User manual SOUNDCRAFT UREI BROCHURE

[. . . ] One look at the feature set will tell you that the 1620LE is all about the music. Classic rotary level & balance controls, great source flexibility, separate House and Booth outputs, a beautifully elegant headphone section and true balanced connections put performance where it really counts. And we've ensured that today's 1620LE continues Urei's hard-earned tradition for reliability. Ruggedly engineered and manufactured to exacting tolerances, this mixer will keep you working, night after night, in the most demanding of environments. [. . . ] That's why we've developed three new digital mixers that bring the Urei sound bang up to date for the latest generation of performance-oriented DJs. The 1601 Series embodies all the core values of the 1620 ­ great sound, logical and intuitive layout and real bulletproof durability. Of course you get two channels with tough, longlife faders, sweet and smooth 3 band EQ and super-responsive LED metering. Check out the brilliant Aux/FX section with its flexible routing options, the built-in Exciter with frequency and mix controls and the easy-to-access front panel headphone monitoring facilities. If you're into house, breaks or drum`n'bass then you'll love the onboard sampling features of the 1601S ­ a fully spec'd 2 bank 32 beat sampler packed with record and playback possibilities. For those who love to shape sounds and create unique mixes, the 1601E's Effects section delivers a wide variety of incredible sounds all easily added to the mix thanks to our powerful auto-sync bpm engine. Five preset effects (flange, cutter, filter, delay and pan), along with 25 combination presets and three band isolator give you incredibly creative possibilities making your set stand out from the crowd. Then there's the classic Urei attention to detail that's so vital when you're up in the booth working that dancefloor. An open, uncluttered battle area around the main faders, an anodised top panel that means the legending won't fade away, and beautifully tactile controls that'll respond to your every move. Welcome to the future of DJ mixing. KEY FEATURES (all 1601 models) · Two stereo channels with both phono and line level input, trim control and input clip LED · 3 band EQ (Low, Mid, Hi) on both channels providing full cut through to +6dB boost · Separate mic/line input with dedicated insert point and 2 band EQ · Input fader slope control and reverse facility · Comprehensive Aux/FX section with separate send/return levels and select options · Dedicated Booth and House outputs, provided on both balanced XLR and unbalanced RCA phono connectors · Output Protection Limiter which prevents Booth, Master and Headphone outputs from clipping · Mono/stereo switching on both Booth and Master outs · Send-and-return FX loop · 80Hz HPF for removing turntable rumble · 10 segment input/output metering with peak hold · Exciter section with frequency and mix controls · High quality 45mm user-replaceable cross and line faders with reverse and rotary curve control · 25mm user-replaceable monitor crossfader · Flexible headphone monitoring section, with level, EQ and master/cue switching · Session In & Out facility to enable daisy chaining of mixers SAMPLER SECTION (1601S ONLY) · 2 bank 32 beat facility with 24bit/96kHz performance · Playback assignable to both channels · Write from Cue, Channels 1/2 or Master · 1-shot, loop and reverse playback modes · 25mm faders to control level and trigger playback · BPM lock indicator and backlit sample buttons · Footswitch option controls both sample banks EFFECTS SECTION (1601E ONLY) · Five preset effects (flange, cutter, filter, delay and pan), and 5 banks of 5 effects combinations (25 presets) · Automatic or manual (tap) effects bpm synchronisation · X-Y Modulation Controls · Bpmfx cross-fader for wet/dry balance · 3-band isolator for bandpass in effects channel · Selectable effects speed · Digital, tape and vintage delay types · Triangle, rise and fall LFO wave-forms · Bpm lock indicator 1601 SERIES: TECHNICAL CHANNEL INPUTS Stereo line and phono inputs are provided on unbalanced RCA phono connectors. A front panel mic/line input is supplied via a balanced XLR/jack combi connector, while a separate stereo line input is also available via rear panel unbalanced RCA phono connectors. An unbalanced insert point on 1/4" jack allows an external FX processor to be patched into the mic/line signal path. POWER SUPPLY The high quality internal PSU is fed via an IEC mains inlet, allowing a detachable mains cable to be used. A cable retaining clip provides total cable security. SAMPLER FOOTSWITCH FACILITY (1601S ONLY) Both sample banks can be triggered via external footswitches, connected to the 1601S via the supplied 1/4" jack sockets. Pictured: 1601 BOOTH OUTPUT The Booth output is provided on both balanced XLR and unbalanced RCA phono connectors, and is controlled by the master Booth level control. A `Mic Defeat' switch mutes the signal from the mic to the booth output to avoid feedback. MASTER OUTPUT The Master output is provided on both balanced XLR and unbalanced RCA phono connectors, and is controlled by the Master level control. FX LOOP The send-and-return FX loop is supplied on unbalanced RCA phono connectors, and works in conjunction with the top panel Aux/FX level and routing controls. PHONES SECTION The front panel illuminated headphone output is supplied on both 1/4" jack and mini-jack connectors for total flexibility. TECHNICAL SPECIFICATION FREQUENCY RESPONSE CD/Line . No club mixer has been designed to allow such total integration with the club sound system. Employing unique functionality such as a rotateable connector panel so that connections may be made to the rear or underside of the mixer (for portable or fixed use), the UREI 1603 and 1605 have a rich feature set to match the requirements of today's DJs. Much thought has gone into the design of the UREI 1603 and 1605 to ensure it has the right features for club installation. For example, there is an external MUTE interface that when triggered, mutes all music channels leaving only the announcement/safety mic channel open for public address. A comprehensive monitoring system allows not only monitoring of CUE channels and the MIX output, but also the Aux Send and Return signals. With the ability to split CUE monitoring between CUE and MIX signals with adjustable balance and a FLIP function which allows the split signals to be flipped in the earpieces along with EQ on the headphone output, the 1603/1605's monitoring is second to none. Input connectivity and flexibility is maximized ­ each channel has connections for a Microphone (XLR), Deck (RIAA on RCA/Phono) and Line level (RCA Phono) sockets, with the RIAA inputs switchable to be line level, giving the 1605 a total of 7 Mic and 14 line level input connections. Furthermore, the Aux (FX) output has its own return input conveniently located on the top panel to maximise connectivity. And full connectivity options are provided on the outputs too, with both balanced XLR connectors and unbalanced RCA connectors for both Booth and Master outputs. [. . . ] 7. 5kgs/16. 5lbs 1605 Without rack ears (mm) . 87. 6(H) x 440(W) x 400(D) With rack ears (mm) . 8. 7kgs/19. 1lbs headphone output Output impedance . 150 ohms or greater Frequency response . [. . . ]