stereo mode, you can shift the starting point by 2-frame intervals (in Monaural mode and LP2 Stereo mode) or by 4-frame intervals (in LP4 Stereo mode). Specify a unit (minute, second, or frame) by which the MD is advanced when you turn AMS (or press . To do this, press m/M in step 4 repeatedly to select minute, second, or "f" (frame). Repeat step 4 until you have located the dividing point. This function allows you to combine any two tracks into a single track. The two tracks need not to be consecutive nor chronological. [. . . ] 1) You attempted to perform another operation while in S. f Edit (changing the recording level after recording , Fade-in , Fade-out) mode. You cannot perform any other operations while in S. 6 µW1) 1) This output is the value measured at a distance of 200 mm from the objective lens surface on the Optical Pick-up Block with 7 mm aperture. [. . . ]