User manual YAMAHA CLP-650E

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Mode d'emploi YAMAHA CLP-650E
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Manual abstract: user guide YAMAHA CLP-650E

Detailed instructions for use are in the User's Guide.

[. . . ] 12 Effect Parameter List . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 13 Effect Data Assign Table . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 16 MIDI Data Format . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 18 Panel sound source . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 18 XG sound source. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 23 MIDI Implementation Chart . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . [. . . ] Reception: Song playback or song recording stops, depending on the state of the instrument. *1: Used only for setting the parameters with the specified RPN. Processing the Bank Select message is deferred until the Program Change is received. To change the voices (including the voice banks), transmit Bank Select MSB, LSB, then Program Change in this order as a set. (3-4-4) ACTIVE SENSING STATUS 11111110 (FEH) This message is transmitted about every 200 msec. (3-2) CHANNEL MODE MESSAGES ( CONTROL NUMBER 0ccccccc CONTROL VALUE 0vvvvvvv ) c = CONTROL NUMBER v = DATA VALUE When the instrument receives this code, it starts "sensing. " If it does not receive any status information or other data, the instrument clears the MIDI reception buffer and forces off all voicing notes and sustain. All Control values are reset to their default settings. (3-2-1) ALL SOUND OFF (Only reception) (CONTROL NUMBER = 78H , DATA VALUE = 0) All voicing sounds on the corresponding channel(s) are muted. Note On and Hold On Channel messages are also erased. (3-5) SYSTEM EXCLUSIVE MESSAGE (3-5-1) UNIVERSAL SYSTEM EXCLUSIVE (3-5-1-1) UNIVERSAL REALTIME MESSAGE (3-5-1-1-1) MIDI MASTER VOLUME (Only reception) binary 11110000 01111111 01111111 00000100 00000001 0sssssss 0ttttttt 11110111 or 11110000 01111110 0xxxnnnn hexadecimal F0 7F 7F 04 01 SS TT F7 F0 7F XN Exclusive status Universal Realtime ID of target Device Sub-ID #1=Device Control Message Sub-ID #2=Master Volume Volume LSB Volume MSB End of Exclusive Exclusive status Universal Realtime When N is received N=0-F, whichever is received. X = don't care Sub-ID #1=Device Control Message Sub-ID #2=Master Volume Volume LSB Volume MSB End of Exclusive (3-2-2) RESET ALL CONTROLLERS (Only reception) (CONTROL NUMBER = 79H , DATA VALUE = 0) The following controller values are reset. PITCH BEND CHANGE EXPRESSION SUSTAIN SOSTENUTO SOFT PEDAL RPN 0 (mid point) 127 (max) 0 (off) 0 (off) 0 (off) The number is not specified. The internal data does not change. (3-2-3) ALL NOTES OFF (Only reception) (CONTROL NUMBER = 7BH , DATA VALUE = 0) All notes (that are on) are turned off. If sustain or sostenuto is on, the corresponding note does not stop voicing until sustain or sostenuto is turned off. (3-2-4) OMNI OFF (Only reception) (CONTROL NUMBER = 7CH , DATA VALUE = 0) Same process as when All Notes Off message is received. 00000100 00000001 0sssssss 0ttttttt 11110111 04 01 SS TT F7 (3-2-5) OMNI ON (Only reception) (CONTROL NUMBER = 7DH , DATA VALUE = 0) Same process as when All Notes Off message is received. It does not set OMNI On. All channel volume level is changed simultaneously. Value "TT" is used as the master volume level. 0 is left, 64 is center, and 127 is right. 1. 2. 7 Expression This message controls expression (dynamics within a musical line) for each part. It is used to create volume changes during a song. Control# Parameter 11 Expression Data Range 0. . . 127 1. 