User manual SONY VPCEG25FX

[. . . ] • Future upgrades of application and system software and any changes in specifications and functions will be announced at the following website. http://www. yamahaproaudio. com/ • The screen displays as illustrated in this manual are for instructional purposes, and may appear somewhat different from the screens which appear on your computer. • Copying of the commercially available musical data including but not limited to MIDI data and/or audio data is strictly prohibited except for your personal use. • Ethernet is trademarks of Xerox Corporation. [. . . ] Because wireless microphones are connected to CH3 and 4, lower the gain to 0 dB. EQ/HPF (High Pass Filter) Click this to switch to the “CHANNEL EDIT” screen. Adjust the EQ and HPF appropriately for the microphone you’re using. When you want to return to the “MAIN” screen, click the [MAIN] button. FBS (Feedback suppressor) FBS is provided on input channels 1 through 4. We recommend that microphone inputs, and particularly movable microphones such as wireless microphones, be connected to channels 1 through 4. When you click here, you will switch to the FBS setting screen. When you want to return to the “MAIN” screen, click the [MAIN] button. For details on FBS settings, refer to “VPCEG25FX Editor User’s Manual. ” [ON] button This turns the channel on/off. Leave the fader at -∞ until the system goes online. Channel name You can double-click this to edit the name. Priority is given in the order of “1st PRIORITY > 2nd PRIORITY >Matrix Out signals. ” ZONE select button In this example, we assume that the microphone in the entrance (CH1) is used for broadcasting to the entire building. Therefore, we select CH1 as the 1st PRIORITY SOURCE for zone 1 through zone 4, and click the [ON] button located at the right of 1st PRIORITY to make it light. We select the kitchen microphone (CH4) as the 2nd PRIORITY SOURCE only for zone 4 (Kitchen), and click the [ON] button located at the right of 2nd PRIORITY to make it light. Because there’s no need to make settings for zones 5 through 8, make sure that the [ON] button at the right of 1st PRIORITY and 2nd PRIORITY are unlit (turned off). Use the ZONE select buttons to switch the zone. For details on each parameter, refer to “VPCEG25FX Editor User’s Manual. ” VPCEG25FX Setup Manual 40 Example 2) High audio quality system with XMV and YDIF connections (digital connections)  Settings in the “ROUTER” screen In the “ROUTER” screen you can assign zones to outputs. In this example we will leave the default settings unchanged, since the assignments are ZONE1=OUTPUT 1, ZONE2=OUTPUT 2, ZONE3=OUTPUT 3, and ZONE4=OUTPUT 4. VPCEG25FX Setup Manual 41 Example 2) High audio quality system with XMV and YDIF connections (digital connections)  Digital Control Panel (DCP) settings Here’s how to assign functions to the DCP that is installed in each zone. To make these settings, choose the [Controller] menu item [Digital Control Panel]. Here we will use the example of the DCP located in Hall A of the Preset 01 Basic library. Use the drop down list at the top of the screen to select the DCP for which you want to make settings. When you click one of the numbered buttons, a “Settings” dialog box will appear; assign parameters to the controls. If you assigned [SD Song Select & Play], enter the name of the file that you want to play. [. . . ] To save or recall a preset, click the camera icon in the upper part of VPCEG25FX Editor. When you click the camera icon, the “Preset” dialog box will appear. Click the preset number that you want to save; the line will be selected. Then click the [Store] button, specify the preset name, and click the [OK] button. Click a location where the DCP column indicates “No Assign, ” and choose a library that you specified on the DCP. Up to this point, our settings use all of the microphones connected to VPCEG25FX units of UNIT ID =01 and 02, but there might be cases in which you want to use a different number of microphones. [. . . ]