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Detailed instructions for use are in the User's Guide.
[. . . ] Owner's Manual Bedienungsanleitung Mode d'emploi
Congratulations
Thank you for purchasing the Yamaha B1D Divided Pickup Unit. The B1D Divided Pickup Unit can pick up the vibrations produced by an electric bass guitar's strings, and transmit those signals to a Yamaha Guitar MIDI Converter (G50). When properly installed and adjusted it can convert almost any steel stringed bass guitar into a controller for a guitar synthesizer system. It can be used on normal 4-string basses as well as 5-string, and 6-string basses. [. . . ] Carefully drill a 2mm (0. 08", approx. ) diameter hole at both marked locations. Make sure that the holes are drilled vertically. Insert the springs into the underside of the pickup, insert the tapping screws (3x25) through the screw holes and springs, and screw the screws in the holes in the body. With the bass properly tuned, adjust the pickup height by loosening or tightening the pickup screws. Adjust the clearance while the highest note on each string is fretted. Pickup clearance can be checked using the supplied clearance gauge ( pg. Carefully remove the double-sided tape from the underside of the pickup. If spacers must be added, remove the double-sided tape from the existing spacer. If spacers must be removed, be sure to remove both the spacer and its double-sided tape. Finally, attach fresh double-sided tape or a cushion to the bottom of the pickup, remove the backing, carefully attach the pickup to the uppermost spacer. Re-tune the bass and check the clearance with the supplied clearance gauge. If proper clearance is achieved, adjust the input gain levels on the Guitar MIDI Converter (Refer to pg. Also, the Guitar MIDI Converter manual).
5. If proper clearance is achieved, adjust the input gain levels on the Guitar MIDI Converter (Refer to pg. Also, the Guitar MIDI Converter manual).
Tapping Screw 3x25
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Attaching the Controller
s Decide the position for attaching the controller.
Consider the following points carefully when deciding on the best location to install the controller.
· The controller and cable should not hinder performance. · The controller should not block of hamper access to any of the bass guitar's controls: volume, tone, switches, etc. · The B1D controller should be positioned in an easily accessible position. · Do not position the controller in a manner that will apply excessive force to the cord that connects the divided pickup and controller. · Do not position the controller in a manner that will apply excessive force to the cord that connects the direct bass guitar signal and controller. · Do not position the controller in a manner that will apply excessive force on the controller or cords when the bass is placed on a guitar stand. · Do not position the controller in a manner that will apply excessive force on the B1D or bass guitar when the bass is placed in its case.
s Attach the Controller
Velcro Tape Attachment
1. With the male and female portions of the Velcro still attached, cut the Velcro tape into three pieces, and attach one side of the Velcro to the underside of the controller. [. . . ] e formance with exceptionally fast response and a range of advanced features that bring the true creative potential of MIDI control to guitar players for the first time.
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Close interaction between Yamaha and some today's leading artists lead to the development the TRB line. These 4-, 5-, and 6-string basses reflect the growing needs of today's discriminating bassists. Each is a statement of quality craftsmanship and technological vision that offers unmatchable sound and playability.
TRB-4
Natural Satin
Cherry Sunbust
TRB-6
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For details of products, please contact your nearest Yamaha or the authorized distributor listed below. Pour plus de détails sur les produits, veuillez-vous adresser à Yamaha ou au distributeur le plus proche de vous figurant dans la liste suivante.
Die Einzelheiten zu Produkten sind bei Ihrer unten aufgeführten Niederlassung und bei Yamaha Vertragshändlern in den jeweiligen Bestimmungsländern erhältlich. [. . . ]
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