User manual YAMAHA S03VOICEEDITOR

[. . . ] 26 · · · · · · · · Click on the red-colored text to jump to the related item in this manual. The software and this owner's manual are exclusive copyrights of Yamaha Corporation. Copying of the software or reproduction of this manual in whole or in part by any means is expressly forbidden without the written consent of the manufacturer. Yamaha makes no representations or warranties with regard to the use of the software and documentation and cannot be held responsible for the results of the use of this manual and the software. [. . . ] Similarly, set the highest note velocity ("VEL LIMIT HIGH") and key range note ("NOTE LIMIT HIGH") using the other square mark. n When dragging the square marks, values are given as (X, Y) co-ordinates, where X is the NOTE LIMIT (given as a MIDI note number) and Y is the VEL LIMIT. To view the note name instead of the note number, select the "OSCILLATOR" tab of the "EL Detail" dialog. FILTER Settings Drag the square mark vertically to set the Filter Gain. Drag the square mark horizontally to set the Filter Cutoff frequency. n Parameter values are shown when dragging the square marks. To set these values directly, select the "FILTER EG" tab of the "EL Detail" dialog. PITCH LFO Settings Click and drag the square marks (handles) to set the time-dependent behavior of the PITCH LFO. The left square mark controls the "LFO Delay. " The right controls the "LFO Fade. " n To set these values directly, select the "LFO" tab of the "EL Detail" dialog. 18 PITCH EG Settings The PITCH EG (Envelope Generator) determines the transition in pitch while the key is being held down. There are five square marks, each controlling a different stage in the envelope. The first square mark (furthest to the left) controls the "Initial Level. " The second controls the "Attack Rate/Level. " The third controls the "Decay 1 Rate/Level. " The fourth controls the "Decay 2 Rate/Sustain Level. " The last square mark (furthest to the right) controls the "Release Rate/Level. " Drag the square marks vertically to adjust levels, and horizontally to adjust the transition times. n To set these values directly, select the "PITCH" tab of the "EL Detail" dialog. FILTER EG Settings The FILTER EG (Envelope Generator) determines the transition in timbre while the key is being held down. There are five square marks, each controlling a different stage in the envelope. The first square mark (furthest to the left) controls the "Hold Rate/Initial Level. " The second controls the "Attack Rate/Level. " The third controls the "Decay 1 Rate/Level. " The fourth controls the "Decay 2 Rate/Sustain Level. " The last square mark (furthest to the right) controls the "Release Rate/Level. " Drag the square marks vertically to adjust levels, and horizontally to adjust the transition rates. n To set these values directly, select the "FILTER EG" tab of the "EL Detail" dialog. AMPLITUDE EG Settings The AMPLITUDE EG (Envelope Generator) determines the transition in amplitude over time. There are five the square marks, each controlling a different stage in the envelope. The first square mark (furthest to the left) controls the "Keyon Delay" and "Init Level. " The second controls the "EG Attack Rate. " The third controls the "EG Decay 1 Rate/Level. " The fourth controls the "Decay 2 Rate/Sustain Level. " The last square mark (furthest to the right) controls the "EG Release Rate. " Drag the square marks vertically to adjust levels, and horizontally to adjust the transition rates. n To set these values directly, select the "AMP EG" tab of the "EL Detail" dialog. 19 s Variation Effect Unit 2 4 1 3 1 LEVEL Sets the output level of the all elements sent to the Variation Effect unit. 2 TYPE Click on the text box and choose the type of Variation Effect. 4 DETAIL Click this to set the exact parameters for the respective Variation Effect via the "VARIATION EFFECT" dialog. s System Effect Unit 2 4 6 1 3 5 1 VOLUME Sets the output level of the signal from Variation Effect (or the by-passed signal) sent to the System Effect Unit. 2 SEND (REVERB) Sets the Reverb Send Level. 3 SEND (CHORUS) Sets the Chorus Send Level. 4 REVERB Shows the Reverb type used for the voice. 5 CHORUS Shows the Chorus type used for the voice. 6 CHORUS REVERB control Use this knob to set the level of the signal of sent from the Chorus unit to the Reverb unit. 20 Drum Voice Edit Window 5 6 7 8 ) 9 !@ # $ % 1 2 3 4 ^ & * ( º ¡ TM 1 KEY Shows the note name to be edited. 2 Keyboard Click on the keyboard to specify note assigned to the wave you are editing. 3 VOICE This shows the name and instrument category of the drum kit. You can also rename your edited drum kit and change the instrument category from the pull-down menu. n Kit names can consist of up to 8 characters. 4 ORIGINAL KIT This shows the preset kit's wave set that is used for the kit being edited. [. . . ] · Is OMS using the same port as that connected to the cable?Open the OMS MIDI Setup window and verify that the checkbox for the relevant port has been checked. · If the port and setup assignments are frequently altered, OMS may be unable to easily recognize the serial port. Reboot the Macintosh, set up OMS correctly, then start up Voice Editor. [. . . ]