User manual YAMAHA PROMIX 01

[. . . ] User's Guide Manuel de référence Bedienungsanleitung Manual de uso 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 L ST IN R L 2TR IN R PAD 20dB 20dB 20dB 20dB 20dB 20dB 20dB 20dB 20dB 20dB 20dB 20dB 20dB 20dB 20dB 20dB CUE/ 2TR IN ­16 ­60 ­16 ­60 ­16 ­60 ­16 ­60 ­16 ­60 ­16 ­60 ­16 ­60 ­16 ­60 ­16 ­60 ­16 ­60 ­16 ­60 ­16 ­60 ­16 ­60 ­16 ­60 ­16 ­60 ­16 ­60 GAIN 1 GAIN 2 GAIN 3 GAIN 4 GAIN 5 GAIN 6 GAIN 7 GAIN 8 GAIN 9 GAIN 10 GAIN 11 GAIN 12 GAIN 13 GAIN 14 GAIN 15 GAIN 16 0 10 LEVEL 0 10 LEVEL MONITOR OUT PHONES PARAMETER SCENE MEMORY INC + STORE UTILITY MIDI ENTER RECALL DEC ­ GROUP PAIR FUNCTION METER PAN/ø COMP CUE MEMORY SEND 3 SEND 1 2 3 4 SEL CH SEND 4 RTN RTN 1 2 CLIP 15 12 9 6 3 0 ­6 ­12 ­18 ­24 ­40 EQ-LOW MID HIGH LIBRARY L R 1 SEL 2 SEL 3 SEL 4 SEL 5 SEL 6 SEL 7 SEL 8 SEL 9 SEL 10 SEL 11 SEL 12 SEL 13 SEL 14 SEL 15 SEL 16 SEL ST IN SEL RTN/ SEND SEL ST OUT SEL ON ON ON ON ON ON ON ON ON ON ON ON ON ON ON ON ON ON ON 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 6 0 5 10 20 40 60 00 0 5 10 20 40 60 00 0 5 10 20 40 60 00 0 5 10 20 40 60 00 0 5 10 20 40 60 00 0 5 10 20 40 60 00 0 5 10 20 40 60 00 0 5 10 20 40 60 00 0 5 10 20 40 60 00 0 5 10 20 40 60 00 0 5 10 20 40 60 00 0 5 10 20 40 60 00 0 5 10 20 40 60 00 0 5 10 20 40 60 00 0 5 10 20 40 60 00 0 5 10 20 40 60 00 0 5 10 20 40 60 00 0 5 10 20 40 60 00 0 5 10 20 40 60 00 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 ST IN RTN/ SEND ST OUT FCC INFORMATION (U. S. A. ) 1. IMPORTANT NOTICE: DO NOT MODIFY THIS UNIT!This product, when installed as indicated in the instructions contained in this manual, meets FCC requirements. Modifications not expressly approved by Yamaha may void your authority, granted by the FCC, to use the product. [. . . ] And mix scene data received as MIDI Bulk Dump is ignored. Scene memories are divided into two groups, 01­25 and 26­50, and protection can be set separately for each group. Shown below is the MEMORY PROTECT LCD function. When MEMORY PROTECT is set to ON, the word PROTECT appears on the MEMORY LCD function when a mix scene in the protected group is selected, as shown below. ProMix 01 User's Guide 66 Chapter 7: Scene Memories ProMix 01 User's Guide Dynamics Processors 67 8 Dynamics Processors In this chapter. . . ProMix 01 Dynamics Processors . . 68 68 68 72 73 74 75 76 77 78 ProMix 01 User's Guide 68 Chapter 8: Dynamics Processors ProMix 01 Dynamics Processors ProMix 01 features three stereo dynamics processors, for compression, limiting, gating, and ducking. They can be patched into input channels, SEND3, SEND4, and the stereo outputs. Processor settings are organized as programs, and there are 10 preset programs (1­10) and 10 user programs (11­20) for you to store your own settings. Preset Dynamics Programs These are the preset dynamics programs. 1 2 3 4 5 Total Comp Radio Comp Comp Fast Comp Slow Comp Heavy1 6 7 8 9 10 Comp Heavy2 Gate Fast Gate Slow Ducking BGM Ducking See "Preset Dynamics Processor Parameters" on page 78 for a detailed listing of the preset dynamics program parameters. Processor Types Dynamics processors are generally used to correct or control signal levels. However, they can also be used creatively to shape a sound's volume envelope. The four types of dynamics processor and their general applications are explained below. Compressor Vocalists that tend to move toward and away from the microphone while singing produce fluctuating signal levels; sometimes loud, sometimes soft. Likewise, acoustic instruments with a large dynamic range produce sound levels from pianissimo (very soft) through to fortissimo (very loud). In these situations, it is often difficult to set an average fader level that will allow a voice or instrument to be heard clearly throughout a song or piece of music. This is where the compressor comes in with automatic level control. By automatically reducing high levels, thus effectively reducing the dynamic range, the compressor makes it much easier to control signals and set appropriate fader levels. Reducing the dynamic range also means that recording levels can be set higher, therefore improving S/N performance. To provide a more consistent signal level and to squeeze more out of the dynamic range offered by AM and FM broadcasting, radio and TV stations often compress their audio output. Typical radio compressor settings are provided by preset program #2 (RADIO COMP). ProMix 01 User's Guide Processor Types 69 Compressor parameters are: dB +20 +10 0 -10 Output level -20 -30 -40 -50 -60 -70 dB -70 -60 -50 -40 -30 -20 -10 0 +10+20 Input level Threshold = -10dB Compression ratio = 2:1 Threshold (­40. . . +18dB) -- This determines the level of input signal required to trigger the compressor. Signals at a level below the threshold pass through unaffected. Signals at and above the threshold level are compressed by the amount specified using the Ratio parameter. The trigger signal is sourced using the KEY IN parameter. Ratio (1:1­:1) -- This determines the amount of compression. That is, the change in output signal level relative to change in input signal level. For a 2:1 ratio, for example, a 10dB change in input level (above the threshold) results in a 5dB change in output level. For a 5:1 ratio, a 10dB change in input level (above the threshold) results in a 2dB change in output level. [. . . ] 11110000 01000011 0010xxxx 01111110 01001100 01001101 00100000 00100000 00111000 01000001 00110100 00110001 01001111 0xxxxxxx 11110111 F0 43 2n 7E 4C 4D 20 20 38 41 34 31 4F mm F7 System Exclusive Message Manufacturer's ID No. (YAMAHA) n=0-15(Rx Channel No. ) Universal Bulk Dump `L' `M' `` `` `8' `A' `4' `1' `O' "mm=1(00h)-10(09h). . Compressor User Memory No, " End Of Exclusive DATA NAME MEMORY NO. EOX ProMix 01 User's Guide Add-27 5-20 Equalizer User Library Bulk Request Data Format STATUS ID No. 11110000 01000011 0010xxxx 01111110 01001100 01001101 00100000 00100000 00111000 01000001 00110100 00110001 01010001 0xxxxxxx 11110111 F0 43 2n 7E 4C 4D 20 20 38 41 34 31 51 mm F7 System Exclusive Message Manufacturer's ID No. [. . . ]