User manual TRAYNOR DYNABASS 200T

[. . . ] Use only with cart, stand, tripod, bracket, or table recommended by the manufacturer or sold with the product. Follow the manufacturer's instructions when installing the product and use mounting accessories recommended by the manufacturer. The apparatus should not be exposed to dripping or splashing water; no objects filled with liquids should be placed on the apparatus. Terminals marked with the "lightning bolt" are hazardous live; the external wiring connected to these terminals require installation by an instructed person or the use of ready made leads or cords. [. . . ] For your convenience, your signal still runs to the Tuner jack. This enables you to tune your bass without having to adjust any settings on either the bass guitar or DynaBass 200 (and the audience will not be able to hear you tuning). Unlike some other input clip limiters, the DynaBass 200's does not affect the preamp stage at all. Instead, this Limiter ensures that output-stage clipping cannot endanger the speaker or tweeter. , it reads the DC rail voltage) then, just before output stage clipping occurs, the Limiter reduces signal levels sufficiently to prevent power amp distortion. This permits the 200 to remain cleaner at higher output levels, even when the AC line sags below normal. User Tip: With the Limiter engaged, the only way you can distort your DynaBass 200 is by overdriving the preamp, which is quite acceptable for certain playing styles. This will not harm the drivers as long as the Limiter remains engaged. Volume Set the Volume control for the level of sound desired. The four overlapping controls cover the entire audio spectrum. The Bass adjusts the level of the low frequency range, Low Mid the next range up, Hi Mid covers higher notes and middle harmonics and the Treble control regulates the upper harmonic range. The center setting on these tone con-trols is approximately neutral. User Tip: When starting out, it's a good idea to center all tone controls. Then, while you play, adjust them for the desired sound. User Tip: You may find that for best results using the Scoop at higher settings, the tone controls should be set close to the center/neutral positions. Using an XLR mic cable or a shielded patch cord with a female XLR connector on one end (balanced or unbalanced, e. Electronic balancing circuitry minimizes the possibility of hum or noise when the Line Out is connected to a mixer (even when the mixer does not have balanced inputs). Also, this output can be made Pre-EQ or Post-EQ according to the selector button which is described below. In the Pre-EQ setting, the Line Out signal comes directly from the input section bypassing the Volume control, tone controls and EFX Send/Return circuitry. Situation where the mixing engineer requires a completely dry signal, as if it were a D. Use the Post-EQ setting when connecting the Line Out to the input of another amp (perhaps for added stage coverage) or to a recording or P. Mixer where a dry signal is not required. [. . . ] User:Tip: The power amplifier is electronically, and thermally, protected against unsafe loads and will shut down (rather than sustain damage) when the speaker load is too low. if a shutdown occurs , disconnect the extension speaker and switch the power off. The 200 will be capable of powering back up in a few minutes after it cools down. Power Switch ­ Turns the AC mains on and off, the LED indicator illuminates when active. [. . . ]