User manual YAMAHA CLP-250

Lastmanuals offers a socially driven service of sharing, storing and searching manuals related to use of hardware and software : user guide, owner's manual, quick start guide, technical datasheets... DON'T FORGET : ALWAYS READ THE USER GUIDE BEFORE BUYING !!!

If this document matches the user guide, instructions manual or user manual, feature sets, schematics you are looking for, download it now. Lastmanuals provides you a fast and easy access to the user manual YAMAHA CLP-250. We hope that this YAMAHA CLP-250 user guide will be useful to you.

Lastmanuals help download the user guide YAMAHA CLP-250.


Mode d'emploi YAMAHA CLP-250
Download

You may also download the following manuals related to this product:

   YAMAHA CLP-250 (1558 ko)

Manual abstract: user guide YAMAHA CLP-250

Detailed instructions for use are in the User's Guide.

[. . . ] In some areas a voltage selector may be provided on the bottom panel of the main keyboard unit near the power cord. Make sure that the voltage selector is set for the voltage in your area. The voltage selector is set at 240V when the unit is initially shipped. To change the setting use a "minus" screwdriver to rotate the selector dial so that the correct voltage appears next to the pointer on the panel. WICHTIG Überprüfung der Stromversorgung Vergewissern Sie sich vor dem Anschließen an das Stromnetz, daß die örtliche Netzspannung den Betriebsspannungswerten auf dem Typenschild an der Unterseite des Instruments entspricht. [. . . ] The CLP-130 has nine main functions, and the CLP-120 has eight main functions. Some of these main functions consist of a set of sub-modes. Parameter List Function Fine tuning of the pitch Selecting a scale -- Scale Base Note Sub-Mode CLP-130 F1 F2. 1 F2. 2 F3. 1 F3. 2 F3. 3 F3. 4 F3. 5 F3. 6 F3. 7 F4. 1 F4. 2 F4. 3 F4. 4 F4. 5 F4. 6 F4. 7 F4. 8 F5. 1 F5. 2 F5. 3 F5. 4 F6 F7 F8. 1 F8. 2 F8. 3 F8. 4 F8. 5 F8. 6 F8. 7 F8. 8 F9. 1 F9. 2 F9. 3 F9. 4 CLP-120 F1 F2. 1 F2. 2 F3. 1 F3. 2 F3. 3 F3. 4 F3. 5 F3. 6 F3. 7 -- -- -- -- -- -- -- -- F4. 1 F4. 2 -- -- F5 F6 F7. 1 F7. 2 F7. 3 F7. 4 F7. 5 F7. 6 F7. 7 F7. 8 F8. 1 F8. 2 F8. 3 F8. 4 Reference page 40 41 41 42 42 42 42 42 42 42 43 43 43 43 43 43 43 43 44 44 44 44 45 45 45 46 46 46 46 47 47 47 48 48 48 48 Dual mode functions Dual Balance Dual Detune Voice 1 Octave Shift Voice 2 Octave Shift Voice 1 Effect Depth Voice 2 Effect Depth Reset Split mode functions Split Point Split Balance Right Voice Octave Shift Left Voice Octave Shift Right Voice Effect Depth Left Voice Effect Depth Damper Pedal Range Reset Other Functions Left Pedal Mode Soft Pedal Effect Depth Sustain Sample Depth Keyoff Sample Volume Metronome volume Preset Song Part Cancel Volume MIDI Functions -- -- MIDI Transmit Channel Selection MIDI Receive Channel Selection Local Control ON/OFF Program Change ON/OFF Control Change ON/OFF MIDI Transmit Transpose Panel/Status Transmit Bulk Data Dump Backup Functions Voice MIDI Tuning Others CLP-130/120 Detailed Settings ­ [FUNCTION] 37 ENGLISH Basic Procedure in Function Mode Follow the steps below to use the functions. (If you become lost while using a function, return to this page and read the basic procedure. ) 15 MIN MAX 24 TEMPO/ OTHER VALUE TEMPO FUNCTION 34 GRAND PIANO 1 USER 1 USER 2 USER 3 GRAND PIANO 2 E. PIANO 1 E. PIANO 2 HARPSICHORD E. CLAVICHORD VIBRAPHONE VARIATION ROOM HALL 1 HALL 2 STAGE CHORUS PHASER TREMOLO DELAY HARD MEDIUM SOFT ­ /NO +/ YES PRESET TRACK 1 TRACK 2 START/ STOP REC CHURCH ORGAN JAZZ ORGAN STRINGS CHOIR GUITAR WOOD BASS E. BASS SPLIT ON MASTER VOLUME MELLOW BRIGHT START/ STOP BRILLIANCE DEMO METRONOME TEMPO / FUNCTION SONG VOICE REVERB EFFECT TOUCH TRANSPOSE ENGLISH Procedure 1. Engage Function mode. Press the [TEMPO/FUNCTION#] button so that its [FUNCTION#] indicator lights. (The indication of " the status of the unit and usage. ) " varies depending on NOTE Functions cannot be selected during Demo/Preset Song mode or when the user song recorder is in operation. 