User manual YAMAHA PSR-9000 PRO V2

[. . . ] Introduction . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . ­ Backup Before Installation . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Installing Your New Software. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 8 Installing the Main and Sub Programs . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . [. . . ] See the fingering chart of the Fingered Advanced mode on page 13. · This fingering mode may not be suitable for some performance. · Notes in parentheses can be omitted. · If you play any three adjacent keys (including black keys), the chord sound will be canceled and only the rhythm instruments will continue playing (Chord Cancel function). · The chord fingerings listed are all in "root" position, but other inversions can be used ­ with the exceptions described on Note column. · The auto accompaniment will sometimes not change when related chords are played in sequence (e. g. some minor chords followed by the minorseventh). · Two-note fingerings will produce a chord based on the previously played chord. 10 4. The New Features I Chord Types Recognized in the Fingered Mode G Example for "C" chords C C (9) C6 C 6 (9) CM 7 or CM 7 (9) CM7 (#11) or ) ) ) ) ) ) ( ( ( C (b5) CM7 b5 ( ( ( Csus 4 Caug CM 7 aug Cm Cm (9) Cm 6 Cm 7 ) ( Cm 7 (9) Cm 7 (11) ( ) CmM 7 CmM 7 (9) Cm 7 b5 CmM 7 b5 Cdim Cdim 7 ) ) ) ( ( ( ( ) C7 or C 7 (b9) C 7 (b13) C 7 (9) C 7 (#11) or C 7 (13) C 7 (#9) ) ) ) ) ) ) ) ( ( ( ( ( C 7 b5 C 7 aug C 7 sus4 or C 1+2+5 Chord Name [Abbreviation] Major [M] Add ninth [(9)] Sixth [6] Sixth ninth [6(9)] Major seventh [M7] Major seventh ninth [M7(9)] Major seventh add sharp eleventh [M7(#11)] Flatted fifth [(b5)] Major seventh flatted fifth [M7b5] Suspended fourth [sus4] Augmented [aug] Major seventh augmented [M7aug] Minor [m] Minor add ninth [m(9)] Minor sixth [m6] Minor seventh [m7] Minor seventh ninth [m7(9)] Minor seventh eleventh [m7(11)] Minor major seventh [mM7] Minor major seventh ninth [mM7(9)] Minor seventh flatted fifth [m7b5] Minor major seventh flatted fifth [mM7b5] Diminished [dim] Diminished seventh [dim7] Seventh [7] Seventh flatted ninth [7(b9)] Seventh add flatted thirteenth [7(b13)] Seventh ninth [7(9)] Seventh add sharp eleventh [7(#11)] Seventh add thirteenth [7(13)] Seventh sharp ninth [7(#9)] Seventh flatted fifth [7b5] Seventh augmented [7aug] Seventh suspended fourth [7sus4] One plus two plus five [1+2+5] Display for root "C" C C(9) C6 C6(9) CM7 CM7(9) CM7#11 C(b5) CM7b5 Csus4 Caug CM7aug Cm Cm(9) Cm6 Cm7 Cm7(9) Cm7_11 CmM7 CmM7_9 Cm7b5 CmM7b5 Cdim Cdim7 C7 C7(b9) C7b13 C7(9) C7#11 C7(13) C7(#9) C7b5 C7aug C7sus4 C1+2+5 ( Normal Voicing 1-3-5 1-2-3-5 1 - (3) - 5 - 6 1 - 2 - 3 - (5) - 6 1 - 3 - (5) - 7 1 - (3) - 5 - 7 1 - 2 - 3 - (5) - 7 1 - (2) - 3 - #4 - 5 - 7 1 - 2 - 3 - #4 - (5) - 7 1 - 3 - b5 1 - 3 - b5 - 7 1-4-5 1 - 3 - #5 1 - (3) - #5 - 7 1 - b3 - 5 1 - 2 - b3 - 5 1 - b3 - 5 - 6 1 - b3 - (5) - b7 1 - 2 - b3 - (5) - b7 1 - (2) - b3 - 4 - 5 - (b7) 1 - b3 - (5) - 7 1 - 2 - b3 - (5) - 7 1 - b3 - b5 - b7 1 - b3 - b5 - 7 1 - b3 - b5 1 - b3 - b5 - 6 1 - 3 - (5) - b7 1 - (3) - 5 - b7 1 - b2 - 3 - (5) - b7 1 - 3 - 5 - b6 - b7 1 - 2 - 3 - (5) - b7 1 - (2) - 3 - #4 - 5 - b7 1 - 2 - 3 - #4 - (5) - b7 1 - 3 - (5) - 6 - b7 1 - #2 - 3 - (5) - b7 1 - 3 - b5 - b7 1 - 3 - #5 - b7 1 - 4 - 5 - b7 1 - 4 - b7 1-2-5 Note Root position only Root position only Root position only Root position only Root position only Except 1st inversion Except 1st inversion Except 1st inversion Root position only The lowest note can be the root note or b7th note. Root position only Root position only ( ( ) ( ) ( ) 11 4. The New Features I Two-note Fingerings Recognized in the Fingered and Fingered Advanced Mode G Example for "C" chords C C (b5) Caug CM 7 CmM 7 Cm Cdim C (b5) Cdim Cm 7 Cm 7 b5 C7 C 7 b5 C/E C/G Cm/G C 7 b5 /G Cm 7 b5 /G CmM 7 /B CM 7 /B Cdim /Eb Cm /Eb C 7 /Bb Cm 7 /Bb Cm 7 b5 /Bb C 7 b5 /Bb C 1+5 C 1+8 Chord Name [Abbreviation] Major [M] Flatted fifth [(b5)] Augmented [aug] Major seventh [M7] Minor major seventh [mM7] Minor [m] Diminished [dim] Flatted fifth [(b5)] Diminished [dim] Minor seventh [m7] Minor seventh flatted fifth [m7b5] Seventh [7] Seventh flatted fifth [7b5] Major on 3rd [M/3rd] Major on 5th [M/5th] Minor on 5th [m/5th] Seventh flatted fifth on 5th [7b5/5th] Minor seventh flatted fifth on 5th [m7b5/5th] Minor major seventh on 7th [mM7/7th] Major seventh on 7th [M7/7th] Diminished on b3rd [dim/b3rd] Minor on b3rd [m/b3rd] Major on b7th [M/b7th] Minor seventh on b7th [m7/b7th] Minor seventh flatted fifth on b7th [m7b5/b7th] Seventh flatted fifth on b7th [7b5/b7th] Perfect Fifth [1+5] Single [1+8] ( ) Display for root "C" C C(b5) Caug CM7 CmM7 Cm Cdim C(b5) Cdim Cm7 Cm7b5 C7 C7b5 C/E C/G Cm/G C7b5/G Cm7b5/G CmM7/B CM7/B Cdim/Eb Cm/Eb C7/Bb Cm7/Bb Cm7b5/Bb C7b5/Bb C1+5 C1+8 Normal Voicing 1-3 1-3 1-3 1-7 1-7 1 - b3 1 - b3 1 - b5 1 - b5 1 - b7 1 - b7 1 - b7 1 - b7 3-8 5-8 5-8 5-8 5-8 7-8 7-8 b3 - 8 b3 - 8 b7 - 8 b7 - 8 b7 - 8 b7 - 8 1-5 1 - (8) Note Root position only Root position only Root position only Root position only Root position only Root position only Root position only Root position only Root position only Root position only Root position only Root position only Root position only No inversions No inversions No inversions No inversions No inversions No inversions No inversions No inversions No inversions No inversions No inversions No inversions No inversions No inversions · The chords produced by the above fingerings will depend on the previous chord, with the exception of Major on 3rd, Perfect Fifth, and Single fingerings. (Example: 5-8 played after a Cm chord produced Cm/G, but played after a C chord 5-8 produced C/G). 12 4. The New Features I Chord Types Recognized in the Fingered Advanced Mode G Example for "C" chords C C (9) C6 C 6 (9) or CM 7 CM 7 (9) CM7 (#11) or C (b5) ) ) ) ) ) ( ( ( CM7 b5 ( ( Csus 4 Caug CM 7 aug Cm Cm (9) Cm 6 Cm 7 Cm 7 (9) ( ) or ) ) ) ( ( ( Cm 7 (11) ( ) CmM 7 CmM 7 (9) Cm 7 b5 CmM 7 b5 Cdim Cdim 7 C7 or ( ) or ) ) ) ) ( ( ( ( ( ) C 7 (b9) C 7 (b13) C 7 (9) or C 7 (#11) or C 7 (13) or C 7 (#9) C 7 b5 ) ) ) ) ( ) ( ( ( C 7 aug C 7 sus4 C 1+2+5 C 1+5 C 1+8 ( ) ( Chord Name [Abbreviation] Major [M] Add ninth [(9)] Sixth [6] Sixth ninth [6(9)] Major seventh [M7] Major seventh ninth [M7(9)] Major seventh add sharp eleventh [M7(#11)] Flatted fifth [(b5)] Major seventh flatted fifth [M7b5] Suspended fourth [sus4] Augmented [aug] Major seventh augmented [M7aug] Minor [m] Minor add ninth [m(9)] Minor sixth [m6] Minor seventh [m7] Minor seventh ninth [m7(9)] Minor seventh eleventh [m7(11)] Minor major seventh [mM7] Minor major seventh ninth [mM7(9)] Minor seventh flatted fifth [m7b5] Minor major seventh flatted fifth [mM7b5] Diminished [dim] Diminished seventh [dim7] Seventh [7] Seventh flatted ninth [7(b9)] Seventh add flatted thirteenth [7(b13)] Seventh ninth [7(9)] Seventh add sharp eleventh [7(#11)] Seventh add thirteenth [7(13)] Seventh sharp ninth [7(#9)] Seventh flatted fifth [7b5] Display for root "C" C C(9) C6 C6(9) CM7 CM7(9) CM7#11 C(b5) CM7b5 Csus4 Caug CM7aug Cm Cm(9) Cm6 Cm7 Cm7(9) Cm7_11 CmM7 CmM7_9 Cm7b5 CmM7b5 Cdim Cdim7 C7 C7(b9) C7b13 C7(9) C7#11 C7(13) C7(#9) Normal Voicing 1-3-5 1-2-3-5 1 - (3) - 5 - 6 1 - 2 - 3 - (5) - 6 3-6-9 1 - 3 - (5) - 7 1 - 2 - 3 - (5) - 7 1 - (2) - 3 - #4 - 5 - 7 1 - 2 - 3 - #4 - (5) - 7 1 - 3 - b5 1 - 3 - b5 - 7 1-4-5 1 - 3 - #5 1 - (3) - #5 - 7 1 - b3 - 5 1 - 2 - b3 - 5 1 - b3 - (5) - 6 1 - b3 - (5) - b7 1 - 2 - b3 - (5) - b7 b3 - b7 - 9 1 - (2) - b3 - 4 - 5 - (b7) 1 - b3 - (5) - 7 1 - 2 - b3 - (5) - 7 1 - b3 - b5 - b7 1 - b3 - b5 - 7 1 - b3 - b5 1 - b3 - b5 - 6 1 - 3 - (5) - b7 1 - (3) - 5 - b7 b7 - 10 - 12 1 - b2 - 3 - (5) - b7 1 - 3 - 5 - b6 - b7 1 - 2 - 3 - (5) - b7 3 - b7 - 9 1 - (2) - 3 - #4 - 5 - b7 1 - 2 - 3 - #4 - (5) - b7 1 - 3 - (5) - 6 - b7 3 - 6 - b7 1 - #2 - 3 - (5) - b7 Note Root position only Root