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[. . . ] Box 358 Torquay, Devon TQ2 5XS tel: +44 (0) 180 3215111 email: info@pmiaudio. com
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FRONT PANEL CONTROLS - INDIVIDUAL CHANNEL CONTROLS
1) Mix Level to L/R bus Controls the amount of the channel signal that is sent to the L/R mix buses. Use these individual channel level controls to create a mix of all the channels within the SP-828. NOTE: This control does not affect the level at the rear-panel Channel Output jack (#16). 2) PAN to L/R bus Positions the channel in the L/R mix. [. . . ] This lets the user know that the meters are now showing the Solo mix level instead of the L/R mix output. 11) L/R Master Level This rotary control sets the overall level of the L/R mix output to the rear-panel output jacks. The L/R mix is the sum of all of the channels, controlled by their individual Mix and Pan controls (#1 and #2). 12) Headphone Level This rotary control sets the overall level of the headphones. The headphones follow the Level Meters and normally monitor the L/R mix. If a Solo switch is depressed, the phones then monitor the Solo mix bus. 13) Phone jack This 1/4" TRS jack is used to connect headphones to the unit. The phones normally monitor the L/R mix, switching over to the Solo bus when a channel Solo switch is pressed. Best results are obtained with studio-quality phones with an impedance of 30 to 75 ohms.
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sp828 manual. indd
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REAR PANEL CONNECTIONS - INDIVIDUAL CHANNEL JACKS
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14) XLR Input Jack This 3-Pin Female XLR jack is used to bring balanced signals into the channel. Normally, microphones are connected to this jack, and are selected by having the front-panel Line switch in the UP position, but hi-level signals can be accommodated by pressing the front-panel Line switch (#6). 15) Line Input Jack This 1/4" TRS jack is used to bring line-level balanced or unbalanced signals into the channel. This jack is selected with the front-panel Line switch (#6). If nothing is plugged into this jack, the XLR signals are normalled into the TRS circuit which allows the front-panel Line switch to do double-duty as a PAD switch. Input impedance is approx 15K ohms, so Hi-impedance instruments (guitars, bass) should not be plugged in here. No damage will occur, but the sound will not be optimum for those instruments. Use an outboard preamp or buffer amplifier for these types of instruments. 16) Channel Output This 1/4" TRS jack is used for the channel output. Signals from the channel can be fed into individual tracks for recording. Output impedance is 100 ohms, ground-compensated, impedance balanced. This allows this jack to be connected to balanced and unbalanced inputs without concern. Use a balanced (2-wire w/shield) cable for all connections for best results.
REAR PANEL CONNECTIONS - MASTER JACKS
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17) Expansion In / Out jacks These 8-Pin mini-DIN jacks are used to tie SP-828 units together. When connected, the "Slave" SP-828 will send its signals to the "Master" SP-828. [. . . ] If repair or replacement fails to remedy the defect, then and only in such an event, shall PMI exchange to Purchaser a new or reconditioned unit. Purchaser's failure to make a claim as provided in paragraph 1 above or continued use of the product shall constitute an unqualified acceptance of such Product and a waiver by Purchaser of all claims thereto.
CONDITIONS
1. Notification of claims: Warranty Service: If Purchaser discovers that the Product has proven defective in material or workmanship, then written notice with an explanation of the claim shall be given promptly by Purchaser to PMI but all claims for warranty service must be made within the warranty period. Exceptions to Limited warranty: PMI shall have no liability or obligation to Purchaser with respect to any Product subjected to abuse, improper use, negligence, accident, modification, failure of the end-user to follow the operating and maintenance procedures outlined in the users manual, attempted repair by non-qualified personnel, operation of the unit outside of the published environmental and electrical parameters, or if such products original identification (trademark, serial number) markings have been defaced, altered, or removed. [. . . ]
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