User manual YAMAHA RX-10

[. . . ] RX- 0 1 Natural Sound Stereo Receiver Ampli-syntoniseur stéréo de la série "Natural Sound" Natural Sound Stereoreceiver Natural Sound Stereoreceiver Ricevitore stereo a suono naturale Receptor estéreo de Sonido Natural Natural Sound Stereo Ontvanger OWNER'S MANUAL MODE D'EMPLOI BEDIENUNGSANLEITUNG BRUKSANVISNING MANUALE DI ISTRUZIONI MANUAL DE INSTRUCCIONES GEBRUIKSAANWIJZING SUPPLIED ACCESSORIES ACCESSOIRES FOURNIS MITGELIEFERTES ZUBEHOR MEDFOLJANDE TILLBEHOR ACCESSORI IN DOTAZIONE ACCESORIOS INCLUIDOS BIJGELEVERDE ACCESSOIRES q q q q q q q q q q q q q q After unpacking, check that the following parts are contained. Après le déballage, vérifier que les pièces suivantes sont incluses. Nach dem Auspacken überprüfen, ob die folgenden Teile vorhanden sind. Kontrollera efter det apparaten packats upp att följande delar finns med. [. . . ] If the station you want to program is weak in signal strength, tune to it in monaural manually and program it by following the procedure of the section "To store stations" on page 12. * There may be a case that this function cannot receive a station which could be received by the automatic tuning method. This is because this function receives a large volume of PI (Program Identification) data along with the station. PRESET AUTO TUNING MEMORY and Flashes. Flashes. 3 <U. K. and Europe models> ­­ PS/PTY/SEEK ­­ FREQ/PS/PTY SHIFT/EDIT ENTER/KEY MODE <General model> KEY MODE ENTER The automatic preset tuning begins from A1. Received stations are programmed to A1, A2 . . . * If more than 8 stations are received, they are also programmed to the preset station numbers on other pages (B, C, D and E) in that order. If you want to store the first station received by the automatic preset tuning to a desired preset station number. If, for example, you want to store the received first station to C5, select "C5" by using the A/B/C/D/E button and the PRESET STATIONS button soon after the display begins flashing on/off in step 2. By pressing ENTER button, the automatic preset tuning begins. The received first station is stored to C5, and next stations to C6, C7 . . . If stations are stored up to E8, the automatic preset tuning is finished automatically. 13 EXCHANGING PRESET STATIONS You can exchange the places of two preset stations with each other as shown below. <U. K. and Europe models> <General model> 2, 4 Example) If you want to shift the preset station on E1 to A5, and vice versa. 2, 4 1 2 Recall the preset station on E1 (by following the method of "To recall a preset station" on page 12). 4 <U. K. and Europe models> ­­ PS/PTY/SEEK ­­ <General models> EDIT <U. K. and Europe models> ­­ PS/PTY/SEEK ­­ FREQ/PS/PTY SHIFT/EDIT ENTER/KEY MODE <General models> EDIT FREQ/PS/PTY SHIFT/EDIT ENTER/KEY MODE Press and hold for about 3 seconds. Shows the exchange of stations is completed. Flashes 3 Next, recall the preset station on A5 by following the same method with step 1. 14 RECEIVING RDS STATIONS <U. K. and Europe models only> RDS (Radio Data System) is a data transmission system gradually being introduced by FM stations in many countries. Stations using this system transmit an inaudible stream of data in addition to the normal radio signal. RDS data contains various information, such as AF (Alternative Frequencies for the same program station), PI (Program Identification), PS (Program Service station name), PTY (Program Type name), etc. RDS function is carried out among the network stations. * This unit utilizes PI, PS and PTY to receive RDS broadcast stations. English Displaying RDS data This unit can be turned into the following two modes to display RDS data. PS (Program Service station name) mode: Displays the name of the RDS station now being received instead of the frequency. BBC R3 PTY (Program Type name) mode: Displays the program type of the RDS station now being received. There are 15 program types to classify RDS stations as follows. News: Short accounts of facts, events and publicly expressed views, reportage and actuality. Varied: Used for mainly speech-based programs usually of light-entertainment nature, not covered by above categories. Examples are: quizzes, panel games, personality interviews, comedy and satire. Pop: Commercial music, which would generally be considered to be of current popular appeal, often featuring in current or recent record sales charts. [. . . ] There are buzzing and whining noises (especially in the evening). The remote control transmitter does not work. Replace the batteries with new ones. Turn the power to this unit on. Others 21 SPECIFICATIONS AUDIO SECTION Minimum RMS Output Power per Channel 8 ohms, 20 Hz to 20 kHz, 0. 03% THD . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 50W+50W 6 ohms, 20 Hz to 20 kHz, 0. 03% THD [General model only] . . . . . . . . . . . . . . . . . . . 54W+54W Dynamic Power per Channel (by IHF Dynamic Headroom measuring method) 8/6/4/2 ohms . . . . . . . . . . . . . . . . . . . . . . 78/88/100/112W DIN Standard Output Power per Channel 4 ohms, 1 kHz, 0. 7% THD [Europe model only]. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 65W IEC Power 8 ohms, 1 kHz, 0. 03% THD [Europe model only]. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 60W Power Band Width 8 ohms, 25W, 0. 06% THD . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 10 Hz to 50 kHz Damping Factor 8 ohms, 20 Hz to 20 kHz . . . . . . . . . . . . . . . 90 or more Maximum Power (EIAJ) 1 kHz [General model only] . . . . . . . . . . . . . . . . . . . . . . . . . . . . 72W RIAA Equalization Deviation PHONO MM . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 0±0. 5 dB Total Harmonic Distortion (20 Hz to 20 kHz) PHONO MM to REC OUT (1V) . . . . . . . . . . . . 0. 02% CD/TAPE/AUX to SP OUT (25W/8 ohms) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 0. 02% Signal-to-Noise Ratio (IHF-A Network) PHONO MM (5 mV Input Shorted). . . . . . . . 82 dB CD/TAPE/AUX (Input Shorted) . . . . . . . . . . . 105 dB Channel Separation (Vol. ­30 dB) PHONO MM (Input Shorted 1 kHz) . . . . . . . . . . . . . . . . . . . . . . . . . 60 dB Residual Noise (IHF-A Network). . . . . . . . . . . . 100 µV Tone Control Characteristics BASS: Boost/cut . . . . . . . . . . . . . . . . . ±10 dB (50 Hz) Turnover frequency . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 350 Hz TREBLE: Boost/cut. . . . . . . . . . . . ±10 dB (20 kHz) Turnover frequency . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 3. 5 kHz Stereo Separation [General model] (1 kHz) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 50 dB [U. K. [. . . ]