position only No inversions Except 2nd inversion Root position only Root position only Root position only Except 1st inversion No inversions Except 1st inversion Except 1st inversion Root position only Root position only No inversions No inversions Full Keyboard ­ ­ ( ) AI Full Keyboard ­ *1 ­ ­ *1 ­ ­ ­ *2 *1 ­ *1 *1 ­ ­ ­ *1 ­ *2 *1 *1 ­ ­ ­ ­ ­ ­ ­ ­ ­ ­ *3 ­ The lowest note can be the C7b5 1 - 3 - b5 - b7 root note or b7th note. Seventh augmented [7aug] C7aug 1 - 3 - #5 - b7 Seventh suspended fourth [7sus4] C7sus4 1 - 4 - 5 - b7 One plus two plus five [1+2+5] C1+2+5 1-2-5 Root position only Perfect Fifth [1+5] C1+5 1-5 No inversions Single [1+8] C1+8 1 - (8) *1 Notes in parentheses cannot be omitted. *3 The 5th note can be omitted. · AI Full Keyboard can detect some exceptional chords consisting of only the notes played on the keyboard. (Example: If C and E are pressed, the style consisting of only C and E will be played. 13 4. The New Features Stop Accompaniment . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . This new function allows auto accompaniment to be used even when accompaniment playback is stopped. When a chord is played in the auto-accompaniment section of the keyboard the currently selected pad and bass parts will sound. This can be particularly handy for free-tempo (rubato) passages, or simply to practice at your own pace. Access: [FUNCTION] SPLIT POINT/FINGERING [NEXT] Turn STOP ACCOMPANIMENT ON or OFF. · This function will be disabled when the fingering mode is set to Full Keyboard or AI Full Keyboard, even when Stop Accompaniment is turned ON. Song Chain . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . The SONG CHAIN function lets you set up a sequence of songs which will play back automatically ­ ideal for background music. Access: [SONG SETUP] SONG CHAIN The MODE parameter offers a choice of SINGLE to play only the selected song file directory, ALL to play all marked song file directories, and RANDOM to play the marked song file directories in random sequence. Mark (include) or un-mark (exclude) the category. When the REPEAT parameter is OFF the song chain will play through once and then stop. When ON the chain will repeat until playback is stopped manually. · When ALL or RANDOM is selected the directory containing the currently selected song file will be played back at first, even if it is not marked. Then the marked directories will follow. 14 4. The New Features Next Song Reservation. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . This function makes it possible to specify the next song to be played while the current song is still playing, so that the next song begins as soon as the current song finishes. Access: SONG FILE DIRECTORY [I] ~ [V] Current song. Reserved for playback next. Cancel the next song. While the current song is playing press the appropriate LCD button to select the next song once. A thick border will appear around the selected song title, indicating that it is reserved for playback next. If you press the song-select button a second time playback of the new song will begin immediately. HD Sleep Time Control . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . In previous versions the internal hard disk (when installed) would always go into "sleep" mode after a preset time, both to maximize the lifetime of the hard disk and to minimize unnecessary mechanical noise. [. . . ] Keyboard Transpose changes the key of the keyboard as well as the chord accompaniment. Song Transpose changes the key of a song when played back from disk. The combination of these functions allows you to, for example, sing along in the key of E with a song that's been recorded in the key of D, while playing the keyboard in the key of C. page 123 page 145 31 5. Power Tips Using Multi Pads to Change Scale Tuning . . . . . . . . . . . . . . . . The Scale Tuning function allows you to create your own custom scale tunings such as those used in Arabic music. [. . . ]