User manual YAMAHA TG500

[. . . ] IMPORTANT NOTICE: DO NOT MODIFY THIS UNIT!This product, when installed as indicated in the instructions contained in this manual, meets FCC requirements. Modifications not expressly approved by Yamaha may void your authority, granted by the FCC, to use the product. IMPORTANT: When connecting this product to accessories and/or another product use only high quality shielded cables. [. . . ] 3-3: Filter 3-3-05: SCALE OFFSET [PLAY MODE] -> VCE PLAY -> [EDIT/COMPARE] -> 3: Full Edit -> [ENTER] -> 3-3: Filter -> [ENTER] -> [PAGE] -> 3-3-05: Scale Offset -> [ENTER] The Scale Offset parameters set the amount of level offset for each of the four level-scaling breakpoints set by the "Scale Point" parameters in the preceding screen. VCE FLT Scal Offset<BP1> -4 +10 +17 +4 BP1 BP2 BP3 BP4 BP1 . . . +127 Negative values lower the cutoff frequency, and positive values increase the cutoff frequency at the corresponding breakpoint. No matter what value is chosen, the cutoff frequency will never exceed its minimum or maximum value. When different offset values are applied to adjacent breakpoints, the cutoff frequency varies smoothly between the breakpoints. Cutoff frequency 127 BP2=90 80 BP1=76 BP3=97 BP4=84 0 E1 B2 G4 A5 128 3-3-05: SCALE OFFSET VOICE EDIT MODE / 3: Full Edit. 3-3: Filter 3-3-06: SENSITIVITY [PLAY MODE] -> VCE PLAY -> [EDIT/COMPARE] -> 3: Full Edit -> [ENTER] -> 3-3: Filter -> [ENTER] -> [PAGE] -> 3-3-06: Sensitivity -> [ENTER] These parameters determine how the filter envelope generator is affected by keyboard dynamics. VCE Flt Sens <Type > EG_shift-- +45 0 Type Vel RateVel Type (Velocity sensitivity type) Range: EG_attack, EG_shift Determines whether changes in key velocity (keyboard dynamics) affect the attack level of the filter EG or its cutoff frequency. When set to "EG_attack", velocity affects filter EG attack level, and when set to "EG_shift", velocity affects the filter cutoff frequency. Vel (Velocity sensitivity) Range: -63 . . . +63 Determines how the filter cutoff frequency changes in response to velocity changes (e. g. Plus "+" settings produce higher cutoff frequencies in response to higher velocity values -- i. e. the harder a key is played, the higher the cutoff frequency. The maximum setting of "+63" produces the maximum level variation in response to velocity changes. Minus "" settings produce the opposite effect: lower cutoff in response to higher velocity. A setting of "+0" results in no cutoff variation. RateVel (Attack rate velocity sensitivity) Range: -63 . . . +63 Determines how key velocity (keyboard dynamics) affect the attack portion of the filter EG envelope. Plus ("+") settings produce an increase in attack time in proportion to key velocity, while minus ("") settings produce a decrease in attack time in proportion to key velocity. The greater the value the greater the change in attack time. 3-3-06: SENSITIVITY 129 VOICE EDIT MODE / 3: Full Edit. 3-3: Filter FILTER DATA COPY [PLAY MODE] -> VCE PLAY -> [EDIT/COMPARE] -> 3: Full Edit -> [ENTER] -> 3-3: Filter -> [ENTER] This function facilitates voice editing by allowing the filter parameters from any other voice (the "source" voice) to be copied to the current voice. You can copy a filter setup that is close to the type you want, then edit it to produce the required sound. Press the [STORE/COPY] key while in the filter edit mode. VCE FLT Copy from? 62:SC Klav Use the [MEMORY] key to select the internal, preset, or card memory; then use the [-1/NO] and [+1/YES] keys to select the voice from which the filter data is to be copied. Once the source voice has been selected, press the [ENTER] key. "Sure?" will appear on the display. VCE FLT Copy Sure? 62:SC Klav Press the [+1/YES] key to copy the filter data, or press [-1/NO] to cancel the copy operation. [. . . ] 139 LFO waveform . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 136 list . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 19 memory . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 16 memory banks . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . [. . . ]