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Detailed instructions for use are in the User's Guide.
[. . . ] : Tune
System : Clock Real Time: Commands :All Sound OFF :Reset All Cntrls :Local ON/OFF Mes- :All Notes OFF sages:Active Sense :Reset Aux
*1 Refer *2 Refer Mode 1 : Mode 3 :
2
to #2 on page 3. OMNI ON , POLY OMNI OFF, POLY
Mode 2 : OMNI ON , MONO Mode 4 : OMNI OFF, MONO
o : Yes x : No
MDR3/YPT-230 MIDI Data Format / MIDI-Datenformat / Format des données MIDI / Formato de datos MIDI / Formato de dados MIDI
MIDI Data Format / MIDI-Datenformat / Format des données MIDI / Formato de datos MIDI / Formato de dados MIDI
NOTE:
1 By default (factory settings) the instrument ordinarily functions as a 16-channel multi-timbral tone generator, and incoming data does not affect the panel voices or panel settings. [. . . ] However, the MIDI messages listed below do affect the panel voices, auto accompaniment, and songs. · MIDI Master Tuning · System exclusive messages for changing the Reverb Type and Chorus Type. 2 Messages for these control change numbers cannot be transmittedfrom the instrument itself. However, they may be transmitted whenplaying the accompaniment, song or using the harmony effect. 3 Exclusive <GM System ON> F0H, 7EH, 7FH, 09H, 01H, F7H · This message automatically restores all default settings for the instrument, with the exception of MIDI Master Tuning. When accompaniment is stopped, an FCH message is transmitted. When the clock is set to External, both FAH (accompaniment start) and FCH (accompaniment stop) are recognized. 5 Local ON/OFF <Local ON> Bn, 7A, 7F <Local OFF> Bn, 7A, 00 Value for "n" is ignored. 6 Since this keyboard does not have touch response, the level of the sound does not change in response to your playing strength. As a result, when you play the keyboard, the velocity value transmitted via MIDI is fixed. [. . . ] 6 Since this keyboard does not have touch response, the level of the sound does not change in response to your playing strength. As a result, when you play the keyboard, the velocity value transmitted via MIDI is fixed. [. . . ]
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