User manual YAMAHA EMX620

[. . . ] Owner's Manual 1 HIGH HIGH ­15 LOW +15 ­15 LOW 2 HIGH +15 ­15 LOW 3 HIGH +15 ­15 LOW 4 HIGH +15 ­15 LOW 5 HIGH +15 ­15 LOW 6 VOCAL +15 SEE REAR PANEL CAUTION POWER L HALL PHANTOM ON OFF LIMITER ­15 MONI +15 ­15 MONI +15 ­15 MONI +15 ­15 MONI +15 ­15 MONI +15 ­15 MONI +15 S HALL 0 EFFECT 10 0 EFFECT 10 0 EFFECT 10 0 EFFECT 10 0 EFFECT 10 0 EFFECT 10 ON 0 LEVEL 10 0 LEVEL 10 0 LEVEL 10 0 LEVEL 10 0 LEVEL 10 0 LEVEL 10 DIGITAL EFFECT ­12 · 6 · 0 · 6 · +12 ­12 · 6 · 0 · 6 · +12 125 0 PAD 10 0 PAD 10 0 PAD 10 0 PAD 10 0 10 0 10 0 250 500 1k 2k 4k 8k +6 +3 0 ­5 ­10 0 10 EFFECT RTN 10 0 10 0 10 0 10 0 10 EFFECT RTN AUX IN TAPE IN MASTER MASTER 1 2 3 4 5 6 EFFECT MAIN MONI Hi-Z Hi-Z Hi-Z Hi-Z LINE INST EFFECT OUT TAPE IN REC OUT MONITOR 1 1 1 1 MAIN PHONES Lo-Z Lo-Z Lo-Z Lo-Z LINE INST FOOT SW AUX IN 2 2 2 INPUT TO MAIN 2 OUTPUT Keep This Manual For Future Reference. E FCC INFORMATION (U. S. A. ) 1. IMPORTANT NOTICE: DO NOT MODIFY THIS UNIT!This product, when installed as indicated in the instructions contained in this manual, meets FCC requirements. Modifications not expressly approved by Yamaha may void your authority, granted by the FCC, to use the product. [. . . ] Consult your dealer about replacing defective components. EMX620--Owner's Manual Introduction 5 Introduction Thank you for purchasing the Yamaha EMX620 Powered Mixer. In order to take full advantage of the EMX620 and enjoy long and trouble-free operation, read this owner's manual carefully, and keep it in a safe place for future reference. Features · The EMX620's six input channels support a wide range of audio sources, including microphones, instruments, and line-level devices. Input channels 1 through 4 feature lo- and hi-impedance balanced inputs, with +15 V phantom powering for use with condenser-type microphones on the lo inputs, input channel 5 features two line-level inputs, while input channel 6 features two hi-impedance inputs for connecting instruments such as electric-acoustic guitar and electric bass directly. · The built-in power amplifier offers a maximum output of 200 W with a 4 speaker system, 135 W with an 8 speaker system, and a limiter circuit prevents sounds distortion and speaker damage. · The 7-band graphic equalizer on the main output allows you to tailor the sound for each particular venue and reduce the risk of feedback by attenuating troublesome frequencies. · Also built-in is a digital effects processor, offering three different programs for adding reverberation or ambiance to vocal or instrument sounds, and remote on/off control using an optional footswitch. · External effects can be patched into the system via the EFFECT OUT and AUX IN jacks, with effects return level control. · Separate outputs are provided for connecting powered monitor speakers, headphones, or a stereo recorder (cassette, DAT, or MD). Contents Front & Rear Panels. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 6 Control Panel . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 6 Input/Output Panel . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 9 Rear Panel . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 11 Hookup Example. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 12 Basic Operation. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 13 Connecting Sources . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 13 Monitoring. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 13 Using the Built-in Effects. . . . . . . . . . . . . . . . . . . . . . . . . . . 13 Troubleshooting. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 14 Specifications . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 15 General Specifications . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 15 Input Specifications . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 16 Output Specifications . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 16 Dimensions . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . [. . . ] Reverse this order when turning off the power. Using the Built-in Effects The EMX620 features a built-in digital effects processor, allowing reverberation or ambiance to be added to vocals or instrument sounds. C Set the MAIN MASTER control to the position. 1 Turn on the digital effects processor by pressing the DIGITAL EFFECT ON switch. The DIGITAL EFFECT indicator lights up. D While speaking into a connected mic, or playing a connected instrument, adjust the input channel LEVEL control so that the 0 LED of the MAIN section level meter lights occasionally. Repeat this procedure for each channel. B Use the DIGITAL EFFECT switches to select an effects program. Reverb typical of a small hall. E Use the EQ controls on each input channel to adjust the tonal characteristics of each source. C Set the MAIN EFFECT RTN control to the position. F Use the 7-band graphic equalizer to adjust the tonal characteristics of the main output. D While speaking into a connected mic, or playing a connected instrument, adjust the EFFECT control of the input channel that you want to process. G Use the MAIN MASTER control to set the overall volume level of the main mix. E Use the MAIN EFFECT RTN control to adjust the overall level of the processed sound. F Use the MONI EFFECT RTN control to feed the processed signal to the MONI bus and subsequently MONITOR OUTPUT. [. . . ]