User manual YAMAHA MU50E1

[. . . ] OWNER'S MANUAL FCC INFORMATION (U. S. A) 1. IMPORTANT NOTICE : DO NOT MODIFY THIS UNIT!This product, when installed as indicated in the instructions contained in this manual, meets FCC requirements. Modifications not expressly approved by Yamaha may void your authority, granted by the FCC, to use the product. [. . . ] (See page 60. ) 81 PERFORMANCE MODE Assignable Control 1 Filter Control (AC1FilCtrl) Graphically shows AC1 Filter Control setting for each Part. Range: ­64 -- +63 This determines the degree to which Assignable Controller 1 affects the Filter. A setting of 0 results in no control over the Filter. Negative settings affect the Filter negatively; in other words, when the controller is at the minimum position, control over the filter is greatest. In the illustration below, a foot controller is used as Assignable Controller 1. For positive values: For negative values: Minimum effect Maximum effect Maximum effect Minimum effect Assignable Control 1 Amplitude Control (AC1AmpCtrl) Graphically shows AC1 Amplitude Control setting for each Part. Range: ­64 -- +63 This determines the degree to which Assignable Controller 1 affects the Amplitude (level or volume). A setting of 0 results in no control over the Amplitude. Negative settings affect the Amplitude negatively; in other words, when the controller is at the minimum position, control over the Amplitude is greatest. 82 PERFORMANCE MODE Copy and Store Operations The Copy and Store operations allow you to save and organize the Performances you've created. Copy The Copy operation allows you to copy the settings of one Performance program (Preset or Internal) to another Performance number (Internal only). Operation 1 From the Performance Edit menu, use the SELECT w buttons to select "COPY. " Then, press the ENTER button to call up the Copy operation. 2 Use the SELECT w buttons to select the desired parameter: memory location, source number or destination number. (The selected parameter flashes. ) Then use the VALUE q buttons to change the value. 83 PERFORMANCE MODE Memory location (P = Preset, I = Internal) Source Performance number Use these to select desired parameter. Destination Performance number Use these to change value. 3 Press the ENTER button to actually execute the Copy operation. An "Executing. . . " message flashes in the display during the operation. When the data has been copied, the MU50 returns to the Performance Edit menu. To cancel the operation without copying, press the EXIT button (before pressing ENTER ENTER). Store Once you've edited or created a Performance, you can save that new Performance for future recall by using the Store operation. Performances can be saved to any one of the 128 Internal memory locations. With the exception of the Receive Channel and Transpose (Note Shift) settings made from the Play screen, all parameter settings in the Play screen and in the Edit and Effect modes are saved to the selected Performance number. Operation 1 From the Performance Edit menu, use the SELECT w buttons to select "STORE. " Then, press the ENTER button to call up the Store operation. 84 PERFORMANCE MODE 2 Use the VALUE q buttons to change the destination Performance number. Performance number Use these to change Performance number. 3 Press the ENTER button to actually execute the Store operation. An "Executing. . . " message flashes in the display during the operation. When the data has been stored, the MU50 returns to the Performance Edit menu. To cancel the operation without saving, press the EXIT button (before pressing ENTER ENTER). 85 EFFECT EDIT MODE Effect Edit Mode The MU50 features a built-in multi-effect processor with three independent digital effects: Reverb, Chorus and Variation. These are controlled in the Effect Edit mode. In this section, only the effect Types and the global parameters common to all Types are covered. For descriptions and details on the parameters for each effect Type, refer to the separate SOUND LIST & MIDI DATA booklet. To enter the Effect Edit mode, press the EFFECT button. The following menu appears: Reverb (REV) Reverb recreates the sounds of various performance environments by adding an ambient wash of delays or reflections. Several different types of Reverb effects are available to simulate the ambience of different sized rooms. [. . . ] 59, 81 Velocity Sensitivity Depth . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 55, 80 Velocity Sensitivity Offset . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 56, 80 Vibrato . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 50­51, 80 Vibrato Delay . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . [. . . ]