2. Select a function. Use the [TEMPO/FUNCTION# , ] buttons to select the desired function from F1­F9 (CLP-130) / F1­F8 (CLP-120). TEMPO FUNCTION NOTE To cancel the function in Step 2, 3, or 4, press the [TEMPO/ FUNCTION# , ] button any time to exit Function mode. TEMPO / FUNCTION 3. Use the [­/NO] [+/YES] buttons. If the function does not include sub-modes, start setting the parameters. If the function includes sub-modes, press the [+/YES] button once to enter the respective sub-mode. TIP After you select the function, the current setting will be displayed when the [­/NO] or [+/YES] button is pressed for the first time. 4. Operate the desired function using the following two buttons. 1 [TEMPO/FUNCTION# , ] Selects the desired function/sub-mode. 2 [­/NO] or [+/YES] After you select the desired function or sub-mode, set the ON/OFF, select the type, or change the value, accordingly. Engage Function mode and select . 2. Press the [+/YES] button to engage the scale function's sub-mode, then use the [TEMPO/ FUNCTION# M, L] buttons to select the desired sub-mode. Press the [­/NO] and [+/YES] buttons to select the number of the desired tuning. Sub-mode F2. 1: Scale Setting range: 1: Equal Temperament 2: Pure Major 3: Pure Minor 4: Pythagorean 5: Mean Tone 6: Werckmeister 7: Kirnberger PureMajor/PureMinor Based on natural overtones, three major chords using these scales produce a beautiful, pure sound. They are sometimes used for chorus parts. Pythagorean This scale, designed by Pythagoras, a Greek philosopher, is based on the interval of a perfect 5th. The 3rd produces swells, but the 4th and 5th are beautiful and suitable for some leads. Normal setting: 1: Equal Temperament F2. 2: Base Note If you select a scale other than Equal Temperament, you need to specify the root. (You can specify the root note with Equal Temperament selected, but it is not effective. The base note setting is effective for tunings other than the Equal Temperament tuning. ) Setting range: Normal setting: · Root indication example (F ) (G) (A ) followed by a low bar if flat MeanTone This scale is an improvement of the Pythagorean in that the swell of the 3rd has been eliminated. The scale became popular during the late 16th century through the late 18th century, and was used by Handel. WerckMeister/KirnBerger These scales combine Mean Tone and Pythagorean in different ways. With these scales, modulation changes the impression and feel of the songs. They were often used in the era of Bach and Beethoven. They are often used today to reproduce the music of that era on harpsichords. followed by a high bar if sharp CLP-130/120 Detailed Settings ­ [FUNCTION] 41 ENGLISH F3. [. . . ] Division Professionnelle BP 70-77312 Marne-la-Vallée Cedex 2, France Tel: 01-64-61-4000 ASIA HONG KONG Tom Lee Music Co. , Ltd. 11/F. , Silvercord Tower 1, 30 Canton Road, Tsimshatsui, Kowloon, Hong Kong Tel: 2737-7688 ITALY Yamaha Musica Italia S. P. A. Combo Division Viale Italia 88, 20020 Lainate (Milano), Italy Tel: 02-935-771 U. S. A. Yamaha Corporation of America 6600 Orangethorpe Ave. , Buena Park, Calif. Yamaha Music Indonesia (Distributor) PT. [. . . ]

DISCLAIMER TO DOWNLOAD THE USER GUIDE YAMAHA CLP-250

Lastmanuals offers a socially driven service of sharing, storing and searching manuals related to use of hardware and software : user guide, owner's manual, quick start guide, technical datasheets...
In any way can't Lastmanuals be held responsible if the document you are looking for is not available, incomplete, in a different language than yours, or if the model or language do not match the description. Lastmanuals, for instance, does not offer a translation service.

Click on "Download the user manual" at the end of this Contract if you accept its terms, the downloading of the manual YAMAHA CLP-250 will begin.

Search for a user manual

 

Copyright © 2015 - LastManuals - All Rights Reserved.
Designated trademarks and brands are the property of their respective owners.

flag