User manual YAMAHA DSP-AX3200

[. . . ] GB DSP-AX3200 AV AMPLIFIER AMPLIFICATEUR AUDIO-VIDEO OWNER'S MANUAL MODE D'EMPLOI BEDIENUNGSANLEITUNG BRUKSANVISNING MANUALE DI ISTRUZIONI MANUAL DE INSTRUCCIONES GEBRUIKSAANWIJZING CAUTION: READ THIS BEFORE OPERATING YOUR UNIT. 1 To assure the finest performance, please read this manual carefully. Keep it in a safe place for future reference. Install this unit in a well ventilated, cool, dry, clean place with at least 30 cm on the top, 20 cm on the right and left, and 10 cm at the back of this unit -- away from direct sunlight, heat sources, vibration, dust, moisture, and/or cold. Locate this unit away from other electrical appliances, motors, or transformers to avoid humming sounds. [. . . ] This processing enables this unit to reproduce the immense sound field and surround expression of a Dolby Digital- or DTSequipped movie theater without sacrificing the clear separation of all channels. Right surround DSP sound field PREPARATION Left surround DSP sound field I Dolby Digital Matrix 6. 1/DTS ES + DSP sound field effect These programs provide you with the maximum experience of the spacious surround effects since an extra rear center DSP sound field created from the rear center channel is added. BASIC OPERATION I Dolby Pro Logic + DSP sound field effect Presence DSP sound field Surround DSP sound field Most movie software has 4-channel (left, center, right and surround) sound information encoded by Dolby Surround matrix processing and stored on the left and right tracks. These signals are processed by the Dolby Pro Logic decoder. The MOVIE THEATER programs are designed to recreate the spaciousness and delicate nuances of sound that tend to be lost in the encoding and decoding processes. ADVANCED OPERATION I Dolby Pro Logic ADDITIONAL INFORMATION /DTS Neo: 6 Dolby Pro Logic and DTS Neo: 6 equipped on this unit decode the 2-channel Dolby Surround software into five discrete full-range channels (3 channels in front and 2 or 3 channels in rear). They also provide two modes; MOVIE/ CINEMA for movies and MUSIC for 2-channel source. APPENDIX English 33 CINEMA-DSP CINEMA-DSP Programs I For movie programs: No. 9 to 11 According to the input signal format, this unit automatically chooses the appropriate decoder and DSP sound field pattern. Table of Program Names for Each Input Format Input 2 channel Stereo No. 9 Program MOVIE THEATER 1 70 mm Spectacle 70 mm Sci-Fi 10 MOVIE THEATER 2 70 mm Adventure 70 mm General 11 DOLBY DIGITAL -- -- DTS DIGITAL SUR -- DGTL Spectacle DGTL Sci-Fi DGTL Adventure DGTL General Normal Enhanced -- DTS Spectacle DTS Sci-Fi DTS Adventure DTS General -- -- Normal Spectacle 6. 1 Sci-Fi 6. 1 Adventure 6. 1 General 6. 1 Matrix 6. 1 Enhanced 6. 1 -- Spectacle ES Sci-Fi ES Adventure ES General ES -- -- ES Matrix 6. 1 ES Discrete 6. 1 *2 Enhanced ES -- -- -- -- -- -- 5. 1 channel DOLBY DIGITAL DTS 6. 1 channel *1 DOLBY DIGITAL DTS ES -- PRO LOGIC Normal Enhanced PRO LOGIC Movie Music DTS Neo: 6 Cinema Music -- -- -- -- -- -- -- Enhanced -- -- -- -- -- -- -- -- -- -- -- -- -- *1 means the 6. 1/ES decoder is ON. *2 means the DTS ES software encoded with Discrete 6. 1 is input. y · If a Dolby Digital signal or DTS signal is input when the input mode is set to AUTO, the DSP program will be automatically switched to the Dolby Digital playback sound field or DTS playback sound field. · If Dolby Digital Surround EX software or DTS ES software is played when AUTO is selected by pressing the 6. 1/ES button on the remote control, the Dolby Digital Matrix 6. 1 or DTS ES decoder usually turns on and the corresponding DSP program is selected. · 6. 1/ES on the remote control can be used to play Dolby Digital or DTS 5. 1 channel sources with rear center speaker. In this case the program name changes to the corresponding name for 6. 1 channel. · When playing 6. 1 channel source with 6. 1/ES on the remote control off, the program name changes to the corresponding name for 5. 1 channel. Note · The " " indicator does not light up when selecting the program No. 11 except for the Enhanced mode. 34 CINEMA-DSP The following list gives you a brief description of the sound fields produced by each of the DSP programs. Keep in mind that most of these are precise digital recreations of actual acoustic environments. Note INTRODUCTION · Select the DSP program that you feel sounds best regardless of the name and description given for it below. 9 Program MOVIE THEATER 1 Spectacle Features This program creates the extremely wide sound field of a 70-mm movie theater. It precisely reproduces the source sound in detail, making both the video and the sound field incredibly real. This is ideal for any kind of video source encoded with Dolby Surround, Dolby Digital or DTS (especially large-scale movie productions). This program clearly reproduces dialog and sound effects in the latest sound form of science fiction films, thus creating a broad and expansive cinematic space amid the silence. You can enjoy science fiction films in a virtual-space sound field that includes Dolby Surround, Dolby Digital and DTS-encoded software employing the most advanced techniques. This program is ideal for precisely reproducing the sound design of the newest 70-mm and multichannel soundtrack films. The sound field is made to be similar to that of the newest movie theaters, so the reverberations of the sound field itself are restrained as much as possible. This program is for reproducing sounds from 70-mm and multichannel soundtrack films, and is characterized by a soft and extensive sound field. [. . . ] 4. 0 V/1. 2 k VIDEO SECTION · Video Signal Type . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . PAL · Composite Video Signal Level . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1 Vp-p/75 · S-Video Signal Level Y . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1 Vp-p/75 C . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . [. . . ]