User manual YAMAHA CP-11

[. . . ] We sincerely believe that our products and the production methods used to produce them, meet these goals. In keeping with both the letter and the spirit of the law, we want you to be aware of the following: Battery Notice: This product MAY contain a small nonrechargeable battery which (if applicable) is soldered in place. The average life span of this type of battery is approximately five years. When replacement becomes necessary, contact a qualified service representative to perform the replacement. [. . . ] The 816Chorus effect reproduces the thick, detuned chorus of the TX816 -- famous for combining eight DX7s in a single rack unit. Symphonic uses multi-stage modulation to produce a wider-sounding chorus. Chorus D Chorus 816Cho (816Chorus) Sympho (Symphonic) Reference 46 CP-111 Owner's Manual Modulation Effect Parameters from the Modulation Effect Block Editing Sequence: Press and hold the [MODULATION EFFECT 1] or [MODULATION EFFECT 2] button (for at least one second) Turn Knobs 2 to 6 Each type of modulation effect is configured using a different set of parameters, which adjust the sound of the effect in various ways. In the following table, you will find a description of all such parameters in alphabetic order. NOTE For more details on the specific parameters associated with each different type of modulation effect, see the Modulation Effect block's parameter list in the Data List booklet. On-screen name (and full name) B C D Bottom Color Delay Depth Associated effect types Touch Wah and Pedal Wah SmallPha Symphonic Flanger, Chorus, 816chorus, and Symphonic SmallPha and Max90 Touch Wah and Pedal Wah Description This parameter is used to set the lowest point in the filter's sweep range. This parameter is used to adjust the way in which the phaser sweeps. This parameter is used to set the delay-time offset for modulation. This parameter is used to set the degree to which modulation is applied. Drive This parameter is used to set the phaser's input level. This parameter is used to adjust the way in which the sound distorts. This parameter is used adjust the degree to which output from the effect is fed back into its input. This parameter is used to set the offset value for delay modulation. This parameter is used to adjust the volume of the effect sound. F Feedback Flanger and 816Chorus M Manual Mix Flanger Flanger, Chorus, 816Chorus and Symphonic Max100 Pedal Wah 816Chorus SmallPha Touch Wah and Pedal Wah Mode P Pedal Control Phase R Rate Reso (Resonance Offset) S Sens. (Sensitivity) Speed This parameter is used to select the phaser mode. This parameter is used to set the amount of time over which the compressor stops compressing the sound. This parameter is used to select different speaker types. S SpType (Speaker Type) PowerAmp 71Rd I, PowerAmp 73Rd I, PowerAmp 75Rd I, PowerAmp 78Rd II, PowerAmp 69Wr, and PowerAmp 77Wr Reference CP-111 Owner's Manual 49 Reverb Reverb The Reverb block can be used to apply a reverberation type effect to both Part 1 and Part 2. Editing Sequence: Press and hold the [REVERB] button (for at least one second) Turn Knobs 1 to 5 RevType (Reverb Type) This parameter is used to select the type of reverb to be applied. Setting values: RichHall, RichPlt, RichRoom, WoodRoom, Room1, Room2, Stage1, or Stage2 RichHall (Rich Hall) RichPlt (Rich Plate) RichRoom (Rich Room) WoodRoom (Woody Room) Room1 Room2 Stage1 Stage2 RevTime (Reverb Time) 1RevSend (Reverb Send 1) 2RevSend (Reverb Send 2) FBHiDamp (Feedback High Damping) Emulation of hall acoustics with a rich, deep reverb sound. Emulation of a rich, sustained plate sound. Emulation of room acoustics with a gentle reverb sound. Emulation of room acoustics with a warm reverb sound. Emulation of room acoustics with a crisp reverb sound. Emulation of room acoustics with a deeper reverb sound. Emulation of stage acoustics with wide, sustained reverb sound. Emulation of the reverb typical of a smaller stage. This parameter is used to set how long it takes for the reverb sound to fade to silence. Setting values: WoodRoom: 0. 3 to 10. 0 (seconds), Other reverb types: 0. 3 to 30. 0 (seconds) These parameters are used to set how much of the output signal from Part 1 and Part 2, respectively, is sent to the reverb effect. Higher values produce a more pronounced reverb sound. Setting values: 0 to 127 This parameter is used to adjust the brightness of the reverb sound. [. . . ] 135 Milner Avenue, Scarborough, Ontario, M1S 3R1, Canada Tel: 416-298-1311 THE NETHERLANDS/ BELGIUM/LUXEMBOURG Yamaha Music Europe Branch Benelux Clarissenhof 5-b, 4133 AB Vianen, The Netherlands Tel: 0347-358 040 ASIA THE PEOPLE'S REPUBLIC OF CHINA Yamaha Music & Electronics (China) Co. , Ltd. 2F, Yunhedasha, 1818 Xinzha-lu, Jingan-qu, Shanghai, China Tel: 021-6247-2211 FRANCE Yamaha Musique France BP 70-77312 Marne-la-Vallée Cedex 2, France Tel: 01-64-61-4000 U. S. A. Yamaha Corporation of America 6600 Orangethorpe Ave. , Buena Park, Calif. Tel: 714-522-9011 HONG KONG Tom Lee Music Co. , Ltd. 11/F. , Silvercord Tower 1, 30 Canton Road, Tsimshatsui, Kowloon, Hong Kong Tel: 2737-7688 ITALY Yamaha Musica Italia S. P. A. [. . . ]