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Detailed instructions for use are in the User's Guide.
[. . . ] CAUTION
AVIS
RISK OF ELECTRIC SHOCK DO NOT OPEN RISQUE DE CHOC ELECTRIQUE NE PAS OUVRIR
CAUTION: TO REDUCE THE RISK OF ELECTRIC SHOCK DO NOT REMOVE COVER (OR BACK) NO USER-SERVICEABLE PARTS INSIDE REFER SERVICING TO QUALIFIED PERSONNEL
ATTENTION: POUR EVITER LES RISQUES DE CHOC ELECTRIQUE, NE PAS ENLEVER LE COUVERCLE. AUCUN ENTRETIEN DE PIECES INTERIEURES PAR L'USAGER. CONFIER L'ENTRETIEN AU PERSONNEL QUALIFIE. AVIS: POUR EVITER LES RISQUES D'INCENDIE OU D'ELECTROCUTION, N'EXPOSEZ PAS CET ARTICLE A LA PLUIE OU A L'HUMIDITE
The lightning flash with arrowhead symbol within an equilateral triangle is intended to alert the user to the presence of uninsulated "dangerous voltage" within the product's enclosure that may be of sufficient magnitude to constitute a risk of electric shock to persons. [. . . ] EFFECTS VARIATIONS 48
As you rotate this control from position 1 through to 16, the "strength" of the effect will increase. For an example: for a reverb effect, a low number will have a short reverb time, and a larger number will have a longer reverb time.
43 44
45 46
TO AUX1 MON
TO MAIN MIX
49
36. FX INPUT LEVEL and OL LED
This knob allows you to adjust the signal level going into the internal effects processor. This is useful if the signal is too strong, and the processor becomes overloaded. If you see the FX OL overload light come on, turn down the knob until it just turns off during the louder passages, riffs, chords, yells, etc.
SUB ASSIGN TO MAIN MIX
51
SUB
1
SUB
2
SUB
3
SUB
4
MAIN MIX
37. FX BYPASS and LED
Press this switch in to bypass the internal effects processor, and so prevent its output from appearing on the main mix or stage monitors. The LED reminds you whenever the processor is bypassed. Use BYPASS if you are not using the internal effects, as it will reduce any extraneous interstellar noise, or use it to quickly compare between the effective effect of effects and the effect of no effects.
50
52
14
38. USB OUTPUT: MAIN MIX/SUBS 1-2
This switch allows you to choose if the main mix or if subgroups 1 and 2, are sent out of the mixer's USB (62) output to your computer. If pressed in, the A/D converters of the USB section receive the output from subgroups 1 and 2 (before the SUB FADERS (50)). This is a good position for studio recording and overdubbing with your computer. If pressed out, the A/D converters receive the main mix (after the MAIN MIX FADER (52)), just the same program as your main speakers and tape deck will receive. This is a good position for recording the main performance onto your computer. Further details of the USB connections and operation are described on page 19.
Push SUBS 1-2 to hear subgroup 1 and 2 outputs. Push SUBS 3-4 to hear subgroup 3 and 4 outputs. Note: If any channel has its SOLO (18) switch in, then only the SOLOed channels are heard in the control room or headphones.
43. AUX 1 (MON) MASTER SEND
This knob is the master level control of the AUX SEND 1 MON (22) output jack. Adjust this knob to control the overall level of your stage monitor mix.
44. AUX 2 (FX) MASTER SEND
This knob is the master level control of the AUX SEND 2 FX (23) output jack. Adjust this knob to control the level sent to your external processors.
45. FX RETURN TO AUX 1 MON
This knob allows you to adjust the level of the effects going onto the AUX 1 MON bus and out to your stage monitors. Signals (from external processors) coming into the AUX FX RETURN (24) jacks, and the internal effects processor output (unless bypassed), are summed to mono and added to the AUX 1 Monitor bus through this level control. [. . . ] To obtain factory service, please follow the instructions found on page 26. and Authorized TAPCO Service Centers reserve the right to inspect any products that may be the subject of any warranty claims before repair or replacement is carried out. LOUD Technologies and Authorized TAPCO Service Centers may, at their option, require proof of the original date of purchase in the form of a dated copy of the original dealer's invoice or sales receipt. Final determination of warranty coverage lies solely with LOUD Technologies Inc. [. . . ]
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