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Detailed instructions for use are in the User's Guide.
[. . . ] Operation Manual
Thank you for selecting the ZOOM G1/G1X (hereafter simply called the "G1/G1X"). Please take the time to read this manual carefully to get the most out of this product and to ensure optimum performance and reliability. Keep this manual at hand for future reference.
Contents
SAFETY PRECAUTIONS / Usage Precautions . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2 Terms Used in This Manual . . . . . . . . . . 3 Controls and Functions / Connections . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 4 Selecting a Patch . . . . . . . . . . . . . . . . . . . . . . . . . . . 6 Using the Tuner . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 8 Using the Rhythm Function . . . . . . . . 10 Editing a Patch . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 12 Storing/Copying Patches . . . . . . . . . . . . 14 Changing the Way Patches Are Called Up . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 16 Using a Foot Switch or Pedal . . . . . 16
Using the foot switch (FS01) (G1 only) . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . [. . . ] Higher setting values result in faster modulation R 9 This effect produces a metallic ringing sound. Higher setting values result in higher modulation
frequency.
Ring Mod (Ring Modulator)
Explanation of symbols
Module selector
Tap
TAP
The Module selector symbol shows the position of the knob at which this module/parameter is called up.
Expression pedal
A [TAP] icon in the listing indicates a parameter that can be set with the [BANK UP·TAP] key.
S1 V1 1
S 9 This effect reduces the attack rate of each individual note, producing a violin playing style sound.
Higher setting values result in slower attack times.
Slow Attack
V 9 This effect simulates a half-open vintage VOX wah pedal. Higher setting values result in higher
emphasized frequency.
Vox Wah
A pedal icon in the listing indicates a parameter that can be controlled with the built-in or an external expression pedal. When this item is selected, the parameter in the module can then be controlled in real time with a connected expression pedal.
When the respective module/effect type is selected in edit mode and the [BANK UP·TAP] key is pressed repeatedly, the parameter (such as modulation rate or delay time) will be set according to the interval in which the key is pressed.
9 This effect simulates a half-open vintage Crybaby wah pedal. Higher setting values result in higher
emphasized frequency.
Cry Wah
DRIVE module
This module includes 20 types of distortion and an acoustic simulator. For this module, the two items DRIVE and GAIN can be adjusted separately.
DRIVE (Type)
Selects the effect type for the DRIVE module. FD Clean VX Clean
FD
Clean sound of a Fender Twin Reverb ('65 model) favored by guitarists of many music styles.
V
Clean sound of the combo amp VOX AC30 operating in class A.
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Effect Types and Parameters
Effect Types and Parameters
HW BG MD
HW Clean
Clean sound of the legendary all-tube Hiwatt Custom 100 from Britain.
BL MS PV
US Blues
Crunch sound of a Fender Tweed Deluxe '53.
EQ module
This is a 3-band equalizer. For this module, the three items EQ LO, EQ MID, and EQ HI can be adjusted separately.
BG Crunch
Crunch sound of the Mesa Boogie MkIII combo amp.
MS #1959
Crunch sound of the Marshall 1959 that has become legendary.
EQ LO (Prm)
Adjusts the LO band of the EQ module. Lo
EQ MID (Prm)
Adjusts the MID band of the EQ module. Mid
EQ HI (Prm)
Adjusts the HI band of the EQ module. Hi
MS Drive
High gain sound of the Marshall stack amp JCM2000.
PV Drive
High gain sound of a Peavey 5150 developed in cooperation with a worldfamous hard rock guitarist.
8
1 8 Adjusts the low range
(160 Hz) boost/cut.
8
1 8 Adjusts the midrange
(800 Hz) boost/cut.
8
1 8 Adjusts the high range
(3. 2 kHz) boost/cut.
DZ Drive
BG Drive
DD OD DS FF ED FT A
High gain sound of the hand-made German guitar amp Diezel Herbert with three separately controllable channels.
BD GV RT MT HB LD
High gain sound of the Mesa Boogie Dual Rectifier red channel (vintage mode).
ZNR/AMP (ZNR/Amp Simulator) module
This module combines two elements. ZNR is a noise reduction circuit developed by ZOOM. It removes noise during play pauses without affecting sound quality. The amp simulator recreates the sound of various speaker cabinets.
Overdrive
Simulation of the Boss OD-1 that first created the "overdrive" concept.
Guv'nor
Simulation of the Guv'nor distortion effect from Marshall.
ZNR/AMP (Type&Prm)
Selects ZNR sensitivity and amp simulator type at the same time.
dist+
Simulation of MXR distortion+ that made distortion popular worldwide.
RAT
Simulation of the PROCO RAT famous for its edgy distortion sound.
Fuzz Face
Simulation of the Fuzz Face that made rock history with its zany look and smashing sound.
Metal Zone
Simulation of the Boss Metal Zone with long sustain and dynamic lower midrange.
0 C0 B0 S0
9 This is the noise reduction function only. Higher setting values result in stronger effect. Set the value
as high as possible without causing the sound to be cut off unnaturally.
ZNR (ZOOM Noise Reduction)
ExtremeDS
High gain sound with the most powerful gain of any distortion effect in the world.
Hot Box
Simulation of the compact Matchless Hot Box preamp with built-in tubes.
C 9 Combination of ZNR with amp simulator that recreates the sound of a combo amp with closed-back
cabinet. The right-digit value controls ZNR sensitivity.
Combo & ZNR
Flat Clean
Zoom original flat clean sound.
Lead
Smooth, bright distortion sound.
B 9 Combination of ZNR with amp simulator that recreates the sound of a bright combo amp with openback cabinet. The right-digit value controls ZNR sensitivity.
Bright Combo & ZNR
Aco. Sim
This effect makes an electric guitar sound like an acoustic guitar.
S 9 Combination of ZNR with amp simulator that recreates the sound of a stack amp cabinet. The rightdigit value controls ZNR sensitivity.
Stack & ZNR
GAIN (Prm)
Sets the DRIVE module parameters. When TYPE is set to a distortion effect type Gain
0
30
Adjusts the gain (distortion intensity) for distortion effect types.
When TYPE is set to Aco. Sim TOP
0
10
Adjusts the characteristic string tone of acoustic guitar.
* Manufacturer names and product names mentioned in this listing are trademarks or registered trademarks of their respective owners. The names are used only to illustrate sonic characteristics and do not indicate any affiliation with ZOOM CORPORATION.
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Effect Types and Parameters
Effect Types and Parameters Pitch Bend Pedal Position
MODULATION module
This module comprises effects such as chorus, pitch shifter, delay, etc. For this module, the two items MODULATION and RATE can be adjusted separately.
MODULATION (Type&Prm1)
Selects the MODULATION module effect type and controls parameter 1 at the same time. [. . . ] Passionate crunch sound played by Carlos Santana. Choking up with soul is what it's all about.
BG Crunch
ARTIST
Kurt Clean ZZ Drive Rage Riff Angus Lead El Rayo Clean Anthem Who Bleed Steve Lukather Joe Walsh MilkyWay
Nirvana's much missed genius, Kurt Cobain loved this clean sound with its interweaving modulation, as can be heard for Chorus example on "Come As You Are". Gibbons from the hard Boogie band ZZ Top. Sling your guitar low and try the patch for BG Crunch intense backing or slide play. [. . . ]
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