User manual YAMAHA TG100

[. . . ] Cable/s supplied with this product MUST be used. Failure to follow instructions could void your FCC authorization to use this product in the USA. NOTE: This product has been tested and found to comply with the requirements listed in FCC Regulations, Part 15 for Class "B" digital devices. Compliance with these requirements provides a reasonable level of assurance that your use of this product in a residential environment will not result in harmful interference with other electronic devices. [. . . ] The cutoff stays at L4 until the key is released, and then moves to RL1 (Release Level 1) at the rate determined by RR1 (Release Rate 1), and finally to RL2 (Release Level 2) at RR2 (Release Rate 2). 3-3-02: LEVEL / 3-3-03: RATE 125 VOICE EDIT MODE / 3: Full Edit. 3-3: Filter Highest Cutoff (+63) RL1 Center (normal) Cutoff L0 q R1 L1 q RR1 R2 R4 RL2 q q L3 L4 q L2 q Lowest Cutoff (-64) R3 RR2 q Key ON (Beginning of note) Key OFF (End of note) RS (Rate scaling) Range: -7 . . . +7 Allows the overall cutoff envelope generator rate for the selected filter to be varied across the entire pitch range (i. e. This function is only available if the "Ctrl" parameter (page 123) is set to "EG. " Plus ("+") settings produce a longer overall envelope time for the low notes and a shorter envelope time for the high notes. The maximum "+7" setting produces the greatest envelope length variation across the pitch range. Minus ("") settings produce the opposite effect -- a shorter low-note envelope and longer high-note envelope. A setting of "+0" results in no envelope length variation. 126 3-3-02: LEVEL / 3-3-03: RATE VOICE EDIT MODE / 3: Full Edit. 3-3: Filter 3-3-04: SCALE POINT [PLAY MODE] -> VCE PLAY -> [EDIT/COMPARE] -> 3: Full Edit -> [ENTER] -> 3-3: Filter -> [ENTER] -> [PAGE] -> 3-3-04: Scale Point -> [ENTER] Cutoff scaling produces natural timbre variations across the range of the keyboard by allowing different filter cutoff frequency "offset" values to be applied to each of four "breakpoints" set at appropriate keys. VCE FLT Scal Point <BP1> E 1 B 2 G 4 A 5 BP1 BP2 BP3 BP4 BP1 . . . G8 Allows four separate cutoff envelope generator level-scaling breakpoints to be set at any notes between C-2 and G8 for the selected filter. The level offsets for each breakpoint are set using the "Scale Offset" parameters in the next screen. No breakpoint can be set to a key lower than the breakpoint to its left. 3-3-04: SCALE POINT 127 VOICE EDIT MODE / 3: Full Edit. Once the copy operation has finished, "Completed!" will appear on the display briefly, then the display will return to the filter edit mode. 130 FILTER DATA COPY VOICE EDIT MODE / 3: Full Edit. 3-4: PEG 3-4-01: LEVEL / 3-4-02: RATE [PLAY MODE] -> VCE PLAY -> [EDIT/COMPARE] -> 3: Full Edit -> [ENTER] -> 3-4: PEG -> [ENTER] -> [PAGE] -> 3-4-01: Level -> [ENTER] -> 3-4-02: Rate -> [ENTER] In addition to the amplitude and filter envelope generators, the TG100 has an independent pitch EG that can be used to produce subtle or pronounced time-based pitch variations. The pitch EG has 5 programmable levels and 4 rates for extended flexibility. Although the pitch EG levels and rates are accessed via separate screens, they will be described together in this section in order to provide a clearer overall picture of pitch EG operation. 3-4-01: Level VCE PEG Level <L0> 0 +4 0 -5 0 L0 3-4-02: Rate L1 L2 L3 RL VCE PEG Rate <Loop> on 2 2 2 1 0 Loop R1 R2 R3 RR RS L0 . . . +63 These parameters work in conjunction with the rate parameters described below to determine the "shape" of the pitch envelope generator for the selected element. Unlike the amplitude envelope generator, the "Level" parameters of which actually correspond to volume levels, the pitch envelope generator level parameters correspond to pitch. Plus "+" values produce higher pitch while minus "" values produce lower pitch. "0" level values produce normal pitch. 3-4-01: LEVEL / 3-4-02: RATE 131 VOICE EDIT MODE / 3: Full Edit. 3-4: PEG Loop Range: off, on When the Loop parameter is set to "on" the pitch EG cycle repeats from the beginning (L0) to the L3 level until the keys being played are released. When set to "off, " the L3 level is maintained until the keys being played are released. R1 . . . [. . . ] 102 LFO offset . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 55 LFO phase . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 137 LFO speed . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 102, 136 LFO velocity sensitivity . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . [. . . ]