User manual SOUNDCRAFT SI SERIES BROCHURE

[. . . ] Soundcraft, Harman International Industries Ltd. , Cranborne House, Cranborne Road, Potters Bar, Hertfordshire EN6 3JN, UK T: +44 (0)1707 665000 F: +44 (0)1707 660742 E: soundcraft. info@harmancom Soundcraft USA, 8500 Balboa Boulevard, Northridge, CA 91329, USA T: +1-818-920-3212 F: +1-818-920-3208 E: soundcraft-usa@harman. com www. soundcraftdigital. com www. soundcraft. com Part No: BD10. 520301 06/09 When going digital is this easy, why stay analogue? When you need massive mixing power in a compact footprint, you need a Soundcraft Si Series console ­ the multi award-winning `one box' digital mixing system that feels like an analogue mixer. Best new product Most innovative audio console for commercial installation Maximum power, minimum footprint · 80 inputs to mix (Si3) / 64 inputs to mix (Si2) / 48 inputs to mix (Si1) · 64 mono mic inputs (Si3)/ 48 mono mic inputs (Si2) / 32 mono mic inputs (Si1) · 4 stereo inputs and 4 dedicated FX returns, plus 8 assignable external inserts · 24 Group/Aux/FX outputs · 8 Matrix outputs with sends from all Group, Aux, FX and Main L/R/C busses · 12 VCA Groups and 8 independent Mute Groups · 4-band fully parametric EQ on every input and output, with HPF on every input · 35 full 30-band BSS Audio graphic equalisers · 4 independent stereo Lexicon FX processors · Compressor and gate on every input, compressor on every output · Delay adjustable on every input and output · Metering for every Group/Aux/FX, Masters and Monitors/Solo · Full DSP horsepower to handle all functions at any time. PAGE 4/5 Si2 rear panel view Just plug it in where your analogue console used to be With no external processing rack, an Si Series console simply plugs in where your analogue console used to be, immediately delivering the full power of a sophisticated digital live sound mixer with no need for new fibre snakes or stage boxes. In addition to the bus outputs, all Si consoles include dedicated Input and Output connectors for inserts, stereo returns, main LR & C buses, monitor LR & C outputs, Oscillator and Talkback ­ no patching required and no loss of valuable bus outputs. [. . . ] She's the power behind the Si Series. She's Embedded Multiprocessor Mixing ArchitectureTM. PAGE 10/11 You know what a channel strip looks like So does the SI Series Look familiar?In Channel mode, there's a rotary encoder for every channel function including EQ, Aux Sends, Delay etc. , with a crystal clear display right next to it. Expand the channel to control the EQ, with composite EQ curves shown on the central screen. Collapse it and you're back to a conventional channel. All your bus sends in a row, each with its own rotary encoder. It's everything you need, when you need it, where you need it. PAGE 12/13 As easy to use as analogue, with all the digital benefits Easy to plug in. The Si Series feels distinctly analogue. But of course it delivers all the benefits of sophisticated digital mixing including fully integrated dynamics processing, graphic EQ on every output bus (removing the need for external patching) and dedicated FX returns. Cue lists allow you to recall preconfigured settings instantaneously, and a single key stroke is all it takes to copy and paste entire channel settings across the console. And the SI can store more than 1000 snapshots of all settings. PAGE 14/15 The show must go on From the theatre to the concert stage, the Si places the operator in total control. How you mix is up to you ­ personally, we'd put our VCA groups on the central faders, with dynamics and EQ immediately accessible above. [. . . ] 22Hz-22kHz bandwidth, unweighted Residual Noise Master output; no inputs routed, Mix fader @0dB CMRR Sampling Frequency Convertor Resolution Latency Mic Input to Bus output DSP Resolution Internal Clock Accuracy Jitter Input & Output Levels Mic Inputs Stereo Inputs / Returns Bus Outputs Nominal Operating Level +0/-1dB, 20Hz ­ 20kHz +0. 5/-0. 5dB, 20Hz ­ 20kHz 0. 006% @ 1kHz 0. 008% @ 1kHz 0. 005% @ 1kHz <-126dBu (150 Ohm source) <-88dBu 80dB @ 1kHz Mic input 48kHz 24 bit < 1ms @48kHz 40-bit floating point < +/- 50ppm < +/- 5ns +26dBu max +28dBu max +22dBu max 0dBu (-22dBFS) Input & Output Impedances Mic Inputs All other analogue Inputs Line Outputs Oscillator Filters Channel HP Filter Channel LP Filter EQ (Inputs and Bus Outputs) HF Hi-Mid Lo-Mid LF Metering 6. 8 kOhms >10 kOhms <75 Ohms 20Hz to 20kHz Sine/Pink Noise, variable level 22Hz-1kHz, 18dB per octave 500Hz-20kHz, 18dB per octave 22Hz-20kHz, +/-15dB, Q= 0. 3-6. 0 or Shelving 22Hz-20kHz, +/-15dB, Q=0. 3-6. 0 22Hz-20kHz, +/-15dB, Q=0. 3-6. 0 22Hz-20kHz, +/-15dB, Q= 0. 3-6. 0 or Shelving 38kg / 84lbs 81Kg / 178lbs 132Kg /290lbs Internal 14-segment LED bargraphs 12-section plus 9-section gain reduction OLED meters for all Inputs 90-264V, 47-63Hz, autoranging 400W 0°C ­ 45°C (32°F ­ 113°F) 0% ­ 90%, non-condensing Ta=40°C (104°F) -20°C ­ 60°C (-4°F ­ 140°F) Mains Voltage Operating Range Mains Power Consumption Temperature/Humidity Range Operating Temperature Range Relative Humidity Storage Temperature Range Weights Console Console in shipping carton Console in flightcase 48kg / 106lbs 87Kg / 191lbs 158Kg /348lbs Errors & Omissions Excepted. Soundcraft reserves the right to change specifications without notice. Weights Console Console in shipping carton Console in flightcase 61kg / 134lbs 93Kg / 204lbs 185Kg /407lbs PAGE 22/23 [. . . ]