User manual YAMAHA PSS-290

[. . . ] Cable/s supplied with this product MUST be used. Failure to follow instructions could void your FCC authorization to use this product in the USA. NOTE: This product has been tested and found to comply with the requirements listed in FCC Regulations, Part 15 for Class "B" digital devices. Compliance with these requirements provides a reasonable level of assurance that your use of this product in a residential environment will not result in harmful interference with other electronic devices. [. . . ] However if you've selected DEFINE, you can use the ASSIGN field to specify multiple monitor sources. The following table shows the monitor sources you can select in the SOURCE SELECT field. STEREO L/R button MONO (C) button LCR button ST IN 1­4 buttons (PSS-290-32/48) OMNI 1­2 ­ 7­8 buttons (PSS-290-48ES) DEFINE button STEREO L/R channel output signal MONO channel output signal STEREO L/R + MONO channel (LCR) output signal ST IN jacks 1­4 input signals OMNI IN jacks 1­8 input signals The signal(s) selected in the ASSIGN field · If the normal dimmer and the talkback are both switched on simultaneously, the setting with the greatest amount of attenuation will be applied. PSS-290 Owner's Manual 155 Using the Monitor function If you've selected DEFINE in the SOURCE SELECT field, you can use the ASSIGN field to select multiple sources. The following table shows the monitor sources you can select in the ASSIGN field. MIX 1­16 buttons MTRX 1­8 buttons STEREO L/R button MONO (C) button ST IN 1­4 buttons (PSS-290-32/48) OMNI 1­2 ­ 7­8 buttons (PSS-290-48ES) NOTE 6 To enable monitoring, press the OUTPUT button to turn it on. The monitor source you selected in step 4 will be sent to the output destination you specified in step 5. HINT Output signals of MIX channels 1­16 Output signals of MATRIX channels 1­8 STEREO L/R channel output signal MONO channel output signal ST IN jacks 1­4 input signals OMNI IN jacks 1­8 input signals · The PHONES OUT jack will always output the monitor signal, regardless of whether the OUTPUT button is on or off. 7 To adjust the monitor fader by using the STREO MASTER fader/MONO MASTER fader, press the FADER ASSIGN MODE button to select STERO or MONO. When STEREO is selected, you can use the SETERO MASTER fader on the top panel to adjust the monitor fader. When MONO is selected, you can use the MONO MASTER fader on the top panel to adjust the monitor fader. Depending on the FADER ASSIGN MODE setting, the MONITOR button in the function access area turns red when STEREO is selected, and the button turns yellow when MONO is selected. NOTE · You can select a maximum of eight monitor sources in the ASSIGN field. If you select eight monitor sources, no further selections will be possible. Please turn off the buttons for unneeded sources. 5 To specify a port as the output destination for monitor signals L, C, R, press one of the output select buttons (L/R/C) in the meter field to open the OUTPUT PORT SELECT popup window, and choose from the following monitor signal output destinations (multiple selections are allowed). · The monitor fader and the MONITOR LEVEL knob are placed in serial. The MONITOR LEVEL knob on the top panel remains effective while you are using this function to change the monitor level. If the MONITOR LEVEL knob is set to minimum, no monitor signal will be output. 8 Adjust the monitor fader using the STEREO NOTE MASTER fader/MONO MASTER fader, or the MONITOR FADER knob on the screen. · The [ON] keys for the STEREO or MONO channels and the OUTPUT buttons on the MONITOR screen are linked. The PHONES OUT jack will always output the monitor signal, regardless of whether the OUTPUT button is on or off. · PSS-290-32/48 OMNI 1­16 2TR OUT L, R SLOT 1­3 OMNI OUT jacks 1­16 2TR OUT DIGITAL jack L, R Output channels 1­16 of an I/O card installed in slots 1­3 9 To adjust the monitor level, use the MONITOR LEVEL knob located in the SCENE MEMORY/MONITOR section of the top panel. If PHONES LEVEL LINK is ON, use the MONITOR LEVEL knob and the monitor fader, as well as the PHONES LEVEL knob to adjust the monitor level when monitoring through headphones. · PSS-290-48ES ES 1­24 2TR OUT L, R OMNI 1­8 SLOT 1­3 EtherSound output channels 1­24 2TR OUT DIGITAL jack L, R OMNI OUT jacks 1­8 Output channels 1­16 of an I/O card installed in slots 1­3 10 Make settings for Dimmer, Delay, and Monaural as desired. HINT When you've selected an output port, press the CLOSE button to close the popup window. In the same way, specify the output ports for MONITOR OUT L, R, and C. HINT · Monitor on/off operations, selection of the monitor source, and dimmer on/off operations can also be assigned to userdefined keys ( p. · DCA UNITY button . . . . . . . . . . . If this button is on, pressing the [CUE] key of a DCA group will always monitor the corresponding DCA group at unity gain (the same level at when the fader in the Centralogic section is at 0 dB). 