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[. . . ] DATA LIST DATEN-LISTE LISTE DE DONNÉES
Contents Inhaltsangabe Table des matières
Performance List Liste der Performances Liste des performances . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4 Voice List Liste der Voices Liste des voix. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 6 Preset Fseq List Liste der vorprogrammierten Formant Sequenzen Liste des séquences de formant programmées "FSeqs" . . . . . . 10 Control List Liste der Steuerbefehle Liste des contrôleurs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 11 Effect Type List Liste mit Effekt-Typen Liste des type d'effets. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 12 Effect Parameter List Liste mit Effekt-Parametern Liste des Paramètres d'effets. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 13
REVERB . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 13 VARIATION . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 17 INSERTION. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 24
MIDI Data Format. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 35 MIDI Data Tables . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 38 MIDI Implementation Chart. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 43
3
Performance List Liste der Performances Liste des performances
Internal
No. 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43 44 45 46 47 48 49 50 51 52 53 54 55 56 57 58 59 60 61 62 63 64 Performance Name Category Ld Teck Hook Se Yes No Vo Choir Pf EP Wide Co Bleep Ba B-Rave Ld Earth Lead St Ensemble Or Full B3 Pd Nebulous Vo VocoTouch Ba Bassline 1 Pf Nu Suitcase Br StabbaBabb Se Dark Sq Dog Bytes Ba FundaBass Se Magic Laugh Vo Breathy 5th Pf Velvet Dyno Ld Syncorgano Ba Acid King Br Taxi Brass Pd Moby II Fx Nightmare Sc Zansyo Vo Homy Ba Optical Pf Digi Clav Co Relaxxx Or B3 Jazz Comp Dr TekkSet Ba Strobe Ba HyperFuzz Fx Sho Et Kalimba Br DX-Soft Ba Technical St Obie Strings Fx Caravan Br Brassetra Sc Snow Decay Fx Bots Ba Plastic Bass Pf Full Tines Pd Pompeii Se To Warp Dr BoomTchak Ba Compu Saw Vo Dirt Vocoder Vo Lightyears Ld Nu Skool Gt EtherGuitar Ba Bassline 2 Or Blazin' Jim Vo Shaman Pd Emperor II Sc Da Comp Pd Starship Ba Jungle Bass Sc Vulcan Vo Sand Voice Co Hollywood Dr Drum Kit 1 No. 65 66 67 68 69 70 71 72 73 74 75 76 77 78 79 80 81 82 83 84 85 86 87 88 89 90 91 92 93 94 95 96 97 98 99 100 101 102 103 104 105 106 107 108 109 110 111 112 113 114 115 116 117 118 119 120 121 122 123 124 125 126 127 128 Performance Name Category Fifths Sc Sweepers Ld Miracle Fx Platipus Ld Backin Organ Or LoFi Acid Ba Zap !Se JMichel St Stab Br Legend Vibe Cp Vox Move Vo Digital Ba Siam Prayer Et Mysterians Fx Venus Co Drum Kit 2 Dr Lead Horn Br Mouth Pop Co Hard String Gt Baroque Ld Swarm Co Mitosis Ld Moving Fx Wind Pad Pd DistFeedback Gt EP Soft Pf Shooby Do Vo Furry Bell Fx Spiral Se ChurchOrgan Or Accordion Or Drum Kit 3 Dr CP Hard Pf Warm Galaxy Pd Superarp Sq Fetish Ld B3 Perc 3rd Or Funky Tech Sc Fat Line Sq Can You Give Vo Snow Pixy Sc Earth Wind Pd Prophet F Fx Obi Hornz Br Tremolo Pf Open Se Elise Pd Drum Kit 9o9 Dr Matze Ba Strat 7II Gt Morph Fx Hollow Ld Heimdal Pd Zapper Sc LS Night Or Spacious St Perc Arp Sq Spellbound Sc Trance Cosmo Ld Moon Bass Ba Manhattan Sc Angel Bells Pd Far West Cp Spacy Aaah Vo
Preset A
No. [. . . ] This effect adds new overtones to the input signal to make the sound stand out. Gates the input when the input signal falls below a specified level. Holds down the output when the input exceeds a specified level. Can also be used to add a sense of attack to the sound. Adds distortion with an edge to the sound. Two delay sounds L and R, with two feedback delays. Two delays L and R, with independent feedback delay for L and R. This effect crosses the feedback of two delays. Reverb simulating the acoustics of a hall. Reverb simulating the acoustics of a room. Reverb appropriate for a solo instrument. Reverb simulating a metal plate reverb device.
