User manual YAMAHA MDR1E

[. . . ] When the value of Bottom is greater than Top, the sound will not be modulated and only the Bottom value is available. When the value of Bottom is greater than Top, the sound will not be modulated and only the Bottom value is available. When the value of Bottom is greater than Top, the sound will not be modulated and only the Bottom value is available. When this type is selected, no parameters are available. [. . . ] DdH F7H | | | +--[SW6]--<PARAMETER REQUEST> | | F0H 43H 3nH 7FH 14H ahH amH alH F7H | | | +--[SW11]--GM MODE ON | F0H 7EH 7FH 09H 01H F7H | +------------------SYSTEM EXCLUSIVE MESSAGE IDENTITY REQUEST F0H 7EH 0nH 06H 01H F7H SECTION CONTROL F0H 43H 7EH 00H ssH ddH F7H (Pattern Mode only) [SW2] [SW3] [SW4] [SW5] MIDI Control Mode MIDI Sync (can be set to "internal, " "MIDI, " or "MTC) Seq MIDI Control MIDI Device Number When this is not set to off, the MIDI Master Volume can be recognized in any mode. The sequence data played back in the Song/Pattern mode is transmitted according to the MIDI Filter settings. The System data can be transmitted/recognized in any mode. In the other mode: complies with Basic Receive Channel. The sequence data played back in the Song/Pattern mode is transmitted according to the MIDI Filter settings. *1 Used only when a value is set using RPN. *5 The default CONTROL NUMBERs of ASSIGNABLE CONTROLLER are as follows: BREATH CONTROLLER 2 FOOT CONTROLLER 4 ASSIGN 1 16 ASSIGN 2 17 FOOT SWITCH 96 *6 Can be selected only in the Song/Pattern mode. up to 16 Mixing Voices are available in a Song/Pattern. PORTAMENTO TIME sets the time it takes for the pitch to reach the next note played when PORTAMENTO SWITCH is set to on. PAN position relatively changes according to the preset value for each voice. Setting a value adds to or subtracts from the center value, 64, since it is an offset parameter. The Check sum is the value that results in a value of 0 for the lower 7 bits when the Byte Count, Start Address, Data and Check sum itself are added. First, designate the parameter using RPN MSB/LSB numbers. Then, set its value with data entry MSB/LSB. MASTER COARSE TUNE RPN RESET RPN numbers will be left not designated. Although three types of note on/note off data, received via MIDI, played by the internal sequencer and played on the keyboard will be distinguished, the other controllers (channel messages) equally affect the entire notes. ALL SOUND OFF clears all the sounds in the specific channel(s) played by both the keyboard and the data via MIDI. ALL NOTES OFF received via MIDI clears the sounds in the specific channel(s) played via MIDI. When only the Program Change is received after entering any of the mode, the corresponding voice in the currently selected Type/Memory is called up. The Master number and the Performance/Song/Pattern/Voice mode can be changed only via the Parameter Change. The Song/Pattern can be changed only via the Song Select (Song: F3, 00 ­ F3, 3F / Pattern: F3, 00 ­ F3, 3F). In the Performance mode, the Part Voice cannot be changed via the Program Change. [. . . ] When setting the EQ shape shelving type, this is not available. With Voice Voice with Arp Portamento Switch Portamento Time Portamento Mode reserved USB Audio Output Select -24 ­ +24 [semitones] 40 off, on off, on off, on 0 ­ 127 fingered, fulltime USB 1/2, USB 3/4 00 00 00 40 01 01 This is available only when the audio connect mode is set to 2 Stereo Rec mode. Bit6: off, on PB bit5: off, on AT bit4: off, on Program Change bit3: off, on Bank Select bit2: off, on Control Change bit1-0: reserved bit6: off, on FC2 bit5: off, on FC1 bit4: reserved bit3: off, on MW bit2: off, on Sustain/ Sostenuto bit1: off, on Pan bit0: off, on Volume/ Expression bit6: off, on ASW2 bit5: off, on ASW1 bit4: off, on AKN2 bit3: off, on AKN1 bit2: off, on RB bit1: off, on BC bit0: off, on FS off, on -64 ­ +63 -64 ­ +63 -64 ­ +63 Off, on off, on 1. Off, on sync-off, off, on 50%, 66%, 75%, 100%, 133%, 150%, 200% C-2. [. . . ]