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Detailed instructions for use are in the User's Guide.
[. . . ] DIGITAL REVERBERATOR
Owner's Manual Manuel d'instructions Bedienungsanleitung Manual del propietario
DATA/CURSOR
DIGITAL REVERBERATOR
L CLIP -3 -6 -9 -12 -18 -24 -36 R STEREO L R MONO PRESET USER
PARAMETER
MAIN FINE
7
8
9
PROGRAM
INFINITE
POWER
INC EQ DEC EQ ON
4
5
6
STORE
PROGRAM
MIDI
INPUT
0 100 FREQ 300 GAIN 800 +15
PRE EFFECT EQ
FREQ 2k 5k -15 +15 GAIN 4k FREQ 10k GAIN ON COMPARE 50 700 -15 350 2k 20k -15 +15
GATE
GATE ON
1
2
3
CANCEL
UTILITY
ON/ OFF
LEVEL/ BAL
OTHERS
0
·
RECALL/ ENTER
BYPASS
-00
+10
L
R
LOW
MID
HIGH
FCC INFORMATION (U. S. A. )
1. IMPORTANT NOTICE: DO NOT MODIFY THIS UNIT!This product, when installed as indicated in the instructions contained in this manual, meets FCC requirements. Modifications not expressly approved by Yamaha may void your authority, granted by the FCC, to use the product. [. . . ] Simulations of the bright and crisp plate reverb preferred in studios on the US west coast. Set the IniDelay parameter according to the tempo. Try it on organ pads etc.
These are gated reverbs with only the early reflections. ER Gate 1 is a natural and uncolored gate. ER for Kick is for when you want to fatten up a thin sounding bass drum. Adjust the Liveness and RoomSize parameters as desired. As the names suggest, Power Gate 1 and Power Gate 2 are for when you want to make the drums really stand out. These are standard combinations of reverb + noise gate. Compared to the gated programs consisting only of E. Ref, more detailed settings are required to fit them to your song, but this also means that you have more control. These simulate the gated reverb effect produced by a tape running backwards, like the Reverse Gate programs on the REV7 and REV5. Make settings to match the tempo of the song.
Effect Reverb
Reverb Flange 1 is natural. Reverb Flange 2 through Reverb Flange 4 sound progressively deeper and more showy.
ProR3 Digital Reverberator
Basic use using a preset program 11
No. 77 78 79 80 81 82 83 84 85 86 87 88 89 90
Title Super Long Decay Slow Pan Reverb Sub Aqua Thud Alien Attack High Filter High Mid Filter Low Mid Filter Low Filter Chorus Reverb Symphonic Rev 1 Symphonic Rev 2 Echo Reverb 1 Echo Reverb 2
Type Reverb RevPan PitRev PitRev PitRev Reverb Reverb Reverb Reverb Rev+Cho Rev+Sym SymRev EchRev EchRev
Description An effect like an extremely long tunnel. Water sounds producing a "sprong" when applied to a rim shot. When applied to strings, a saw-like sound results. Turns an acoustic instrument into a synth!Produces an auto-wah like effect when applied to guitar.
Effect reverb with a sense of definite pitch created by the dynamic filter. Try it on rim shots, or percussive instruments and sound effects.
This program combines a chorus effect and reverb to create spaciousness and depth. A multi-phase chorus combined symphonic effect and reverb creates spaciousness and depth, with a multi-phase chorus. Reverb is applied to a stereo feedback echo of up to 400 ms left and right.
ProR3 Digital Reverberator
12 Advanced uses (1)
Advanced uses (1)
The bypass function
When you press the BYPASS key, the circuit will be switched so that the input sound is output directly. This function provides an easy way to make a quick comparison between the sound processed by the effect program and the unprocessed sound. When the effect is bypassed, the red indicator will light.
PRE EFFECT EQ EFFECT ON
BYPASS
Pre-effect EQ
The PRE EFFECT EQ controls allow you to make settings for the three-band pre-effect equalizer. [. . . ] If the Base Key parameter is OFF, the pitch will not be controlled. VELOCITY 1001nnnn(9nH) 0kkkkkkk 0vvvvvvv n=0-15 k=0-127 v=0-127
#2 Control Change
This message can be received on the currently selected MIDI channel. When this message is received, it will control the parameter being modified by the corresponding foot controller as specified by the Control Assign table. STATUS CONTROL No CONTROL VALUE 1011nnnn(BnH) 0ccccccc 0vvvvvvv n=0-15 c=1-31, 6495 v=0127
#3 Program Change
This message can be received on the currently selected MIDI channel. [. . . ]
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