Insertion
Effect Type Thru Chorus Celeste Flanger Symphonic Phaser1 Phaser2 Pitch Chng Ens Detune Rotary SP 2WayRotary Tremolo Auto Pan Ambience A-Wah+Dist A-Wah+Odrv T-Wah+Dist T-Wah+Odrv Wah+DS+Dly Wah+OD+Dly Lo-Fi 3-Band EQ HM Enhncer Noise Gate Compressor Comp+Dist Cmp+DS+Dly Cmp+OD+Dly Distortion Dist+Delay Overdrive Odrv+Delay Amp Sim Delay LCR Delay L, R Echo CrossDelay ER 1 ER 2 Gate Rev Revrs Gate Remarks Bypass without applying an effect. Conventional chorus effect which gives natural spaciousness to the sound. A three-phase LFO is used to give modulation and spaciousness to the sound. An effect reminiscent of a jet airplane taking off and landing. A multi-stage version of CELESTE modulation. Cyclically changes the phase to modulate the sound. This effect changes the pitch of the input signal. Chorus effect without modulation, created by adding a slightly pitch-shifted sound. An effect which cyclically modulates the volume. An effect which cyclically moves the sound between left/right and front/back. An effect which adds spatial breadth by blurring the location of the sound. [. . . ] Performance bulk dump Voice bulk dump Fseq bulk dump System bulk dump DX Series VCED bulk dump DX Series ACED bulk dump
b) Reception If an "FE" (Active Sensing status message) is received, FS1R starts to wait for next "FE. " If the next message does not arrive in approximately 500 msec. , FS1R mutes the notes currently sounding.
4. 2 Timing Clock
a) Transmission Not transmitted. b) Reception Received and used as sync clock when "Fseq Speed = midi (1/4, 1/2, 1/1, 2/1, 4/1)" is selected.
3. 2. 1 FS1R Native Bulk Dump and Dump Request (1, 2, 3, 4)
FS1R Native Bulk Dump 11110000 01000011 0000nnnn 01011110 0bbbbbbb 0bbbbbbb 0hhhhhhh 0mmmmmmm 0lllllll 0ddddddd | 0ddddddd 0ccccccc 11110111 F0 43 0n 5E bbbbbbb bbbbbbb hhhhhhh mmmmmmm lllllll ddddddd | ddddddd ccccccc F7 Exclusive Status YAMAHA ID Device Number Model ID Byte Count High Byte Count Low *Address High (H) *Address Middle (M) *Address Low (L) Data Byte Count Data Check-sum End of Exclusive
The Data section matches "vv" in the MIDI data tables <Table 1> to <Table 4>. Check-sum is a value that makes "0" (zero) in lower 7 bits of an added value of Byte Count, Address, Data, and Check-sum itself.
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MIDI Data Tables
<Table 1> Performance Parameter
Byte Count common 80 effect data 112 part data 52 x 4 = 208 ------------------------------------total 400
00 00 00 00 00 00 00
61 62 63 64 65 66 67
00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-7F 00-10 01-7F 00-7F 00-1C 01-7F 00-7F 00-7F 00-28 01-7F 00-7F 00-7F 00-7F 34-4C 04-28 01-78 00-01 34-4C 0E-36 01-78
Reverb parameter Same as above. Reverb type Reverb pan Reverb return Variation type Variation pan Variation return Send Variation to Reverb
(See "Effect Parameter List. ") Same as above. [. . . ]
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