User manual YAMAHA MU90R

[. . . ] E M LU VO 2 T PU FCC INFORMATION (U. S. A) 1. IMPORTANT NOTICE : DO NOT MODIFY THIS UNIT!This product, when installed as indicated in the instructions contained in this manual, meets FCC requirements. Modifications not expressly approved by Yamaha may void your authority, granted by the FCC, to use the product. [. . . ] When this is set to "all, " the Performance responds over any incoming MIDI channel. Performance Bank Settings: Pre (Preset), Int (Internal) This determines the bank of Performance programs: Preset or Internal. Preset Performances are those that have been created and loaded at the factory; the Internal bank is reserved for user-created Performances. Performance Number Range: 001 -- 100 This determines the Performance number. 86 PERFORMANCE MODE Performance Volume (Pfm Vol) Graphically indicates current Performance Volume setting. Range: 000 -- 127 This determines the overall Volume of the Performance. Performance Pan (Pfm Pan) Graphically indicates current Performance Pan setting. Range: L63 -- C -- R63 This determines the overall Pan position of the Performance. Reverb Return (RevRtn) Graphically indicates current Reverb Return setting. Range: 000 -- 127 This determines the amount of Reverb return for the Performance in the overall mix. 87 PERFORMANCE MODE Chorus Return (ChoRtn) Graphically indicates current Chorus Return setting. Range: 000 -- 127 This determines the amount of Chorus return for the Performance in the overall mix. Variation Return (VarRtn) Graphically indicates current Variation Return setting. Range: 000 -- 127 This determines the amount of Variation return in the overall mix of the Performance. Variation Return is only available when the Variation Connection parameter is set to SYS. (See page 106. ) System Transpose (SysTran) Graphically indicates current Transpose setting. Range: ­24 -- +24 semitones This determines the overall Transpose setting of the Performance. 88 PERFORMANCE MODE Performance Edit Mode The Performance Edit mode features various functions and parameters, grouped in the following sections: Common (related to the Performance as a whole), Part (related to each of the four Parts), and the Copy and Store operations. To enter the Performance Edit mode, press the EDIT button (from the Performance Play mode). The following menu appears: Common The Common parameters allow you to name a Performance, enable the A/D Parts for a Performance, and set the control change number for realtime parameter control. Performance Name (Perform Name) This allows you to give a name to your edited Performance. 89 PERFORMANCE MODE Operation 1 From the Performance Name display, press the ENTER button. Performance name 2 Use the SELECT w buttons to select the character position (flashing character) in the name and use the VALUE q buttons or data dial to change the character at that position. Use these to move among character positions. Flashes to indicate character position. Use these to change character at selected position. Up to 12 characters can be used for the Performance name. Available characters include all letters of the alphabet, in both upper and lower case, numbers from 0 to 9, and a variety of miscellaneous characters. 3 Press the EXIT button to return to the previous display (or press the PLAY button to return to the Play display). After creating and naming a Performance, you'll probably want to save that Performance for future recall. For instructions on saving a Performance, refer to the Store operation on page 98. 90 PERFORMANCE MODE Portamento Switch (PortamnSw) Same as the corresponding parameter in the Multi Edit mode. (See page 64. ) Portamento Time (PortamnTm) Same as the corresponding parameter in the Multi Edit mode. (See page 64. ) Modulation Wheel -- LFO Pitch Modulation Depth (MW LFOPMod) Same as the corresponding parameter in the Multi Edit mode. (See page 69. ) Modulation Wheel -- LFO Filter Modulation Depth (MW LFOFMod) This determines how widely the Filter (pages 49 and 94) is modulated by the LFO (low frequency oscillator). This is generally controlled from a modulation wheel on a MIDI keyboard, and depending on the Voice used, it creates a "swoosh" or "wah-wah" filter sweep effect. Higher values result in deeper filter modulation, creating a more pronounced filter sweep effect. Graphically shows the LFO Filter Modulation Depth setting. Range: 000 -- 127 Pitch Bend Control (PitBndCtrl) Same as the corresponding parameter in the Multi Edit mode. (See page 69. ) A/D Part Height of bars indicates A/D Part setting. (A single bar indicates "off" setting, while full height indicates "on. ") 91 PERFORMANCE MODE Settings: off, on This determines whether A/D Parts are enabled for the Performance or not. When set to "on, " Parts 3 and 4 are automatically set as A/D Parts (A1 and A2). HINT You can use the MU90R strictly as an effect processor for the A/D input (for example, your guitar or microphone) by Soloing the appropriate A/D Part (A1 or A2). Assignable Controller 1 Control Change Number (AC1 CC No. ) Same as the corresponding parameter in the Multi Edit mode (page 70), with the exception that AC1 in the Performance mode can also control LFO filter modulation (see Assignable Controller 1 LFO Filter Modulation Depth below). Assignable Controller 1 Filter Control (AC1 FilCtrl) Same as the corresponding parameter in the Multi Edit mode. (See page 71. ) Assignable Controller 1 Amplitude Control (AC1 AmpCtrl) Same as the corresponding parameter in the Multi Edit mode. (See page 72. ) Assignable Controller 1 LFO Filter Modulation Depth (AC1LFOFMod) This determines the degree to which Assignable Controller 1 (AC1) affects the LFO modulation of the Filter. This creates a regular and continuous "wah-wah" or filter sweep effect. The higher the value, the greater the LFO filter modulation. [. . . ] 11, 114 V Variation . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 104 Variation Connection . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 106, 109 Variation Pan . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 106 Variation Return (Multi mode) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . [. . . ]