User manual TAPCO MIX

[. . . ] CAUTION AVIS RISK OF ELECTRIC SHOCK DO NOT OPEN RISQUE DE CHOC ELECTRIQUE NE PAS OUVRIR CAUTION: TO REDUCE THE RISK OF ELECTRIC SHOCK DO NOT REMOVE COVER (OR BACK) NO USER-SERVICEABLE PARTS INSIDE REFER SERVICING TO QUALIFIED PERSONNEL ATTENTION: POUR EVITER LES RISQUES DE CHOC ELECTRIQUE, NE PAS ENLEVER LE COUVERCLE. AUCUN ENTRETIEN DE PIECES INTERIEURES PAR L'USAGER. CONFIER L'ENTRETIEN AU PERSONNEL QUALIFIE. AVIS: POUR EVITER LES RISQUES D'INCENDIE OU D'ELECTROCUTION, N'EXPOSEZ PAS CET ARTICLE A LA PLUIE OU A L'HUMIDITE The lightning flash with arrowhead symbol within an equilateral triangle is intended to alert the user to the presence of uninsulated "dangerous voltage" within the product's enclosure that may be of sufficient magnitude to constitute a risk of electric shock to persons. [. . . ] For the Mix. 50, Mix. 100, and Mix. 120, connect the aux return signal to the inputs of an unused stereo channel. This has the added benefit of providing a level control for the aux return signal. CAUTION: When using a stereo channel as an aux return, TURN THE AUX SEND CONTROL ALL THE WAY DOWN on that channel. If you have the Aux Send control turned up even a little, it can create a feedback loop. This would be very bad for your speakers and for your ears. 1 U 12. LEVEL EQ HIGH 12kH 12kHz 5 -15 U +15 6 -15 U MID 2. 5kHz 2. 5kH +15 +1 7 -15 +15 LOW 80Hz 80H AUX U SEND 10 +15 PAN 11 PEAK PEA 4 L U R LEVEL This is the master level control for the channel's signal. Subtle adjustment of the channels' level control is the key to a finely-tuned mix. Typically (providing the GAIN is set correctly), this will be positioned somewhere between 0 dB (U) and the 3 o'clock position. If you have the LEVEL set all the way up, it's usually a sign that your GAIN is set too low. If LEVEL is set way down, your GAIN may be too high. Note: If this were a slide control instead of a rotary one, it would be called a fader. It still serves as the reference point when talking about prefader and post-fader. TAPE SECTION 14. CD/TAPE INPUTS This is where you connect the outputs of your intermission entertainment. Any line-level mono or stereo device can be used, such as: tape, DVD/CD player, television audio, etc. Signals coming into these inputs are routed directly to the main mix when the TAPE TO MIX (15) switch is pushed in. The signals can also be routed to 12 +15 Mix. 60 Mono Channel 10 the CONTROL ROOM/PHONES (25/28) outputs when the TAPE TO CTRL RM/PHONES (16) switch is pushed in (TAPE TO PHONES only on the Mix. 50). See Appendix B for more information about RCA connectors. When connecting a mono device (just one cord), you'll need a "Y-splitter" RCA adapter. It turns a mono output cord into two cords, so both the right and left tape input jacks can be used. Note: There is a chance of feedback if you have the tape inputs and outputs connected to the same recorder, and the recorder is in record mode. 16. TAPE TO CTRL RM/PHONES Switch (TAPE TO PHONES on Mix. 50) Use this switch to select the signal source for the CONTROL ROOM outputs, PHONES, and METERS. When the switch is up, they all receive the main mix signal tapped after the MAIN MIX control. [. . . ] The address of your closest authorized service center will be given to you by Technical Support. IMPORTANT: Make sure that the Service Request Number is plainly written on the shipping carton. reserves the right to inspect any products that may be the subject of any warranty claims before repair or replacement is carried out. LOUD Technologies may, at our option, require proof of the original date of purchase in the form of a dated copy of the original dealer's invoice or sales receipt. [. . . ]