User manual VESTAX GE-33SA

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Manual abstract: user guide VESTAX GE-33SA

Detailed instructions for use are in the User's Guide.

[. . . ] Safety Check-Upon completion of any service or repairs to product, ask the service technician to perfrom sefety checks to determine that the product is in proper operating condition. Carts and Stands-The appliance should be used only with a cart stand that is recommended by manufacturer. An appliance and cart combination should be moved with care. Quick stops, excessive force, and uneven surfaces may cause the appliance and cart combination to overturn. FEATURES 1. [. . . ] This allows for the front panel for change in Mixing styles. At total sound control with Graphic EQ or one extreme is the long running mix and at the Reverberator, etc. Each of the input channels will accept one stereo 5. The GE-33SA has the most comprehensive output lineup as well. No less than two separate phono and two stereo line sources, these are Masters(balanced and unbalanced), one DJ Booth instanly switchable giving a massive twelve input Monitor, one stereo Cue and a Headphones capability. Each input channel has a gain control Monitor makes this mixer the most versatile for the setting of input levels. A level display, "MIXER'S MIXER" available today. balance control and three band EQ are also provided on each channel. The separate Mic input section has its own EQ. One stereo input of each channel can be connected via the top panel for quick and easy access. This is particularly useful for "visiting" DAT players, etc. 3 55/E 00. 9. 12 4:44 PM 8 CONTROL AND FUNCTIONS PROGRAM INPUT SECTION MICROPHONE SECTION MASTER SECTION PGM 1 LINE IN 2 PGM 2 LINE IN 4 PGM 3 LINE IN 6 PGM 4 LINE IN 8 MASTER LOOP SEND POWER ON L R L R L R L R RCV L LINE 7 R PRO FESSIONAL MIXING CONTROLLER OFF LEVEL INPUT LINE 1 INPUT LINE 3 INPUT LINE 5 INPUT MIC GAIN ON L 1 R +6 +3 PHONO 1 LINE 2 PHONO 2 LINE 4 PHONO 3 LINE 6 PHONO 4 LINE 8 TRIM TRIM TRIM TRIM 2 +2 +1 +3 MIN 0 BAL -3 -8 -13 (dB) +3 MAX MIN 0 BAL -3 L R -8 -13 (dB) +3 MAX MIN 0 BAL -3 L R -8 -13 (dB) +3 MAX MIN 0 BAL -3 L R -8 -13 (dB) MAX DJ 0 -1 EQ L R HI -2 -4 -7 EQ CUT EQ CUT EQ CUT EQ CUT -16dB +16dB EQ HI EQ HI EQ HI EQ HI LOW -10 -15 -20 -16dB -24dB MID +6dB (0dB) -24dB MID +6dB (0dB) -24dB MID +6dB (0dB) -24dB MID +6dB (0dB) +16dB (dB) LEVEL SEND AUX -24dB LOW +6dB (0dB) -24dB LOW +6dB (0dB) -24dB LOW +6dB (0dB) -24dB LOW +6dB (0dB) MIN MAX MIN MAX TALK OVER RCV -24dB +6dB (0dB) OUT -24dB +6dB (0dB) OUT -24dB +6dB (0dB) OUT -24dB +6dB (0dB) OUT MIN MAX MIN MAX AUX AUX AUX AUX PRE POST PRE POST PRE POST PRE POST IN METER LOOP MASTER 1 IN MASTER 2 IN MASTER 1 IN MASTER 2 IN MASTER 1 IN MASTER 2 IN MASTER 1 IN MASTER 2 IN MASTER 1 MASTER 2 OFF ON OUT OUT OUT OUT OUT OUT OUT OUT MASTER MASTER 1 MASTER 2 C. F. Insert the connector to the new fader unit. Replace the knob and the fader unit and fix it with screws. CROSS FADER Mixes the signal assignes by CROSSFADER ASSIGN(10) to A side of the crossfader and B side. When the crossfader is set in the center position, both A and B can be heard. This is a detachable fader for ease of replacement with CF-50 when it is worn out. MICROPHONE SECTION MIC GAIN 1 14 ON TRANSFORMER SWITCH With the crossfader moved to either right or left, the opposite program can be heard instantly by pressing the opposite transformer button. 