User manual YAMAHA EMQ1E

[. . . ] [Information on Disposal in other Countries outside the European Union] This symbol is only valid in the European Union. If you wish to discard these items, please contact your local authorities or dealer and ask for the correct method of disposal. Apparaten kopplas inte ur växelströmskällan (nätet) så länge som den ar ansluten till vägguttaget, även om själva apparaten har stängts av. ADVARSEL: Netspændingen til dette apparat er IKKE afbrudt, sålænge netledningen sidder i en stikkontakt, som er tændt -- også selvom der er slukket på apparatets afbryder. [. . . ] To adjust the tempo of the song playback, see page 21. Highest key Selecting all song playback channels: While pressing and holding down the [DEMO/SONG] button and the [PIANO/ VOICE] button simultaneously, press the B6 key. All channels 1 through 16 produce the sound. B6 Highest key EMQ1E Owner's Manual 15 ENGLISH Selecting & Playing Voices ENGLISH Selecting Voices Press and release the [PIANO/VOICE] button to select the Grand Piano 1 Voice. Press and release the [PIANO/VOICE] button, then press the [+] or [­] button to select a different Voice. To directly select a particular Voice, press and hold down the [PIANO/VOICE] button, and while holding it, press one of the C1­F1 keys. Turn the [MASTER VOLUME] control to adjust the volume level while playing the keyboard. C1 D1 To better appreciate the characteristics of various Voices, listen to the demo songs for each Voice (page 13). Voice: On this instrument, a Voice means a "tone" or "tonal color. " Selecting a Voice automatically calls up the best-suited reverb type and depth (page 18) for that particular Voice. Lowest key C1 D1 E1 F1 Key C1 C1 D1 D1 E1 F1 Voice Name Grand Piano 1 Grand Piano 2 E. Piano Harpsichord Church Organ Strings Description Recorded samples from a concert grand piano. Perfect for classical compositions as well as any other style that requires acoustic piano. Spacious and clear piano with bright reverb. An electronic piano sound created by FM synthesis. The definitive instrument for baroque music. Since the strings of a harpsichord are plucked, there is no touch response. This is a typical pipe organ sound (8 feet + 4 feet + 2 feet). A setting of "0" produces an equal balance between the two Dual mode Voices. Settings below "0" increase the volume of Voice 2 in relation to Voice 1, and settings above "0" increase the volume of Voice 1 in relation to Voice 2. F5 -6 -4 -2 C6 +1 +3 F6 +6 -5 -3 -1 0 +2 +4 +5 Highest key 2 Exit Dual mode and return to normal play mode. To return to single-Voice play mode, press the [PIANO/VOICE] button. EMQ1E Owner's Manual 19 ENGLISH Selecting & Playing Voices Transposition ENGLISH Your digital piano's Transpose function makes it possible to shift the pitch of the entire keyboard up or down in semitone intervals up to a maximum of six semitones, and lets you easily match the pitch of the keyboard to the range of a singer or other instruments. For example, if you set the transposition amount to "5, " playing key C produces pitch F. In this way, you can play a song as though it were in C major, and this instrument will transpose it to F major. Setting the amount of transposition While holding down the [DEMO/SONG] and [PIANO/VOICE] buttons, press one of the F 2­ F 3 keys to set the desired amount of transposition. F2 -6 -4 -2 Transpose: Changing the key signature. On this instrument, transposing shifts the pitch of the entire keyboard. C3 +1 +3 F3 +6 -5 -3 -1 0 +2 +4 +5 Lowest key Transpose down. Transpose up. Normal pitch. To transpose the pitch down (in semitone steps) While holding down the [DEMO/SONG] and [PIANO/VOICE] buttons, press any key between F 2 and B2. To transpose the pitch up (in semitone steps) While holding down the [DEMO/SONG] and [PIANO/VOICE] buttons, press any key between C 3 and F 3. To restore the normal pitch While holding down the [DEMO/SONG] and [PIANO/VOICE] buttons, press the C3 key. Fine-tuning the Pitch You can fine-tune the pitch of the entire instrument. This function is useful when you play the digital piano along with other instruments or CD music. Setting the pitch Raising the pitch (in about 0. 2 Hz steps): Hold down the A-1, B-1 and C0 keys together and press any key in the range from C3 to B3. Lowering the pitch (in about 0. 2 Hz steps): Hold down the A-1, B-1 and C#0 keys together and press any key in the range from C3 to B3. Resetting to the default pitch Hold down the A-1, B-1, C0 and C#0 keys together and press any key in the range from C3 to B3. To tune up B-1 A-1 C0 To tune down B-1 A-1 C 0 To reset to default pitch B-1 C0 C0 A-1 C3 Hz (Hertz): This unit of measurement refers to the frequency of a sound and represents the number of times a sound wave vibrates in a second. Setting range: 427. 0­453. 0 Hz Standard pitch: 440. 0 Hz B3 20 EMQ1E Owner's Manual Selecting & Playing Voices Using the Metronome Your digital piano features a built-in metronome (a device that keeps an accurate tempo) that is convenient for practicing. 1 Press the [METRONOME] button to turn on the metronome. Start the metronome. Determining the time signature While holding down the [METRONOME] button, press one of the C3­F3 keys. The first beat is accented with a bell sound and the rest with clicks. [. . . ] 14 Program Change . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 29 A Accessories . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 8 Adjust Keyboard Touch . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 22 Reverb Depth . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 18 Tempo (metronome) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 21 Volume (metronome) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 22 Assembly . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 31 B Backup . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 27 R REC . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 9, 23 Recording your Performance . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 23 Reverb . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 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