4 Use the buttons and knobs of the INPUT field, DCA field, and OUTPUT field to specify the output position and output level for each Cue group. Refer to the explanation for each item in step 2, and make the desired settings. 5 Press the [CUE] key of a desired channel or DCA group to turn it on. The Cue signal of the corresponding channel will be sent to the monitor signal output destination. The background of the Cue meter in the function access area will turn blue, indicating the Cue output level. An abbreviation of the currently-on Cue group or button is shown above the Cue meter. The abbreviations displayed for the Cue meter have the following meaning. IN DCA OUT EFFECT KEY IN INPUT CUE group DCA CUE group OUTPUT CUE group CUE button in the EFFECT popup window (Other cue group) KEY IN CUE button of the DYNAMICS 1 popup window (Other cue group) D OUTPUT field Here you can select one of the following choices as the position from which output channels will be cued. · PFL (Pre-Fader Listen) button . . . . . . . . . . . The pre-fader signal will be output · AFL (After-Fader Listen) button . . . . . . . . . . . The signal immediately after the [ON] key will be output · PFL TRIM knob . . . . . . . . . . . If you select PFL, you can also use the PFL TRIM knob located in the lower part of this field to adjust the output level in a range of -20 dB­ +10 dB. You can operate this knob using multifunction encoder 5. E Meter field · Level meter . . . . This indicates the level of the cue signal. · ACTIVE CUE indicator . . . . . . . . . . . This indicates the currently-active Cue group. · CLEAR CUE button . . . . . . . . . . . Clears all Cue selections. This operation can also be performed using the CLEAR CUE button in the MONITOR screen. CUE meter 13 HINT 3 Use the buttons of the CUE MODE section Use the following two buttons to choose the Cue mode. MIX CUE button to specify what will happen when multiple [CUE] keys within the same CUE group are turned on. · When using the MIX or MATRIX bus select buttons in the SENDS ON FADER popup window, you can press the selected button once again to turn on Cue for the corresponding MIX or MATRIX channel ( p. · If you want Cue operations and channel select operations to be linked, open the USER SETUP popup window, choose the PREFERENCE tab, and turn "[CUE]>[SEL] LINK" on ( p. 214). All channels or DCA groups within the same Cue group whose [CUE] key is on will be mixed for monitoring (MIX CUE mode). LAST CUE button 6 To adjust the Cue signal level, use the MONITOR LEVEL knob located in the SCENE MEMORY/MONITOR section of the top panel. If PHONES LEVEL LINK is ON, you can use both the MONITOR LEVEL knob and the PHONES LEVEL knob to adjust the Cue signal level when monitoring through headphones. Only the channel or DCA group whose [CUE] key was last turned on will be monitored (LAST CUE mode). HINT · [CUE] keys belonging to different Cue groups cannot be turned on simultaneously. [. . . ] Output (150mW@8) Nominal Output (75mW@8) [The position on the level control is 10dB lowered from Max] OMNI OUT 1-8 [Default setting] 3 Nominal Input [-16dBu] 4 Max. Input [-42dBu] 4 Nominal Input [-60dBu] 2 Nominal Input [-62dBu] 1 OMNI IN 1-8 (GAIN MIN. ) 2 OMNI IN 1-8 (GAIN MAX. ) 3 TALKBACK (GAIN MIN. ) 4 TALKBACK (GAIN MAX. ) -80 -90 -100 -110 -120 -130 -140 -150 -160 Max. DSP Noise Floor -170 -180 -190 [0dBu = 0. 775Vrms] [0dBFS = Full Scale] For details of products, please contact your nearest Yamaha representative or the authorized distributor listed below. Pour plus de détails sur les produits, veuillez-vous adresser à Yamaha ou au distributeur le plus proche de vous figurant dans la liste suivante. Die Einzelheiten zu Produkten sind bei Ihrer unten aufgeführten Niederlassung und bei Yamaha Vertragshändlern in den jeweiligen Bestimmungsländern erhältlich. [. . . ]