User manual YAMAHA B30ARE

[. . . ] 40 Connecting the devices. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 40 Setting the input channels . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 41 Applying EQ/dynamics. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 42 Setting the output channels . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 42 Using GEQ . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 42 Applying effects . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 43 Changing the patch settings . . . . . . . . . . . . . . . . . . . . . . . . . . . . 45 Grouping and linking . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 46 Setting a custom fader bank . . . . . . . . . . . . . . . . . . . . . . . . . . . . 47 Using talkback. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 47 Routing the oscillator to an output channel. . . . . . 48 Using scene memories . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 48 Recording and playing audio using a USB flash drive . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 49 Saving and loading the unit settings . . . . . . . . . . . . . . . . 50 An overview of the CL series . . . . . . . . . . . 8 Features . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 8 About the models . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 9 Controls and functions . . . . . . . . . . . . . . . . . . 10 Top panel . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 10 Front Panel . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 16 Rear Panel. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . [. . . ] “CUSTOM” Bank Select keys enable you to assign and recall a bank with your own assortment of the channels or DCA groups. These banks are called “custom fader banks. ” Since the custom fader banks enable you to assign a combination of different types of channels, you can control different types of channels as a group. These controls affect DCA groups 1–8. 2. Use the controls of the Channel Strip section. Use the channel knob to adjust a parameter selected by the [GAIN/PAN/ASSIGN] key. Each channel’s display indicates the currently-assigned channel information. For the channel display information, access SETUP→USER SETUP→PREFERENCE, then set NAME DISPLAY to NAME ONLY or FULL FUNCTION. 3. To release the channels or DCA groups that were retained for the Centralogic section, press the Bank Select key you operated in step 1 once again, and hold it down until the Bank Select key LED changes from blinking to lit. When the Bank Select key LED changes to being lit, its channels or DCA groups will be assigned to both the Centralogic section and the OVERVIEW screen. Custom fader bank settings Follow the procedure below to set up a custom fader bank for control on the Channel Strip section. 1. Press the SETUP button located in the function access area in the display. 2. Press the USER SETUP button in the upper left of the SETUP screen. 3. Press the CUSTOM FADER tab near the bottom of the USER SETUP screen. The CUSTOM FADER BANK / MASTER FADER screen will appear. Owner’s Manual 29 Basic operation of the CL series 4. The most recently selected group of MIX/MATRIX buses will be assigned to the Centralogic section. The faders in the Channel Strip section will move to indicate the send level of the 2 signals that are routed from each channel to the currently-selected MIX/MATRIX bus. In SENDS ON FADER mode, the function access area in the display will show the button that enables you to switch between 6. When you have finished adjusting the MIX/MATRIX send levels, press the X symbol in the function access area. The function access area display will return to its prior state, and the unit will return to normal mode. 30 Owner’s Manual Connections Connections About network connections About Dante This product features Dante technology as a protocol to transmit audio signals. Dante is a network protocol developed by Audinate. It is designed to deliver multi-channel audio signals at various sampling and bit rates, as well as device control signals over a Giga-bit Ethernet (GbE) network. Dante also offers the following benefits: • It transmits up to 512 in/512 out, for a total 1024 channels (in theory) of audio over a GbE network. (The CL series features 64 in/64 out with a 24/32-bit resolution. ) • Dante-enabled devices will automatically configure their network interfaces and find each other on the network. You can label Dante devices and their audio channels with names that make sense to you. • Dante uses high accuracy network synchronization standards to achieve sample-accurate playback with extremely low latency and jitter. [. . . ] Input [+4dBu] OUT OUT Nominal Output [+4dBu] PHONES Max Output (150mW@8㱅) Nominal Output (75mW@8㱅) 㪲㪫㪿㪼㩷㫇㫆㫊㫀㫋㫀㫆㫅㩷㫆㪽㩷㫋㪿㪼㩷㫃㪼㫍㪼㫃 㪺㫆㫅㫋㫉㫆㫃㩷㫀㫊㩷㪈㪇㪻㪙㩷㫃㫆㫎㪼㫉㪼㪻 㪽㫉㫆㫄㩷㪤㪸㫏㪴 OMNI OUT1-8 [Default setting] 㽴Nominal Input [-16dBu] 㽵Max. Input [-42dBu] 㽵Nominal Input [-60dBu] 㽳Nominal Input [-62dBu] 㽲 㽳 㽴 㽵 OMNI IN 1-8 (GAIN MIN. ) OMNI IN 1-8 (GAIN MAX. ) TALKBACK (GAIN MIN. ) TALKBACK (GAIN MAX. ) -80 -90 -100 -110 -120 -130 -140 -150 -160 Max. DSP Noise Floor -170 -180 -190 [0dBu = 0. 775Vrms] [0dBFS = Full Scale] For details of products, please contact your nearest Yamaha representative or the authorized distributor listed below. Pour plus de détails sur les produits, veuillez-vous adresser à Yamaha ou au distributeur le plus proche de vous figurant dans la liste suivante. Die Einzelheiten zu Produkten sind bei Ihrer unten aufgeführten Niederlassung und bei Yamaha Vertragshändlern in den jeweiligen Bestimmungsländern erhältlich. [. . . ]