16 2 17 15 CF MODE VOLUME Adjust the crossfader curve. Clockwise rotation give a gentle crossfade good for long running mixes. Counter clockwise rotation gives a steep crossfade good for scratching and cutting. DJ EQ HI 16 17 18 MIC GAIN Adjusts the input level from each microphone input. -16dB +16dB LOW 18 MIC SELECTOR Used to select the microphones to be Master section. MIC EQ (HI, LOW) Adjusts the HI and LOW frequencies for all microphones input. -16dB +16dB LEVEL 19 MIC LEVEL Adjusts the input level from all microphones input. 19 MIN MAX 20 TALK OVER LEVEL When TALK OVER SWITCH 21 is depressed, the level of all sources excluding the microphone input are reduced. Reduction level can be adjusted by this control. Clockwise rotation gives a large reduction level. TALK OVER 20 MIN MAX IN 21 21 6 TALK OVER SWITCH When this switch is depressed, the level of all sources excluding the microphone input are reduced. 55/E 00. 9. 12 4:44 PM 13 MASTER SECTION MASTER LOOP SEND 22 MASTER LOOP (RCA) This loop(send/return) is located on MASTER OUT 1 (43) before output jack. It is useful for total sound control with Graphic EQ or Reverberator, etc. POWER ON RCV L R 23 OFF LEVEL 23 24 POWER SWITCH LED located on the top panel is lit when on. OUTPUT LEVEL METER The LED level meters indicate the signal level of MASTER OUT 1 or 2 (43). 22 L R +6 +3 +2 +1 0 -1 -2 -4 -7 -10 -15 -20 (dB) 25 AUX SEND LEVEL Used to adjust send level from AUX SEND (41). The signal is selected by AUX ASSIGN SWITCH (8). 26 AUX RETURN LEVEL Used to adjust return level to AUX RETURN (41). This AUX RETURN can be used as the sub line input. 24 27 METER ASSIGN Select either MASTER OUT 1 or 2 indicated by OUTPUT LEVEL METER (25). 28 LOOP SWITCH Used when sending signal to external effect processor connected to MASTER LOOP (22). AUX SEND 25 MIN MAX 29 MASTER OUT LEVEL 1, 2 Used to adjust the output level from MASTER OUT 1 and 2 (43). RCV 26 MIN MAX METER LOOP 27 MASTER 1 MASTER 2 28 OFF ON MASTER MASTER 1 MASTER 2 MIN MAX MIN MAX 29 7 55/E 00. 9. 12 4:44 PM 14 MONITOR SECTION BOOTH MONITOR MASTER 1 MASTER 2 30 BOOTH MONITOR SELECTOR Select either MASTER OUT 1, 2 (43) or CUE ASSIGN (11) for monitoring by boothout. CUE 30 32 CUE 31 31 MIN MAX BOOTH MONITOR LEVEL Used to adjust the output level from BOOTH OUT (44). HEAD PHONE MONITOR 33 MASTER 32 HEADPHONES MONITOR SELECTOR Select either CUE OUT (42), MASTER OUT (43) or AUX SEND (41) for monitoring by headphones. AUX MIN MAX 33 PHONES HEADPHONES LEVEL Adjusting the headphones output level. 34 34 HEADPHONES JACK When listening with stereo headphones, connect them to this jack. [. . . ] These jacks are Phone type for consumer applications. And each output level can be set separately. This means that MASTER OUT (43) can be used for main output and sub. For example, one for hall, the other for entrance. PHONO IN 1, 2, 3, 4 (RCA) Connects turntable output equipped with MM type pickup cartridge. [. . . ]

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