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[. . . ] Basic Channel Mode Note Number Velocity After Touch Pitch Bend 0, 32 1 6, 38 7, 10 11 64 71-74 84 91, 93 96-97 100-101 Default Changed Default Messages Altered 1 - 16 x 3 x ************** 1 - 16 x 3 x x 0 - 127 0 - 127 o 9nH, v=1-127 x x x o o o o o o o o o o o o Bank Select Modulation Data Entry Main Volume, Pan Expression Sustain Sound Controller Portamento Control Effect Depth RPN Inc, Dec RPN LSB, MSB B5CR MIDI Implementation Chart Recognized Transmitted Date:28-DEC-2011 Version : 1. 0 Remarks
0 - 127 : True voice ************** Note ON Note OFF Key's Ch's o 9nH, v=1-127 x x x o o o o o o o o o o o o
Control Change
Prog Change
: True #
o 0 - 127 ************** o x x x o o o x x x o x
o 0 - 127 o x x x o o o(120, 126, 127) o(121) o(122) o(123-125) o x
System Exclusive Common : Song Pos. [. . . ] Mode 1 : OMNI ON , POLY Mode 3 : OMNI OFF, POLY
2
B5CR MIDI Reference
Mode 2 : OMNI ON , MONO Mode 4 : OMNI OFF, MONO
o : Yes x : No
MIDI Data Format
NOTE:
1 By default (factory settings) the instrument ordinarily functions as a 16-channel multi-timbral tone generator, and incoming data does not affect the panel voices or panel settings. However, the MIDI messages listed below do affect the panel voices, auto accompaniment, and songs. · MIDI Master Tuning · System exclusive messages for changing the Reverb Type and Chorus Type. 2 Messages for these control change numbers cannot be transmitted from the instrument itself. · The values of "mm" is used for MIDI Master Volume. (Values for "ll" are ignored. ) <MIDI Master Tuning> F0H, 43H, 1nH, 27H, 30H, 00H, 00H, mm, ll, cc, F7H · This message simultaneously changes the tuning value of all channels. · The values of "mm" and "ll" are used for MIDI Master Tuning. · The default value of "mm" and "ll" are 08H and 00H, respectively. [. . . ] Any values can be used for "n" and "cc".
Effect map
* When a Type LSB value is received that corresponds to no effect type, a value corresponding to the effect type (coming the closest to the specified value) is automatically set. [. . . ]
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