2 Control changes These messages control volume or pan etc. Their functions are differentiated by the control number (Ctrl#). If the Multi Part parameter Rcv CONTROL CHANGE = OFF, that part will not receive control changes. If the Multi Part parameter Rcv EXPRESSION = OFF, that part will not receive Expression. 1. 2. 8 Hold1 This message controls sustain pedal on/off. Control# Parameter 64 Hold1 Data Range 0. . . 63, 64. . . 127 (OFF, ON) 1. 2. 1 Bank Select This message selects the voice bank. Control# Parameter 0 Bank Select MSB 32 Bank Select LSB Data Range 0, 64, 126, 127 (Normal voice, SFX voice, SFX kit, Drum kit) 0. . . 127 When this is ON, currently-sounding notes will continue to sound even if note-off messages are received. If the Multi Part parameter Rcv HOLD1 = OFF, that part will not receive Hold1. The Bank Select data will be processed only after a Program Change is received, and then voice bank will change at that time. If you wish to change the voice bank as well as the voice, you must transmit Bank Select and Program Change messages as a set, in the order of Bank Select MSB, LSB, and Program Change. 1. 2. 9 Portamento This message controls portamento on/off. Control# Parameter 65 Portamento Data Range 0. . . 63, 64. . . 127 (OFF, ON) 1. 2. 2 Modulation This message is used primarily to control the depth of vibrato, but the depth of the following 7 types of effect can be controlled. The effect of this message can be changed by the following parameters. [. . . ] · Rcv CHANNEL AFTER TOUCH = OFF · PART MODE = DRUM, DRUMS1. . . 4 For parameters whose Data Size is 2 or 4, the appropriate amount of data will be transmitted as indicated by Size. 2. 1. 3. 1 XG System On 11110000 01000011 0001nnnn 01001100 00000000 00000000 01111110 00000000 11110111 F0H 43H 1NH 4CH 00H 00H 7EH 00H F7H Exclusive status YAMAHA ID N:device Number Model ID Address High Address Mid Address Low Data End of Exclusive 2. System exclusive messages 2. 1 Parameter changes This devices uses the following parameter changes. [UNIVERSAL REALTIME MESSAGE] 1) Master Volume [UNIVERSAL NON REALTIME MESSAGE] 1) General MIDI System On [XG PARAMETER CHANGE] 1) XG System on 2) XG System parameter change 3) Multi Effect1 parameter change 4) Multi Part parameter change 5) Drums Setup parameter change [MU128 NATIVE PARAMETER CHANGE 2] 1) Current Performance parameter change [Others] 1) Master tuning When On is received, the SOUND MODULE MODE will be set to XG. Since approximately 50[ms] are required in order to execute this message, please allow an appropriate interval before transmitting the next message. 2. 1. 3. 2 XG System parameter change This message sets the XG SYSTEM block (refer to tables <1 -1>, <1 - 2>). 2. 1. 3. 3 Multi Effect1 parameter change This message sets the MULTI EFFECT1 block (refer to tables <1 - 1>, <1 - 3>). 2. 1. 3. 4 Multi Part parameter change This message sets the MULTI PART block (refer to tables <1 - 1>, <1 - 4>). 2. 1. 1 Universal realtime messages 2. 1. 1. 1 Master Volume 11110000 01111111 01111111 00000100 00000001 * 0sssssss 0ttttttt 11110111 or, 11110000 01111111 0xxxnnnn 00000100 00000001 0sssssss 0ttttttt 11110111 F0H 7FH 7FH 04H 01H SSH TTH F7H F0H 7FH XNH 04H 01H SSH TTH F7H = Exclusive status = Universal Real Time = ID of target device = Sub-ID #1 = Device Control Message = Sub-ID #2 = Master Volume = Volume LSB = Volume MSB = End of Exclusive = Exclusive status = Universal Real Time = Device Number, xxx = don't care = Sub-ID #1 = Device Control Message = Sub-ID #2 = Master Volume = Volume LSB = Volume MSB = End of Exclusive 2. 1. 3. 5 Drums Setup parameter change This message sets the DRUMS SETUP block (refer to tables <1 - 1> , <1 - 5>). 2. 1. 4 Other parameter changes 2. 1. 4. 1 Master tuning This message simultaneously modifies the tuning of all channels. [. . . ]

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