User manual YAMAHA QY10E1

[. . . ] IF you must use an extension cord, the minimum wire size for a 25' cord (or less ) is 18 AWG. NOTE: The smaller the AWG number , the larger the current handling capacity. For longer extension cords, consult a local electrician. This product should be used only with the components supplied or; a cart, rack, or stand that is recommended by Yamaha. [. . . ] After setting the parameters as required press [ENTER] to execute the Chord Sort job. The metronome icon will appear on the display while the data is being processed, then "Completed !" will appear briefly when the job is done. Press the [EXIT] button to return to the job list, or a mode button to go directly to the selected mode. 160 The Song Jobs 08 : Chord Separate Shifts each note in the specified measure range which falls on the same beat (i. e. chords) forward in order from lowest to highest or vice versa according to the Chord Sort settings, by the specified number of clocks, thus "separating" the chord notes by the specified number of clocks. First measure Last measure ;; ;; First beat Last beat The "TR" parameter selects the track to be affected by the Chord Separate job: "01" . . . The "M" parameters above the graphic bar are used to specify the first measure:beat and last measure:beat of the range to be modified. The "Clock" parameter determines the number of clocks by which the notes of the chord will be separated: "000" through "999". After setting the parameters as required press [ENTER] to execute the Chord Separate job. The metronome icon will appear on the display while the data is being processed, then "Completed !" will appear briefly when the job is done. Press the [EXIT] button to return to the job list, or a mode button to go directly to the selected mode. 161 The Song Jobs 09 : Copy Event Copies all data from a specified range of measures from one track to the specified measure in the specified destination track. The copied data can also be transposed as required. This operation overwrites the data from the beginning of the specified destination measure with the data from the source measures. "16" for the sequencer tracks, the accompaniment "Pt" track, the accompaniment "Cd" track, or the "Tm" track. The "M" parameters above the graphic bar are used to specify the first measure:beat and last measure:beat of the range to be erased. After setting the parameters as required press [ENTER] to execute the Erase Event job. The metronome icon will appear on the display while the data is being processed, then "Completed !" will appear briefly when the job is done. Press the [EXIT] button to return to the job list, or a mode button to go directly to the selected mode. s NOTE · Unlike the Delete Measure job, the Erase Event job erases the data from the specified measures only in the specified track. Also, the data is erased but the measures remain intact (i. e. the subsequent measures are not moved back). After an erase operation you can record new material in the resulting blank measures as required. 164 The Song Jobs 11 : Extract Event Allows a specified type of event -- note, program change, pitch bend, control change, channel aftertouch, polyphonic aftertouch, or system exclusive -- to be extracted (removed) from a specified range of measures in a specified track. The extracted data can be moved to the same range of measures in any other specified track. First measure Last measure ;; ;; Event type parameter First beat Last beat The upper "TR" parameter selects the source track -- i. e. the track from which the event data is to be extracted: "01" . . . The lower "TR" parameter selects the destination track -- i. e. [. . . ] Tel: 714-522-9011 FRANCE Yamaha Musique France BP 70-77312 Marne-la-Vallée Cedex 2, France Tel: 01-64-61-4000 HONG KONG Tom Lee Music Co. , Ltd. 11/F. , Silvercord Tower 1, 30 Canton Road, Tsimshatsui, Kowloon, Hong Kong Tel: 2737-7688 ITALY Yamaha Musica Italia S. P. A. Combo Division Viale Italia 88, 20020 Lainate (Milano), Italy Tel: 02-935-771 INDONESIA PT. Yamaha Music Indonesia (Distributor) PT. [. . . ]