User manual YAMAHA VL1E2

[. . . ] Feature Reference Owner's Manual 2 Feature Reference Contents About the Manuals . s The Feature Reference Manual (this manual) . 60 · Hall1, Hall2, Room1, Room2, Studio, Plate, Space, Reverse . 86 · 2-1: Breath Noise Level Key Scaling . [. . . ] The higher the value the higher the output. q Tap Output 0 . . . 127. By "tapping" the output from a specific point along the instrument's pipe or string and mixing that signal with the Driver and Pipe/String signals, a range of variations can be produced. The higher the value the higher the output. q Tap Sign -, +. Sets the phase of the tap signal: "+" for positive or normal phase, "-" for negative or inverse phase. q Tap Setting Variable, Driving Point. When set to "Driving Point" the tap location is fixed at the instrument's driving point (mouthpiece or bow/string interface). When set to "Variable" the tap location is determined by the "Tap Location" parameter, below. 98 Feature Reference q Edit Mode q Tap Location 0 . . . 99. 2 %. This parameter only appears when the "Tap Setting" parameter is set to "Variable", and is used to set the location of the tap at an appropriate point along the instrument's pipe or string. Driver Signal Tap Signal Element Miscellaneous Driver Pipe/String Mixing Pipe/Strings Signal Modifiers Driver signal to Harmonic Enhancer Output Mixed Output 99 Feature Reference q Edit Mode 4-1: Mixing Driver Output Key Scalling Mixing driver output key scaling produces natural timbre variations across the range of the keyboard by allowing different driver output offset values to be applied to each of six breakpoints set at appropriate keys. · The ¶ button ("Fpag") can be used to go directly the next throat formant key scaling page without having to return to the main parameter page. q DrivOut 0 . . . 127. The "DrivOut" parameter is linked to the main throat formant "Driver Output" parameter, and has the same effect. This value also determines the main output level on which all key-scaled variations are based (indicated by a dotted line on the graph). q Breakpoint 1 . . . G8. Allows six separate key scaling breakpoints to be set at any notes between C-2 and G8. You can position the cursor at the appropriate breakpoint key parameter and use any of the normal data entry procedures, or use the keyboard. To use the keyboard for breakpoint entry, position the cursor at the appropriate breakpoint key parameter, press the · button ("Kbd"), and then press the key at which you want to set the breakpoint while "Kbd" appears in inverse characters. No breakpoint can be set to a key lower than the breakpoint to its left. q Breakpoint 1 . . . 63. Set the amount of output offset for each of the breakpoints defined by the breakpoint key parameters, above. Negative values reduce the output, and positive values increase the output at the corresponding breakpoint. No matter what offset value is chosen, the actual output level will never exceed its minimum or maximum absolute value. When different offset values are applied to adjacent breakpoints, the output varies smoothly between the breakpoints. 100 Feature Reference q Edit Mode 4-2: Mixing Pipe/String Output Key Scalling Mixing pipe/string output key scaling produces natural timbre variations across the range of the keyboard by allowing different pipe/string output offset values to be applied to each of six breakpoints set at appropriate keys. Element Miscellaneous · The § and ¶ buttons ("Bpag" and "Fpag") can be used to go directly backward or forward to the next mixing key scaling page without having to return to the main parameter page. q P/S Out 0 . . . 127. The "P/S Out" parameter is linked to the main mixing "Pipe/String Output" parameter, and has the same effect. This value also determines the main output level on which all key-scaled variations are based (indicated by a dotted line on the graph). q Breakpoint 1 . . . G8. Allows six separate key scaling breakpoints to be set at any notes between C-2 and G8. You can position the cursor at the appropriate breakpoint key parameter and use any of the normal data entry procedures, or use the keyboard. To use the keyboard for breakpoint entry, position the cursor at the appropriate breakpoint key parameter, press the · button ("Kbd"), and then press the key at which you want to set the breakpoint while "Kbd" appears in inverse characters. No breakpoint can be set to a key lower than the breakpoint to its left. q Breakpoint 1 . . . 63. Set the amount of output offset for each of the breakpoints defined by the breakpoint key parameters, above. [. . . ] Tel: 686-00-33 KOREA Cosmos Corporation #131-31, Neung-Dong, Sungdong-Ku, Seoul Korea Tel: 02-466-0021~5 PORTUGAL Valentim de Carvalho CI SA Estrada de Porto Salvo, Paço de Arcos 2780 Oeiras, Portugal Tel: 01-443-3398/4030/1823 MALAYSIA Yamaha Music Malaysia, Sdn. , Bhd. 16-28, Jalan SS 2/72, Petaling Jaya, Selangor, Malaysia Tel: 3-717-8977 BRASIL Yamaha Musical Do Brasil LTDA. Reboucas 2636, São Paulo, Brasil Tel: 55-11 853-1377 GREECE Philippe Nakas S. A. Navarinou Street 13, P. Code 10680, Athens, Greece Tel: 01-364-7111 PANAMA Yamaha De Panama S. A. [. . . ]