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Detailed instructions for use are in the User's Guide.
[. . . ] The basic features are presented in the "BRIEF OPERATING INSTRUCTIONS" section. Check this and the "SPECIFICATIONS" section, and you will see most of what you need to know. The balance of this manual provides background information for better utilization of the console and auxiliary equipment. If you would like to know more about AC power distribution and safety, grounding, balanced versus unbalanced cables, direct boxes, and so forth, this information is also presented. [. . . ] The function of the shield is to intercept undesirable emissions. A major goal of grounding technique is to keep unwanted signal currents that are induced in the shield away from the signal conductor(s), and drain them to ground as directly as possible. Beyond minimizing noise and hum, an equally important consideration in grounding is safety. The connection between a chassis and earth is commonly referred to as a safety ground and with good reason. Consider the possibility that a chassis might become connected to the hot leg of the AC mains (120 volts RMS AC) due to faulty wiring, an inadvertent short or moisture condensation. Suddenly, that innocuous looking box could be transformed into what engineers gruesomely call a widow maker. Someone who is touching a grounded guitar, mic stand, or other equipment will complete the circuit when touching the now electrically charged chassis, and receive the full brunt of whatever power is available. If the chassis is connected to earth, it will simply blow a fuse or circuit breaker.
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Dangerous potential differences can also occur without such shorts. Two individual localized ground points, if they are not directly connected, cannot be assumed to be at the same potential far from it, in fact. Virtually anyone who has played in a band has, at one time or another, experienced a shock when touching both the guitar and the microphone. The guitar may be grounded onstage while the mic is grounded at the console on the other side of the room but the two grounds are at very different potentials. Multiple point ground systems that employ balanced circuits with properly designed equipment may present no special noise problems.
Figure 4-6. Single-Point Grounding
4. 3. 3 Basic Grounding Techniques
We will discuss four basic approaches to handling grounds within audio systems: single point, multiple point, floating, and telescoping shield. Each has specific advantages in different types of systems. Figure 4-6 illustrates the single-point grounding principle. Chassis ground in each individual component is connected to earth; signal ground is carried between components and connected to earth at one central point. This configuration is very effective in eliminating line frequency hum and switching noise, but is most easily implemented in systems (or subsystems) that remain relatively fixed. Single point grounding is very often used in recording studio installations. It is also effective in the wiring of individual equipment racks. It is almost impossible to implement in complex, portable sound reinforcement systems. Multiple point grounding is shown in Figure 4-7. This situation is common in systems that use unbalanced equipment having the chassis connected to signal ground. [. . . ] These techniques should be known to most experienced sound system operators. In the case of the PM4000MEME console, however, there are a number of apparent fault conditions, which the operator may inadvertently create simply by setting controls in a particular configuration, whereby no signal reaches the output. The following chart depicts the most likely errors you may encounter, and points out how to correct the problem.
CORRECTION
Release master SOLO MODE switch to activate all channels which should be on. Disengage the MASTER MUTE switch, or the affected input channel MUTE switch(es).
POSSIBLE CAUSE
Console is in SOLO mode, and an input channel to which no signal is applied has its CUE/SOLO switch engaged. [. . . ]
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