User manual ZOOM G3

[. . . ] Great patch patch for droning, almost Sitar like riffs and leads. A heavy rhythm tone reminiscent of Arch Enemy’s early albums. Early Arch Enemy style lead tone with Delay. Early Arch Enemy style lead tone with Delay and Chorus. [. . . ] A lead tone patch reminiscent of my lead tone on Carcass’ “Heartwork” album. A great sound if you wish to add some dirt and grit to your recording!A perfect sound for the shred hungry player!Flanger and an analog style delay, this is a really cool sound and you can control the amount of delay effect with the expression pedal. Great sound for huge, slow melody lines!Swell sound, slow attack, can be useful to add some textures and “sound effects” to a recording. Early Swedish Death Metal rhythm tone, very bass heavy and extreme!A sound inspired by the “Painkiller” era JUDAS PRIEST lead tone… A really cool and demonic sounding swell sound!A great sound for some psychedelic and spaced out leads, or try it for some funky riffs!Acoustic sound with phaser, it doesn’t get much more 70’s than this! acoustic sound with flanger and an analog style delay. reminiscent of Zappa "Ships Ahoy". Phased and clean with sharp attack that's good for smacking rhythms. Clean tone with delayed attack and heavy FX dimensioning. Long, rich, cavernous kind of clean tone. Stare into the night sky and play descending double stops in a Lydian sharp 5 scale. Clean warm sound with folding reverse echoes in a lush hall. " Auto Wah , StereoChorus , Hall , etc. Play a solo with jumping intervals on every note. Wet wet wet, lush clean tone with forever delays in all directions. Try playing tension chords with sight whammy bar vibrations. heavy phased and revered delay melody tone. [. . . ] The sound responds to the guitar volume. Heavy, but the sound still has a classic Marshall sound. Great for heavy riffs with tuned down guitars. Natural overdriven sounds like OD-1 with EQ. [. . . ]